Brighton Music Blog 2017 Top 25 – numbers 10-6

We gave you numbers 25 through to 11 last week, now it’s time for the bottom half of our top ten

10 : Saint Etienne
Home Counties is one of our most listened to albums this year, and Saint Etienne would have score even higher if more than just one of the trio lived in the city. Pete Wiggs is also half of The Séance DJ duo alongside James Papademetrie, and have just released a track called Chetwynd Haze on compilation All The Merry Year Round for the experimental music site A Year In The Country.

9 : Alien Stadium
There was a period when I was younger when supergroup was a dirty word – a sign of excess and mutual back slapping. However, Living in Elizabethan Times – The Super Furry Animals-esque aliens-are-watching concept mini-album made by Steve Mason and Primal Scream’s Martin Duffy – doesn’t overstay it’s welcome with only four tracks, and sounds like two world class musicians making the music that they want to make, free of the constraints of delivering a dozen three minute songs to make an album for a record label.

8 : Porridge Radio
Technically Porridge Radio’s album Rice, Pasta and Other Fillers originally came out in last year, but it’s vinyl pressing only came out in March and the number of barnstorming gigs they’ve played this year have earned them a place in our top ten.

7 : Dog in the Snow
Helen Brown’s debut album Consume Me was released in very busy autumn for her. As well as her own launch shows, she’s also been part of the touring band for Simon Raymonde’s Lost Horizon’s project.

6 : Physics House Band
Physics House Band are one of those local acts I’d implore everyone to see live, simply to marvel at their musicianship and incredible talent. On top of that they’ve had a fantastic album out this year – Mercury Fountain which came out in April.

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Spectrum / Dog in the Snow Album Launch gallery

Last night we went along to our first Spectrum gig in about eighteen months. They haven’t been quite as frequent in that period, but those that there have been we haven’t been able to make it along to. Now that they’re back to monthly again, hopefully they’ll be appearing a bit more regularly in these pages too. Continue reading

New Brighton Music

It’s been a fortnight since our last New Music roundup, so we’re playing catchup from the off. We’ll kick off with the new EP from Yonaka, Heavy, which came out last Friday. As mentioned in our gig preview post they’re playing in a few weeks time at Patterns, and then again at the Green Door Store in January. Here’s EP lead track Bubblegum:
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October Gig Previews

Here’s our now-officially-regular-again October gig preview post. And it’s only the 3rd October! It’s getting nearer to the start of the month every time we do one.

21199608_10155790394317376_1071634475236220162_oThere’s a lot to see this weekend, and hopefully something for everyone. On Friday night (6th) you could opt for The Dials, who launch their album at the Hope & Ruin, accompanied by a lightshow by Innerstrings and also a DJ set by Steve Mason. Alternatively you could head to the Rosehill where Shona Foster plays with her new band, supported by Ellie Ford. Or you could head to the Prince Albert, where Sparrow (or should that be Sprrw these days?) launch their new album21762858_1975943142689831_1015946315148142499_o. Continue reading

New Brighton Music

It’s only been 10 days since our last New Music post, but somehow it feels like we’ve got a month’s worth of new music to share. Things are normally quiet in August, but the last couple of weeks have gone crazy. First up is the new single from Other States entitled Come Back To Me. Other States headline Brighton Electric on 19th September.
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New Brighton Music

Back to a normal sized New Music post this week, which doesn’t take me several evenings to write up. We’ve got plans for a new album roundup later this week too, so watch this space.

Our first track this week is Impossible Objects of Desire by Fujiya & Miyagi, taken from their self titled album, or EP3, depending on how much you like vinyl. Listening to the lyrical content of the track, I’d say that they’d probably describe it as being from EP3:

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