Time for another new music post. This time around we’ve got new ones from Orchards (who also announced details of their new album this week, which you can pre-order from their website), and Wax Machine (which can be pre-ordered through their bandcamp page amongst other places) who also appear on the new Hill album which is included too. Oh, and for Penelope Isles fans we’ve also got the new Ciel track, produced by Jack Wolter.
Orchards / Sincerely Overwhelmed Hanya / I’ll Do It Tomorrow Kudu Blue / Are You With Me Wax Machine / Shade Fat City / A New Exit Ciel / The Shore The Mann and I / Bad Publicity Fragile Creatures / Big Red Button Koala Club / 360 Kev Minney / Borrow More Hill / God Sticks To The Pan (from Into Outta This World LP) Oxomo / Wake Up Kymara / You
I’m not a fan of end of year lists. There’s the forced ranking of things, introducing subjectivity and pitting people against each other. There’s the fact that you might not remember things from the start of the year as well as recent tracks, or that some songs sounded great in the sunshine but right now it’s cold, wet and miserable. So instead, here’s a few tracks from 2018 that are highlights for us. No particular order, no claims that one is better than another, just what we think are a bunch of great tunes. There’s a few maybe more obvious bands missing (naming no names) – it’s been a brilliant year for Brighton Music – but some of the bands you might be thinking of haven’t been in touch, or haven’t got back to us when we’ve been in touch. Given how successful they’ve been they obviously haven’t needed a blog like us, and it’s not like we’ve been short of great music to post this year. Anyway, we’ve tried to post bandcamp links where we can, so if you like what you can hear, you can click through and buy from the site where the biggest proportion of the price goes back to the artist: Continue reading →
Every other blog post made today is probably a spooky Halloween themed blog post, but for us the date being the thirty first signifies that it’s time for our next new music post. Sometimes we that by a day or two, but we’ve got our housein order because the first gig to plug is a night called In Heaven Everything Is Fine, being put on tomorrow night (Thursday 1st November) by Super8Sync at The Nightingale Room above Grand Central. Nick Hudson (from The Academy of Sun), Mudlow, Seadog and Blatnova are all on the bill, accompanied by visuals from Cinema Iloobia and TAOS films. Continue reading →
It’s been a few weeks since out last post for which we can only apologise – we had a holiday, then jet lag, and only now we’re back on the blogging wagon. In that time both The Magic Gang and Fickle Friends have released their albums, and it seems to have been one of the busiest periods for other bands to share new music. We’d have no hope of catching up if we wrote up our new music post the way we normally do, with us much info as we have and details of any upcoming gigs, so for this post we’re going to keep things brief – just names of bands and tracks – and hopefully by next week we can get back to normal.
The beast from the east might be making it feel like deepest midwinter, but it’s actually the first day of March, so it’s time for some more another gig preview post. First up, this weekend AK/DK play their first Brighton gig since their album launch at the end of last year. It’s at Patterns on Saturday night, and support comes from Fruity Water.
Then on Tuesday 6th March Guru and Hake launch their new release at the Green Door Store. The split 10″ contains Medicine Man by Guru and After Space Legacy by Hake and can be bought at the show. Continue reading →
Making end of year lists is tough, especially for us. No, hear us out – this isn’t just some sob story. Most of the bands we write about are just starting out, so haven’t had albums out yet – should they be lower down the list or even omitted because they haven’t put out a long player? And conversely what about the bands who have released an album – surely they shouldn’t be higher in the list by default. And what about the more established bands – should we be including them at the expense of smaller bands? And how are we going to get around the fact that bands with more recent release or live dates are nearer the front of our mind than those who put records out at the start of the year? It’s a metaphorical minefield, so our list is rather arbitrary. It could easily have been twice as long, and as usual we’ve gone for bands rather than tracks or albums to get around it. Here’s numbers 25 through to 11: Continue reading →