If you want a fun night out you can’t go wrong with Jackson and Big Jim. They headlined at the Green Door Store on Friday night and once again had the audience dancing with their lively mix of soul, rockabilly, r’n’b and swing.
Jackson of Jackson & the King Kickers
Jackson is a really dynamic front person with a great voice and she pulls some great moves. Big Jim on the accordion and occasional lead vocals adds some variety. They have a good range of songs and tight rhythm and horn sections that provide a lively celebratory feel. When they launch into their cover of the Waterboys’ Fisherman’s Blues the whole joint started jumping.
I’ve done my best to attend the Juice and Source new music nights religiously since I started the blog, so when this month came around and they both ended up on the same night, I was in a bit of a quandary. There was only one thing for it – attend both nights. The Juice night started a little bit earlier and finished a bit later, so my plan was to get to the Haunt for the opening act, then head over to the Pavilion Theatre, then back to the Source for their headliner. Continue reading →
I was wondering when I’d get to write about The Levellers. As out of fashion as they might be, they were probably the first band I acknowledged as being from Brighton, back in my student days when I’d jump up and down at The Event, drunk on watered down Snakebite, to the sounds of One Way.
The new Levellers single, called Truth Is, comes out Saturday 21st April. Most singles normally get released on mondays, but this is coming out on the saturday to coincide with Record Store Day, where their contribution to the many limited items available will be the single released on 7″ red vinyl.
You probably don’t need telling what the Levellers single sounds like – just close your eyes and picture the words “folk rock”.
Last time I saw Abi Wade, back in December of last year, she was playing the acoustic spot at the Source New Music night at the Pavilion Theatre. Her ‘Of Blood and Air’ EP had just been released, but she was playing to a largely unappreciative audience. In the past three months a lot has changed, because last Thursday night she played to a packed out hall at the Old Market, where the crowd were hanging on every note. Support came from Dan Edwards & Max Crawford, and Luke Sital-Singh. Rumours of me having missed the support because I was distracted in The Conqueror around the corner are unfortunately true. We arrived just as Abi’s set started, and my companions marvelled at both the simplicity and the complexity of her setup. With just one person on stage, it is quite incredible that the sound of a whole band is produced. Somehow, with the aid of a tambourine and a stomp box on drum pedals, cello strings being bowed, and plucked, and the cello body being tapped with the bow, and drumsticks and even a hairbrush, and warm rich sound was created which, had you not been watching, that thought that it was only being created by one person wouldn’t have even crossed your mind. For three quarters of an hour, we were treated to a selection of tracks from the debut EP, and a whole host of other material, including an interesting cover of One Hand Holding by The Maccabees. We were left wanting more, which is the way thing should be – thankfully, Abi’s got a lot more gigs coming up soon: On 18th April at The Haunt (supporting Sea of Bees, with fellow Brightonions Heliopause also on the bill), 27th April at The Hope (supporting Dan Mangan) and 13th June at the Prince Albert (supporting mancubbabywoman)
I say The Impellers, but actually, I’m just meeting up with one of them. The Impellers are a ten piece funk band, but I’ve popped down to The Basketmakers to catch up with main man Glenn Fallows (known onstage as Ed Meme), in advance of their new seven inch being released next Monday.
Glenn Fallows of The Impellers
RO: The single’s called…
GD: The Knock Knock. We supported James Taylor Quartet in 2010, there’s some stuff on YouTube from that show, and that was one of four or five tracks from that was uploaded. I think that was the first track I’d written after the first album came out, so it’s been around for quite a long time now, but it’s sort of evolved a bit more. The live version’s got all kind of extra added solos, and a bit of rock at the end, and we like to mess with the tempos at the end. The outro’s longer than the actual song itself. The 7″ is just three and a half minutes of dirty funk.
This week sees the release of Thomas White’s new album Yalla, and I thought I’d find out a bit more about from him via the pubs he lists in the lyrics of the closing track English Sargasso: The Dorset, the Hand in Hand, Fitzherbert’s and The Globe.
Thomas White - Yalla!
We start things off at The Dorset, or to give it it’s full title, The Dorset Street Bar. There are records of The Dorset being a pub going back to 1845, so it’s been a firm fixture in Brighton for quite some time. Continue reading →
Two Brighton acts’ forthcoming album streams have popped up on the web this week. The new Blood Red Shoes album In Time To Voices is available to stream at NME.com, and the new Grinderman remix album is available on the Guardian website. Take a listen to them here: