Welcome to our first new music post of 2020. We’re on catchup somewhat, having not made any new music posts in December or so far in January, so we hope you’re sitting comfortably. We’re kicking off with two albums, the first from some Brighton legends who’ve kept us waiting for six and a half since their last record, and the other from the ambient solo project of one of our city’s most prolific drummers: Continue reading
It’s Christmas Eve Eve, and we’ve left it a bit late to come up with our end of the year round up. Without much further ado, here it is – We say it every year, but this isn’t an ordered list, because you just can’t compare a band who’ve been releasing records for over twenty years with another who’ve just put out their first release. So hopefully there’s something in here for everyone, whether you’ve been listening to Nick Cave since he played with The Birthday Party, or you discovered CLT DRP at a sweaty night at the Green Door Store: Continue reading
We’re going to have a switch around this week, because for a change there’s less Spotify stuff to share than stuff from other platforms. Don’t miss out on the Spotify link though, because there’s the brand new track from Blood Red Shoes in there. Continue reading
I know we made a gig preview post at the start of May, but there’s a couple of events this weekend that we didn’t have full details over before, but also deserve a special separate post.
The first is the Mind My Music all dayer at the Circle Arts Centre in Portslade this Saturday. It’s headlined by BC Camplight, who won over everyone who saw them at the Great Escape last weekend and who has also just announced details of their new album on Bella Union due in August. Also on the bill is a rare opportunity to see The Electric Soft Parade, as well as a host of other local artists. The one day festival is being put on to raise funds for Music Minds Matter, a charity providing mental health support to the music industry, which following several sad events this year seems more necessary than ever. You can find out more, including where to buy tickets, on their Facebook event page. Continue reading
Number four in our 2016 Top Ten is Tom White’s The Fiction Aisle. The Fiction Aisle issued their second album Fuchsia Days this year, showing that 2015’s gorgeous cinematic Heart Map Rubric wasn’t just a one off.
Saturday night in Brighton and we were getting our groove on at the Green Door Store for a free-entry night of “intergalactic sounds inspired by outer space” with four local dance-oriented acts, headlined by the legendary psych-rockers Cloud playing what I was told was rumoured to be the opening and closing night of their 2015 World stadium tour.
Opening act NJ Strange has been messing around with software and technology-based sound for around quarter of a century and laid down some smooth sounds to introduce the evening.
Second on was the electro-dance mix-meister Peter J Mason who is one half of the electro-pop high-drama-duo Becky Becky as well as re-mixer for the likes of Button Eyes, Woodpecker Wooliams and various Fence Collective acts. His high-powered hi-energy set played under the new name JOTA really got the joint moving, and well-deserved the hearty round of applause.
Third act INVADR comprised electronics-wizard Matt Garland who had programmed software to project a space-inspired light-show that was triggered by the different aspects of his 1970s synthesiser-driven dance set. It felt a bit Kraftwerk and a bit Jean-Michelle Jarre.
Finally, headliners CLOUD are a bit of a supergroup comprising a movable feast of players from the Brighton music scene past and present. Whilst guitar-based, the group include synths, electro-violin and a guest appearance on flute by Woodpecker Woolliams. The band are infrequent visitors to the stage these days but when they play live their thing is an improvised barrage of psych-inspired rock, with a lot like Hawkwind at their grooviest. They were on very good form tonight and there was a lot of dancing going on amongst the enthusiastic audience. Hopefully we’ll be seeing another space-fuelled psych night like this again soon.
Words and pictures by Jon Southcoasting
February might be the shortest month, but there was no shortage of good music. Here’s our pick of the crop from the last month:
1 – Momotaro / Warm Step
We could have put any track from Momotaro’s Second Side album at number one this month. It’s barely left the stereo since we first heard it
2 – GAPS / I Know It’s You (Foreign Skin remix)
The original version of I Know It’s You made an appearance in our January top ten, but right at the end of the month, Foreign Skin’s remix was post up, which made the track even more lush.
3 – Blood Red Shoes / An Animal
The brand new Blood Red Shoes album is out tomorrow, but if you pre-ordered it you got an early download of An Animal, which is also the single coming out on 7″ alongside the album. If you want a physical copy and tomorrow’s too long to wait I did spot that they already had it on the racks at Resident yesterday.
4 – Yumi & The Weather / Love
Yumi & The Weather gave us their Love as a Valentine’s present. We didn’t get around to posting about it (but we did retweet their link) and since then the link has gone. If you managed to grab the track – all jittery rhythms and slick vocals – then you’ll know why we’re such a fan of this.
UPDATE : Yumi & The Weather have just posted that the track is available as part of a Camels & Lions compilation which you can download for free here.
5 – Electric Soft Parade / One of Those Days
One Of Those Days was one of our favourite tracks on Idiots when it came out last year, so we’re pleased that they’ve put the track out as a single, and that we’ve got an excuse to post it up here
6 – The Wytches / Gravedweller
It’s been a great month for Brighton’s finest psychedelic rock’n’rollers. Not only have they signed to the mighty Heavenly Records, putting them on a roster alongside Toy and Charlie Boyer and the Voyeurs, but they also released their first single with the label, available on their current tour, or as a free download.
7 – Physics House Band / Titan (Ital Tek remix)
This month also saw Physics House Band put out an album of remixes of last month’s Horizons / Rapture Ep. Our pick is Ital Tek’s remix of Titan, which wrestles the original into something altogether more dancefloor friendly.
8 – Fujiya & Miyagi / Tetrahydrofolic Acid
Tetrahydrofolic Acid is the first new track released by the band since 2011’s Ventriloquizzing, and shows them heading in a much more electronic direction. To these ears it sounds like To Rococo Rot on a night out with Underworld.
9 – Milk & Biscuits / Hairstyles
Yes, we wrote about Hairstyles before, but that was when it was released as an mp3 download, and this month it’s the lead track on the first cassette released by newly founded Lick Music, who wanted a distraction from making frozen yoghurt.
10 – Michael A Grammar / The Day I Come Alive
It feels like ages since we first wrote about Michael A Grammar’s Random Vision EP, but it finally came out this month. Lead track The Day I Come Alive sounds like dreamy early period Blur.
We’ve got an interesting New Music post for you this week – new tracks from some of our city’s biggest bands as well as some exciting stuff from some of Brighton’s younger home grown talent.
Fujiya & Miyagi‘s last album (excluding solo projects Omega Male and I am Ampersand) was back in 2011. The band are back now with an album due in the spring, the first taster of which is Tetrahydrofolic Acid – much more electronic and a lot less krautrock than before:
Electric Soft Parade have put up a video for another track from last year’s Idiots. One of Those Days comes out to coincide with a Spanish tour that the White brothers kick off tomorrow:
Love Thy Neighbour, home to Abi Wade, Us Baby Bear Bones and A Lily have just signed Hypnotized. Their first release for the label will be Telesto – a five track EP coming out on 24th March. There’s a launch party at the Green Door Store on 10th March, and you can hear the title track from the EP here:
Last, but by no means least, The Hundredth Anniversary announced news of their new five track EP Wreckers this week, which is released on 17th March. Only a hundred copies are being pressed and if you can pre order it from the Odd Box bandcamp page. you get an early download of It Becomes Us from the EP:
Pretty much every interview we post up undergoes a bit of editing of sorts, sometimes to cut out duplication in what’s been said, or maybe to move around the order of the discussion to give things a bit more continuity. Every now and then things get edited out because you think that your interviewee might be throwing in little white lies to see if they’ll get published, and so it was when I spoke to Thomas White of the Electric Soft Parade around the time he put out his solo album Yalla. At the end of the discussion, after we’d both had a few drinks, I asked him what he was up to next – “I’m doing a cover of the whole of Fleetwood Mac’s Rumours” he said with a smile on his face. “I’ll send it to you”. I’ll admit to having been a bit dubious about the idea of someone who has a seemingly constant flow of new ideas covering a whole album and I didn’t hear any more until Idiots got released last year. “Ha!” I thought at the time, “I was right not to include that bit”.
He who laughs last laughs longest though, and on their recent mini-tour a couple of limited edition cds appeared on the merchandise table – As well as Thomas’ version of Rumours, Alex White has made a full album cover of Steely Dan’s Katy Lied. Both albums are very faithful reproductions rather than reinterpretations of the originals, pretty much note for note what was played on the seventies classics, and both are now up on Bandcamp:
Our penultimate choice in our advent calendar is the band who brought out our favourite album of 2013. Back in the spring, Thomas and Alex White released the Electric Soft Parade’s first single in over six years with Brother You Must Walk Your Path Alone, which was followed up by the widely acclaimed album Idiots, which we called as Album of the Year on pretty much first listen. It’s difficult to pick out just one track, because everything on the album is so well crafted – apparently over thirty songs were rejected as not being up the high water mark that the band had set – but it’s breezy Summertime in My Heart that got the most spins, the perfect accompaniment to warm, blue sky days we had this summer.