Goodbye / These Things Take Time EP launch at Alphabet supported by Lindow Man

Goodbye released their debut EP These Things Take Time a couple of weeks ago on 26th March, but the launch tour didn’t arrive in Brighton until last night so here’s our slightly late post about it. Since their arrival on the scene eighteen months ago Goodbye have been ones to watch, and their EP fulfills the promise they’ve shown. Shimmering guitars that rise and fall brush up against soaring vocals, one moment powerful then in a moment gentle like gossamer. It’s dream pop, it’s shoegaze, it’s what you should be listening to in our opinion.

Support at the gig came from newcomers Lindow Man, half of whom were former members of blog favourites Van Zon. Lindow Man hit harder than Van Zon ever did on record, but some of their last gigs before their split hinted at harder material so maybe this is what became of those songs. I haven’t seen any line ups at all yet, but I wouldn’t be surprised to see them on the line up of an alt escape bill next month somewhere, if you do want to try and catch them.

These Things Take Time by Goodbye is out now:

 

 

Ladylike / It’s a Pleasure of Mine, to Know You’re Fine EP Launch at Green Door Store

If you hadn’t heard, Ladylike are back, with their first full length EP, the six track It’s a Pleasure of Mine, to Know You’re Fine. It sounds like the Ladylike you might have been familiar with if you’d have seen them a year ago, but bigger and better, like the difference between watching a film on television vs watching at the cinema. Burning Heather is split into two parts which appear non consecutively on the EP. Rome (In Progress) starts off like a folk song then gets huge by the end. Fresh Linen clocks in at almost seven minutes, but with not a second wasted. If you haven’t listened yet, do yourself a favour and remedy that right away.

They’re playing a short tour, which kicked off last night at Green Door Store.. Click through to view the photos large:

 

Flip Top Head – Trilateral Machine EP launch

On Saturday Night Flip Top Head played a gig to launch their second EP Trilateral Machine at St Augustines Church (which has actually been an Arts Centre for seven or eight years, but this is the first gig that we’ve been aware of here). Support came from Joel Whittaker, sometimes known as the bassist in Keg (who I missed, unfortunately), and My Precious Bunny, the new project from Penelope Isles’ Lily Wolter (who far exceeded my expectations).

It goes without saying that the EP is a beautiful thing – Math / post rock with heart and soul. If you haven’t heard it, stream it right away, or better still, head over to their bandcamp and buy yourself a copy.

 

Goodbye / Meat single launch at Bella Union Shop

Goodbye‘s debut single feels like it’s been a long time coming – At their first gigs back in Summer 2024 they already felt like a band who had been around for a while. They had songs, they had stage presence, they had a fully formed sound that takes some bands years to establish. I guess what they didn’t have at that point was a reputation, so they’ve been working hard since then and the time is finally right for them to share their first release. Meat has been a staple of their live sets for as long as I remember and appeared on the live cassette that came out back in March as a way of getting some music out into the world before a proper release. The band’s PR calls it dreampop, but there’s definite 80s / 90s indie sound to their guitars (I’m sure I heard someone that they’re named after a song by The Sundays but I can’t find anything online to support that, so don’t quote me on that).

In lead vocalist Megan Wheeler’s own words: “‘Meat’” sort of touches on the idea that some men see women as lustful objects rather than human beings, ogling them as meat. Sometimes you catch a stranger’s eye and they look right through you, as though they are stripping you of everything you are, your personality, skills, talent reduced to just meat. In my experience the majority of women I know have felt this in some form so I kept the lyrics deliberately vague and open to interpretation.”

Last night the band played a launch at the new Bella Union Shop, supported by Atticomatic. The room was packed so I’m glad I got down early for a good view to have the night captured for posterity.

 

Meat by Goodbye is out now

 

George Bloomfield / Now & Then album launch

On Tuesday night, George Bloomfield launched his new album Now & Then at Alphabet with a full eight piece band, supported by Soft Top (who also had a cast of thousands on stage). George and his band played the album roughly in order, with a few non-album tracks tucked in the middle. In lieu of an encore the closed with Space Between which came out a couple of years ago.

We were down the front with our camera to catch the action (click through to view large):

 

Tinderbox Presents…

If you’re anything like me, you probably aren’t really aware of Tinderbox. Maybe if you were paying attention you might have seen a poster for this week’s Human Interest gig at the Hope & Ruin and thought they were promoters. Actually, Tinderbox is a non profit artist development and music production house, based in Sussex and funded by the Arts Council. In their own words the “exist to make sure cool, diverse music keeps getting made by cool, diverse working artists, who increasingly can’t afford to get into the studio”. The team behind Tinderbox are made up of Lucy Sheehan from Projector, producer / engineer Ben Hampson, who’s been involved an impressive list of bands from Brighton and beyond, and Suzi Ireland, a music industry professional with decades of experience across management, promotion and journalism.

They’re putting on the gig on Wednesday to support some bands they’ve worked with over the last year – Human Interest, That Band Called Susan and Brighton’s Atticomatic. Keep your eyes peeled for future Tinderbox gigs which they’re hopefully putting on a couple of times a year, and if you’re a musician looking to advance your career, maybe look them up and get in touch with them

The New Eves – The New Eve is Rising

When I first saw The New Eves back in 2023, I knew instantly that they were something special. The first sign was the hushed reading of their manifesto, read out by Nina Winder-Lind to a rapt audience (which has been recorded for the album as opener The New Eve). There was the fact that they played rock’n’roll but rejected the traditional guitar bass and drums format. And it was because as well as playing rock and roll they switched effortlessly to earthy, visceral folk music. There was also the way they mixed up the instruments they played throughout the set – Nina Winder-Lind on both cello and guitar, Ella Oona Russell on drums and flute, Kate Mager on bass and the biggest harmonica you’ve ever seen, and Violet Farrer on guitar, violin and interpretive dance. All the old rules were out of the window. Their name and their lyrics are steeped in literature and poetry, but rather than being a haughty intellectual pursuit the band translates this into something very accessible.

And tomorrow their album, The New Eve is Rising is released. Featuring all Highway Man, Cow Song and Astrolabe, which have all been singles, as well as the aforementioned The New Eve, and a handful of other tracks, the New Eves are not just rising is not just rising, but have very much arrived.

The New Eves are playing a host of instores over the next few weeks, including Resident on 8th August, and are hitting the road in September for a bigger tour in September, stopping off at Concorde 2 on 9th October. The New Eve is Rising is released on Transgressive Records on 1st August

Folklore Vol. 2

On Friday the 25th, Folklore release their second showcase EP, Folklore Vol. 2, so I caught up with Folklore head honcho Jacko Hooper to get the low down on the acts and the accompanying launch gig. Volume one was a 7″ record, but for this release (and probably future releases in the series) they’ve switched to the 10″ format. Initially driven by the length of the songs, which wouldn’t have sounded as good with the physical constraints of a 7″, there’s something alluring about the slightly larger format. Jacko talked me through each of the bands on the EP:

Nierra Creek / Burn out the Fire
We did the 7″ for those guys last year, and we’re working with them again. I’m just a huge fan and with the artists that I was getting together for this it’s a more left field leaning than a folk record. Nierra Creek were a really cool one to get on this because they worked so well with the other artists on the record
Quaking Aspens / Flume
Quaking Aspens have recently do a UK / European tour with Nierra Creek and ai really wanted them involved for this one. Those guys worked together quite a lot so it was an obvious combo to get them. 
Adam Spry / Tangled
Adam Spry is a US based artist who originally got in touch with me over Covid when there was obviously no shows happening. And at the time Folklore’s main presence was a radio show, because there wasn’t much else we could be doing during COVID. And he just submitted one of his songs for the radio show, a track called Bonanza, and it was so good. And we kept in touch and then he came and did our monthly showcase last year. And it was so, so good, his first show in Brighton. I want to have hopefully at least one artist that’s international for the volumes , to tap into a different audience and also to bring some of those artists to eyes and ears in Brighton.
Mezanmi / This Time Yesterday
Mezanmi is from Newcastle, based in London. He’s an incredible singer-songwriter, sort of electronic sort of based I would say, very cinematic, ethereal. His album was one of my favourite albums of last year without doubt, and he did the album launch show here. He just married up so well with Nierra Creek and Quaking Aspens, and that song is absolutely stunning. So it’s a really nice way to see out the record, really cinematic.

The launch gig takes place next Friday (25th) as a fully standing show unlike some of their seated showcases. All the acts, bar Adam Spry are playing (because he’s in the States) and there’s rumours of some special stuff on the night with collaborations.

It’s worth noting at this stage that a fair amount of time has passed between volume one – which appeared in 2018 – and volume two. “Yeah, volume one was a while ago! But it’s gonna be a bit more regular from now on. The plan was always to do them slightly more regularly than that anyway but with Covid and then opening the venue it just fell down the list in terms of having the time and resources to do that. Basically trying to keep a venue alive is like a very much full-time job but now we’re in the rhythm of things and volume three is already done. I’m trying to stay like a record ahead of myself. We keep moving forward with the 10 inch releases and we’re looking at one or two a year”
The permanence of a physical record absolutely is a very positive thing – it’s one thing for a band to play a gig but at the end of the night it’s over whereas record is going to be around for a long time. “Yeah, that’s huge. This is Quaking Aspen’s first vinyl release. It’s a big deal for them. And they were saying that they’re so happy that they’re going to end up with something they can hold, physically hold, and not just digitally release and be out in the ether.” I don’t want suggest that making music is in any means easy, but the barriers to entry have come down so much. “Absolutely – Getting the physical element is a whole other beast. And I’m just a big vinyl nerd so I love living it.”

Folklore Vol. 2 is out on 25th July and can be pre-ordered from the Folklore website

Van Zon / Glasshouse Red Spider Mite EP Launch double headliner at Alphabet

Around a month ago, Van Zon released their debut EP “All Things, All One Aglow“, and a couple of weeks later, Glasshouse Red Spider Mite released their EP “What Do You Mean The Monster?… Hahaha“, and last night the bands played a double headline launch gig at Alphabet, supported by London band Catbandcat. We went along with our camera to capture things for posterity:

(click through to view large)

 

Maximilian / Long Time Gone single launch at Green Door Store

Earlier this week, Maximilian released his new single Long Time Gone on Crafting Room Records, and we were invited down to his launch gig at the Green Door Store. Accompanied by a full band (although one not quite as expansive as at the launch of his album Surrender last year) they dropped the new single towards the end of the set, starting off acoustic and building up textures from different members of the band as the song goes on. Having not played at last weekend’s Great Escape Festival or any of the associated unofficial gigs (as far as we could tell, at least), It was good to see him back on stage again.

Support at the gig came from Cordelia Gartside and Big Hands And All Gristly.