Weekend Gig Picks

In Brighton, the first weekend in August is associated with being Pride – probably the biggest party in the local calendar. We’re not going to include that in our weekend gig picks because of the lack of local acts on the bill, but we have got a whole load of other gigs to tell you about, including a very special couple of days at the Green Door Store.

AMiTYTomorrow night IYES and Yumi & The Weather are supporting MT at the Prince Albert. It doesn’t cost anything to get in, but to get hold of a ticket you’ll need to register online.

There’s quite a few gigs on Friday that have caught our eye. AMiTY and Jacko Hooper are playing at Neighbourhood on St James Street, and The Jargonaughts (featuring ex members of Los Albertos) are on at the Gladstone. Over at The Hope multimedia electronica night The Outer Church hold the launch night for their new compilation with live music from Pye Corner Radio, Kember Norton, Embla Quickbeam and Wrong Signals.

234Over Saturday and Sunday Green Door Store are holding an event called TwoThreeFour. There are over twenty bands on the bill, mostly from Brighton, including The New Union, Kill Moon, Faux Flux, Spit Shake Sisters, Dog in the Snow, GAPS, Written in Waters, The Hundredth Anniversary, Tyrannosaurus Dead, Ed Prosek, Tigercub, Foreign Skin, Wildcat Strike and Demob Happy. It’s an amazing line up, and it’s free – You’d be a fool to miss it.

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Weekend Gig Picks

Now that we’re done with the madness of May, things are getting back to normal in the world of Brighton gigs.

tigercubTigercub headline the Green Door Store on Thursday night, with support from Semper Teens, Animal Language and the Flash Gordons. Tickets are four pounds. Staying in the part of town, Ellekaye play at the North Laine pub.

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LNLThere are loads of great gigs on Friday night. Kovak top the bill at the Hope alongside Storms and Cat Fire Radio, and The Self Help Group are on at the Brunswick with Eliza Jaye, The Beautiful Word and Bella McKendree. Friday Night also sees some of Brighton’s regular nights with strong line ups – Late Night Lingerie at Sticky Mikes is headlined by Skirts with The Repeat Prescriptions also on the line up, and it’s also Les Enfants Terribles at the Blind Tiger, with Written in Waters, Spit Shake Sisters, Calico and Glossy Coat.

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WytchesSaturday is Kemptown Carnival. There are loads of bands on the bill, including Derriere, The Kalakuta Millionaires and Carnival Collective. The afterparty is at the Blind Tiger from 8pm and is headlined by Transformer. Up at the Hope, The Wytches are having their single launch party, and it’s free!

Sam Physics / KLDSCP​[​001]

Not content with being a third of one of Brighton’s best and busiest upcoming bands, Samuel Organ of Physics House Band is a man of many talents. The band also put on a monthly night called Kaleidescope at Sticky Mike’s which always features some of Brighton’s best electronica, and now Sam has started a record label – kldscp – whose first release is a seven track compilation of lovely, local downtempo beats:

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kldscp[001] opens with Aadvarks which recently appeared on Luo’s lush Antidote EP. Next is a Written in Waters remix, completely transformed from the band’s more familiar sound. There’s also a Physics House Band demo on there, and a Samuel Organ solo track. There’s choral ambience from Coral ŸS and effervescent electronica Caveman Genius. The highlight for us is the track by Foreign Skin – a slice of gorgeous balearic chill out.

The full tracklist is:

Luo – Aardvarks
Written In Waters – The Fall (AZEDIA Remix)
The Physics House Band – The Underlying Fluctuation (Teratology Demo)
Foreign Skin – Hoi Sum
Coral ŸS – Lumi
Caveman Genius – Bone Machines
Samuel Organ – Tisno

Weekend Gig Picks

Normally our weekly post about which gigs we think you should go to to see some of our favourite local acts starts on a Thursday. Thursday has long replaced Friday as the start of the weekend in the Brighton Music Blog calendar. This week though, we’re starting things even earlier on Wednesday, because there’s two cracking gigs on tonight which we feel deserve a bit of a mention.

Milk-and-BiscuitsTonight Milk & Biscuits play at the Blind Tiger. We loved last year’s epic White Noise single, and this is a great chance to see them playing their new material for their follow up to 2011’s Balcony Time’s mini-LP. Over at the Green Door Store, Danger De Mort are holding their third event. Their first night had Nordic Giants headlining, and we were gutted to miss last month’s event which had IYES and Us Baby Bear Bones supporting. This month’s local support are Curxes, who have promised to play the new tracks they they’ll be releasing later this year. I don’t know a great deal about the rest of the bill, headlined by a band called Cymbals, but we reckon it’ll be great just on the strength of their previous line ups.

Onto Thursday night, where we normally kick off our weekend. One Inch Badge are putting Doldrums at the Prince Albert. Doldrums are from Toronto, but the supports – Us Baby Bear Bones and Luo are two of our favourite local bands.

Written-In-WatersOn Friday night we’ve spotted four gigs we like the look of. Written in Waters, IYES and Calico are playing at Brighton Electric, Speak Galactic and Cloud are supporting Antibang at the Prince Albert, Catherine Ireton is supporting Stu Larsen at Sticky Mike’s and Anneka is playing at live set at the Traumfrau night at the Haunt. We’re spoiled for choice!

Then on Saturday Professor Elemental is launching his new single at the Marlborough. The single’s called This is My Horse (Show Me Yours), and we’ll be writing a separate post about it sometime next week.

Sea Monsters Day One – One Inch Badge vs The Source

So, as I did with Sea Monsters last year, we’re going to blog every night of the festival, on the night. This year it’s even more ambitious, because there’s seven nights not six. The first night was One Inch Badge vs The Source, and editor James Kendall was spotted in the audience. Current Source cover stars were on the bill – would they live up to the hype?

900 Spaces

900 Spaces

First band on were 900 Spaces. They’re quite pop – they reminded me a lot of fellow Brighton poppers Kovak, or maybe The Woo! Worths, but with a more distinctive vocal – a little bit Lily Allen, in a good way.

TheDealWasForTheDiamond

TheDealWasForTheDiamond

Next up were TheDealWasForTheDiamond, who we saw a couple of times last year. Those times had them pitched as post/math rock, but tonight they were a lot more ROCK. I’m glad I brought my ear plugs!

Kins

Kins

The band I was most looking forward tonight was Kins, and they really didn’t disappoint. There was definitely something special about them. I caught up with James Kendall after their set, and he described them better than I could – like a cross between The XX and Foals, despite them completely different bands. Go see them soon!

Written in Waters

Written in Waters

Most of the crown were there for headliners Written in Waters. My ears were a bit confused by the two conflicting styles on stage though. The vocals were a fantastic soul / gospel mix. The rest of the band were a pretty damned good post rock band. But in my head, my understanding of post rock is that it’s all about rich layers, and my understanding of the kind of music that goes with the vocals is that it’s all about being stripped back, and I couldn’t really reconcile the two. What do I know though – the rest of the crowd were loving it.

 

Sea Monsters preview interview with James Kendall of The Source

Last year’s Sea Monsters wasn’t curated by outsiders, but this year’s is. How did you come to be hosting an evening?

We have a really good relationship with One Inch Badge. They’re big supporters of the magazine through their advertising and we find it very easy to write about the gigs they put on as not only are there so many to choose from, they’re also very interesting up-and-coming bands. But I guess they asked us because we’re the only magazine that exclusively writes about the Brighton music scene.

Current Source cover stars Kins are second on the bill. Are headliners Written in Waters set for big things in 2013?

Essentially they could be absolutely huge or drive everyone mad. They’re not for everyone – it’s a very strange mix of styles, they’re kinda goth soul meets Pink Floyd – but the people that like them really love them. Kins are much easier to get you head around – they’re really powerful on stage but also very melodic. But I don’t think many bands would find it easy to follow Written In Waters – they’re so dramatic. Come and make up your mind. You really have to see them.

Who are SOURCE’s tips from the bands playing across the other nights?

I guess that you might be able to tell by the people who have been in the magazine, especially those that have been on the cover. Country rock band Holy Vessels recorded our song of 2012 and they’re every bit as good live as on record. Abi Wade plays the cello like no one you’ve ever seen – totally original – while AKDK and Physics House Band are both intense and intelligent bursts of noise, the former electronic and the latter jazzy. Other that that I’m most looking forward to seeing hip hop outfit Rum Committee for the first time.

If you could have got any Brighton band, past or present, to play your night who would you have chosen?

Tough question – I’d very much like to see one more gig by Gloria Cycles, so they would be on the bill. Nick Cave, obviously. I saw Grinderman at the King Alfred Centre so know how powerful he can be when he’s right in front of your face. And I guess I’d like to see The Maccabees play all the early songs they won’t play any more – in a room full of over excited teenagers, like their infamous gig at the Concorde. Finally I’d like to see Bat For Lashes’ first live incarnation – the all girl band – again. She was a delight in those early days. And still is, of course. That’s not a bad line up in anyone’s books.

Sea Monsters seems to have replaced Brighton Live as the local music festival. Why do you think that is?

I think the problem with Brighton Live – which was a brilliant idea – is that by the end it only attracted bands who weren’t already getting lots of gigs elsewhere. I was part of the board for a while and I pushed for more curated nights, something we did at Sticky Mike’s over three days as a SOURCE-branded event. I don’t want to say the rest of it was full of BIMM bands but… it was full of BIMM bands. That’s not so bad bit it isn’t representative of the Brighton scene as a whole. Brighton Live needed to tempt bands to be involved that were way too big to play for free because it was good for the community. But that never really happened. Sea Monsters works better, I think, because the bands are asked to play and already it’s seen as a badge of honour to be chosen. Because it sells out all the bands get paid, which is good. It’s a shame Brighton Live fell from its former glory because there were a lot of good people involved with very good intentions.