Kitfest gallery – Fujiya & Miyagi, Alice Russell & TM Juke, The Miserable Rich and Gloria Cycles

Yesterday a charity concert was held at St George’s Church in Kemptown for the Kit Tarka Foundation, MC’ed by David Shrigley, with Fujiya & Miyagi and Alice Russell & TM Juke at the top of the bill, and Gloria Cycles and The Miserable Rich reforming especially for the event. The Kit Tarka Foundation was set up around a year ago following the tragic early death of The Miserable Rich lead singer James de Maplequet’s baby son, and the evening wasn’t without it’s emotional moments, but the evening was a celebration for what would have been Kit’s first birthday. Our words can’t do the event justice, but hopefully our pictures can go some way there. Click through for larger versions:

 

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September Gig Preview

It’s the third of September, which means we’re overdue for our September gig preview post.

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The big gig to mention this month though is Kitfest, taking place at St George’s Church on Saturday 15th September. It’s in aid of the Kit Tarka Foundation, a charity set up by The Miserable Rich lead singer James De Malplaquet following the sad early passing of his son at just thirteen days old. The Miserable Rich have been on hiatus for a few years but are reforming for the concert which sees Fujiya & Miyagi (playing their only Brighton gig of the year) and Alice Russell & TM Juke at the top of the bill for the evening, which will be MCed by David Shrigley. Gloria Cycles are also reforming for the night – newcomers to Brighton might know the name from the vintage sign in the Basketmakers, but Gloria Cycles was also the name of one of the city’s top bands around ten years ago – alongside Jess Bishop, We Bop Choir and 1BTN DJs.

a0345127217_10Before then though, there’s Yumi & The Weather’s album launch, taking place is this Friday at Sticky Mike’s Frog Bar. Keep your eyes peeled on the blog later this week for our next post which should also be Yumi & The Weather related. Also on Friday, Bloom make a live return headlining Femrock at the Green Door Store.

Black Honey release their debut album this month too. They’re off on tour to promote it and play the Concorde in October but if you can’t wait until then you can pre-order the album from Resident and get a pass to their instore at Resident on Friday 21st. if you were looking for something to do after that, then I’d point you in the direction of Sticky Mike’s for the launch of CLT DRP’s new single. The following night – Saturday 22nd September – there’s another album launch. Man Ray Sky are celebrating their second long player with a gig at Sticky Mike’s.

After a summer of festivals, The Magic Gang are finally doing an extensive tour to promote their debut album. They played a handful of dates when the album came out earlier this year, but 2018’s only Brighton gig so far has been a packed out Great Escape slot. You can catch them at Concorde 2 on Tuesday 25th September.

Sea Monsters preview interview with James Kendall of The Source

Last year’s Sea Monsters wasn’t curated by outsiders, but this year’s is. How did you come to be hosting an evening?

We have a really good relationship with One Inch Badge. They’re big supporters of the magazine through their advertising and we find it very easy to write about the gigs they put on as not only are there so many to choose from, they’re also very interesting up-and-coming bands. But I guess they asked us because we’re the only magazine that exclusively writes about the Brighton music scene.

Current Source cover stars Kins are second on the bill. Are headliners Written in Waters set for big things in 2013?

Essentially they could be absolutely huge or drive everyone mad. They’re not for everyone – it’s a very strange mix of styles, they’re kinda goth soul meets Pink Floyd – but the people that like them really love them. Kins are much easier to get you head around – they’re really powerful on stage but also very melodic. But I don’t think many bands would find it easy to follow Written In Waters – they’re so dramatic. Come and make up your mind. You really have to see them.

Who are SOURCE’s tips from the bands playing across the other nights?

I guess that you might be able to tell by the people who have been in the magazine, especially those that have been on the cover. Country rock band Holy Vessels recorded our song of 2012 and they’re every bit as good live as on record. Abi Wade plays the cello like no one you’ve ever seen – totally original – while AKDK and Physics House Band are both intense and intelligent bursts of noise, the former electronic and the latter jazzy. Other that that I’m most looking forward to seeing hip hop outfit Rum Committee for the first time.

If you could have got any Brighton band, past or present, to play your night who would you have chosen?

Tough question – I’d very much like to see one more gig by Gloria Cycles, so they would be on the bill. Nick Cave, obviously. I saw Grinderman at the King Alfred Centre so know how powerful he can be when he’s right in front of your face. And I guess I’d like to see The Maccabees play all the early songs they won’t play any more – in a room full of over excited teenagers, like their infamous gig at the Concorde. Finally I’d like to see Bat For Lashes’ first live incarnation – the all girl band – again. She was a delight in those early days. And still is, of course. That’s not a bad line up in anyone’s books.

Sea Monsters seems to have replaced Brighton Live as the local music festival. Why do you think that is?

I think the problem with Brighton Live – which was a brilliant idea – is that by the end it only attracted bands who weren’t already getting lots of gigs elsewhere. I was part of the board for a while and I pushed for more curated nights, something we did at Sticky Mike’s over three days as a SOURCE-branded event. I don’t want to say the rest of it was full of BIMM bands but… it was full of BIMM bands. That’s not so bad bit it isn’t representative of the Brighton scene as a whole. Brighton Live needed to tempt bands to be involved that were way too big to play for free because it was good for the community. But that never really happened. Sea Monsters works better, I think, because the bands are asked to play and already it’s seen as a badge of honour to be chosen. Because it sells out all the bands get paid, which is good. It’s a shame Brighton Live fell from its former glory because there were a lot of good people involved with very good intentions.

new single : Jennifer Left / Black Dog

Last week, I mentioned that the new Jennifer Left single was due soon. The physical copies drop next monday, but for those of you living in the twenty first century who don’t want to be burdened with cds cluttering up your house, the digital version is out today.

Jennifer Left – Black Dog

Black Dog has been all over BBC 6Music and Radio 2, and rightly so. The song is fresh off-beat pop which is a great showcase for Jennifer’s almost jazzy vocals. Best of all, it has whistling. There’s not nearly enough of that these days. It’s backed with the title track of her forthcoming album Hushabye (which has more whistling, mandolins and some rather lush strings) as well as remixes from The Wild Knights (wobbly, glitchy house), Murder He Wrote (all stripped back and minimal) and Restlesslist (with added bleeps, surf guitar and reverb turned up to eleven on the vocals).

The video isn’t online yet, but here’s a version of Jennifer and her band playing the track for Balcony TV last year:

You can download the single on iTunes, or from her bandcamp site which also has an option to pre-order the physical release where you get the download right now.

If you’re wondering about the amazing brown paper dress in the promo shots, read more about it on the Create Studios blog.

Update : I’ve seen that someone has googled the blog looking for Jennifer Left’s label. The single is being released on Singing Hinny Music, with catalogue number SH001CD