Here’s this week’s dose of new music. First up is the new one from Phantom Runners. It’s their first release in a year, and it’s the first to feature the vocal talents of Brooke Bailey. One more first – the track is called First Time: Continue reading
Here’s this week’s new music round up. We’re kicking things off with news of the second album from the brilliant Fiction Aisle who completely unexpectedly put out a new album last week. It’s called Fuschia Days, and is available as a download or on very limited cd. There’s only two cds left – that’s how limited it is. Where The Fiction Aisle’s first album was a huge orchestral widescreen affair, the new album feels more sparse, but no less lacking in vision. A fantastic progression. Continue reading
We’re catching up a bit with new music at the moment, so we’re going to dive straight in, starting off with Sea Bed, fresh from going down a storm at Glastonbury, here’s their new single Young: Continue reading
Here’s this week’s dose of new music. First up is Heaven by Martha Gunn, who I assume isn’t made up of bar staff from the pub on Lewes Road (although they may well be), but are also named after the Prince Regent’s best known dipper. Continue reading
Here’s this week’s dose of new music for you all, slightly bigger than normal because I didn’t get around to posting last week. Our first track is the new one from Sea Bed called Moving Ghosts, which gets a release on Four Thieves records on vinyl on 11th March (which you can pre-order here):
Miamigo have shared some more 80s-tastic synthpop. This is Pot Luck:
Thyla have followed up last year’s Us and Them with Car Crash, an ambitious, angular slice of guitar pop:
Great Pagans premiered their new single over on Steregum last week. The band are releasing Call of the Wild on Anti-Ghost Moon Ray on 11th March.
Tuska are the third band we’re writing about who are releasing their new single on 11th March. Their new track is called We Could Be Alone, and is a must-listen for fans of Tame Impala. If you like what you hear you can catch the band at Sticky Mike’s on 4th March:
Landslide is the debut single from Loa Loa, a raucous three minute garage cacophony committed to tape at Brighton Electric
Changing tack completely, this is White Peaks, with their new dreamy electronic pop song Easy:
Nicolas and the Saints are releasing their album Years in the Making at the end of the month (or at the start of the month if you pledged to their indiegogo campaign). The album was literally years in the making, with recording taking place over seven years. Here’s the album’s penultimate track Been Hurt Before:
Warsaw Radio are returning to their Irish roots for the launch of their new single Down by the Sea. Their mini tour starts this time next week and takes in Dundalk, Dublin, Cork, Limerick and Galway:
Electric Greyhound make woozy electronica, and have just posted up their latest track Flounder:
Finishing up this post we have three videos – Just posted today was GAPS video for their track A World Away, from their album In Around The Moments:
Next we have the fuzzy shoegaze of Tuval‘s In My Head:
And finally we have a hip hop track sung in Albanian. This is Ledio, Te Lutem! by Via Tirana:
We haven’t posted up a gallery of a local gig since October last year, and the last time we featured a gig at the Green Door Store was back in 2014. It’s been a while. So here are some shots from last night’s gig. Prince Vaseline headlined supported by Red Deer People and grasshopper, and turnout was surprisingly good for a grey Sunday in January. Click on the pics to view large:
Here’s a blog post that I meant to write back at the start of December, but you’ve probably read enough excuses from me about why I’m not blogging as much as I ought to these days. As ever, it’s been a nightmare to cut things down to ten (which is why we’ve got eleven), and if you asked me tomorrow the order would no doubt change. But any further ado, here’s our end of year round-up:
10 : Tigercub / Demob Happy
Back in October Demob Happy snuck out their debut album Dream Soda, and then at the end of November Tigercub released their Repressed Semantics EP. Both releases are fantastic, and both bands have been touring hard all year. we couldn’t choose between the two:
9 : Prince Vaseline
Prince Vaseline’s first full length A Naturally Coloured Pleasure really was a pleasure for us when it came out in the middle of this year:
8 : Black Honey
Last time we saw Black Honey they were supporting fellow Brightonians The Wytches at The Haunt and they wiped the floor with them:
7 : Grasscut
We kept going back to Grasscut’s third LP Everyone Was a Bird, and everytime it sounded better and better, and then last month they gave us a video premier of The Field:
6 : The Go! Team
We thought that The Go! Team had split up for good after 2011’s Proof of Youth, so their return this year, sounding fresher than ever, with The Scene Between was some of best news we heard:
5 : IYES
IYES have kept a lower profile live this year, but put out two very strong EPs called Part One and Part Two:
4 : Clowwns
We’ve been waiting for The Artful Execution of Macho Bimbo for years here at the blog. We only wish we’d been recording when Bleeding Hearts label boss Chris explained the reasons for all the delays over a pint about a year ago, although half of it was prefaced with “this is just between us…”
3 : Sea Bed
Sea Bed were our great new find this year. Electronic music with soul who we end up evangalising about to everyone we meet. They haven’t got much music online at the moment, but there’s promises of exciting things to come this year:
2 : The Fiction Aisle
Heart Map Rubric was a thing a majestic, beautiful work of art and was arguably the finest thing that Tom White has put his name to to date:
1: GAPS
GAPS managed to top last year’s collaboration with Maya Jane Coles with In, Around The Moments, their first long player which straddled the line between electronic and acoustic while managing to sound unlike anything else which would be labelled folktronica:
Grasscut’s 2015 album Everyone Was a Bird has been this year’s slow burn grower for us so when were offered the opportunity for a video premier we jumped at the chance. The band have produced videos for each of the tracks from the album and we’re pleased to provide the first showing of the promo for the album’s penultimate track The Field. The video was conceived and directed by Roger Hyams, who’s worked with Grasscut’s Andrew Philips in the past – when Grasscut played at The Basement back in June the show opened with Roger Hyam’s short film Grand Union, which was scored by Andrew.
Andrew described the video is “a beautiful representation of the idea of trying to make the landscape reveal its secrets and depths”. It was partly shot on the South Downs, and has a nod to the slightly unorthodox campaign the band undertook for their previous album. He told us a bit more about the track and the album : “I wrote The Field about people who get up at the crack of dawn in all weathers in the relentless pursuit of ideas. Roger’s vision of this was for me to dig up a film canister he’d buried on the Downs, take it to a darkroom and develop it into a beautiful photograph of a tree – also taken by him. This burial he says was a subtle allusion to Grasscut concealing cassettes around the country for our last album, Unearth. Almost all (apart from two) of those cassettes from Unearth were found. The one at Spurn Head near Hull was found this year, three years after leaving it.”
You can watch the video for The Field below, and you can pick up Everyone Was a Bird on LP or CD from Resident.
Kicking off this week’s new music post is the latest track from David Harks, who featured in last year’s top ten tracks (which reminds us, we really should think about getting something together for this year). Tripping Ghosts is a more ethereal affair, mirroring the reflective nature of the lyrics. It’s out now on Jumjum records, backed with a remix by French duo Loframes:
Tomorrow The Fiction Aisle release their debut long player Heart Map Rubric. Thomas White’s latest project is a big departure from his previous indie exploits – Electric guitars are out, in are brooding orchestral arrangements and jazz solos. The album is currently being streamed over at Never Enough Notes and is being released on Chord Orchard, a label set up by Tom specifically to release Fiction Aisle records.
The album launch takes place Friday night at the Unitarian Church with support from Capt Lovelace and Nick Hudson. More details of the gig can be found on the facebook event page.
Brighton Music Blog 