Boon Magazine Launch headlined by The New Union

Thursday night was the launch of a new magazine for Brighton, promising music, fashion, art and culture. They heard a rumour that we like Brighton and that we like music so they invited us along to the Green Door Store where they had a whole host of local talent playing for them.

The night kicked off early. When the gig was first announced Tiger Cub were second on the bill, but another commitment initially meant them pulling out, and then got rearranged for them to play a short set early on. I missed Tiger Cub though, cos I was having my dinner. I also missed Spit Shake Sisters, and most of Kill Moon, and when I arrived the room was already so rammed out I couldn’t get in and get a decent view.

Demob Happy

Demob Happy

Demob Happy were great though – melodic indie rock which sounded fantastic at the Green Door Store, but I bet would sound even better when you’re sitting in a field in the sun at a festival.

The New Union

The New Union

The New Union were the big draw of the evening, and one of the main reasons why the night was sold out. Every time I see them they seem to get better and better – Their sound is richer, the songs are stronger. They’ve got a few slow songs in their set now which I’m sure will be great when they’re recorded, but they were in danger of losing the crowd a bit when they played them. With their more upbeat indie numbers they had the audience in the palm of their hand and had the room jumping. They ended their set with last year’s single Without You, and what I guess is going to be their new single which is due in the next few weeks. We’ll hopefully be bringing you more details of that very soon.

The first edition of Boon Magazine is out on May Day.

Martin Rossiter Live album

Martin Rossiter

Last November, Martin Rossiter released his debut solo album, The Defenrestration of St Martin, and we loved it, calling it “a thing of magnificent beauty“. The album was a long a time in the making and Martin was out of the spotlight for nearly ten years. His first step back was a concert at the Unitarian Church in New Road last May, which was recorded and has been released today, on sale for a mere six pounds.

The live album is made up of old Gene favourites as well as tracks from The Defenstration of St Martin, all played in the same style as the album with just piano and voice.

Martin will be heading out on tour soon, and plays Brighton on 14th June at Brighton Dome.

Weekend Gig Picks

Earlier this week we pre-empted our regular weekend gig picks by putting up a separate post about Thursday night’s gigs with a choice of Moulettes, AK/DK or The New Union. Here’s the rest of what we recommend this weekend:

Our choice for Friday Night is Clowns, who are headlining at the Prince Albert. Clowns are a real must-see band. If you haven’t seen them, then this should be your Friday night sorted. Support comes from Mum, Dad & The Kids, Little Bird and Downing Street Years.

We haven’t mentioned Tyrannosaurus Dead for a while on the blog, but they’re on the bill on Saturday night at the Green Door Store (headlined by the Bastards of hate). Also on Saturday at The Hope is Rotait, who we’ve been meaning to catch for a while, supported by Simonne & The Dark Stars, Mishkin Fitzgerald from BirdEatsBaby and Paul Diello.

The big gig on Sunday night is Physics House Band, who are guaranteed to blow the roof off at the Green Door Store. Watch out if you’re catching a train out of town! Support comes from Shrine and Ojo de Gringa. We also spotted that over the road at the Prince Albert, Pete Fij & Terry Bickers are launching their new single, with Al Chamberlain also on the bill.

Thursday’s gigs – Moulettes at The Haunt, AKDK single launch / Source New Music at Dome Studio Theatre, New Union / Boon Magazine launch at The Green Door Store

Normally midweek I put up a post about gigs that have caught our eye in the upcoming weekend. This week, I’m making an exception and writing a whole post about three gigs taking place on thursday night, all of which look fantastic.

The first of the three is Brighton Music Blog favourites Moulettes, who are playing at The Haunt. Moulettes are a fantastic band, but it’s not until you see them live that you truly appreciate how great they are. Support comes from local act The Slytones (who we’ve still yet to catch), and Robert Vincent.

AKDK were one of our favourite acts at this year’s Sea Monsters. Their new single Battersea is out soon, so to celebrate they’re headlining this month’s Source New Music at the Dome Studio Theatre. Support comes from DA-10 (who were also brilliant at Sea Monsters), Dog in the Snow and George Lazenbleep.

Last, but by no means least is another launch, but this time of a magazine rather than a single. Boon Magazine say that they’re going to feature music, fashion, photography and culture. The launch takes place at the Green Door Store, and is headlined by The New Union. There’s also going to be a burlesque dancer, and more music from Demob Happy, Kill Moon and Spit Shake Sisters.

Cate Ferris at the Blind Tiger

We’ve written about Cate Ferris loads of times, and we’ll continue to do so all the while that we go along and see her and be impressed as we were last night, when she played at the Blind Tiger in a double headliner gig with Londoner A Little Unsaid.

Cate Ferris

Cate Ferris

If I’ve understated the power of Cate’s voice in posts in the past, it was easily summed up by the reaction of one audience member, who audibly exclaimed “wow!”, when Cate hit her first big note. It’s not just about the power though – using looping pedals she’ll often harmonise with herself midsong and get the harmonies just right. As she noted herself, just a few years ago she was a technophobe and would seen onstage with nothing more than her guitar. These days she has an array of keyboards, pedals and percussion, none of which are overused, Over time these extra additions to her set have been used in more subtle ways, meaning that the song comes first rather than the gimmicks.

The performance left whole room in the palm of her hand, even those who had seen her before, so much so that there was a shout from the back of “Are you single?” (to which there was a very stern reply of “NO!” from Cate’s boyfriend who was also in the audience!).

The set was made up of mostly new songs, from her recent Get Set Ready Go EP, and some which are going to feature on an upcoming Live EP, and closed with jazzy trip hop future classic “Fly”, which I recommend you go and look up on youtube. It’s a fantastic tube and was a real high to end her set on. If you haven’t seen Cate live, don’t miss out next time!

Cate Ferris

Cate Ferris

Pete Fij / Terry Bickers release Betty Ford

So former Creation Records label mates Pete Fij (Adorable / Polak) & Terry Bickers (House of Love / Levitation) have been writing songs together for a couple of years now, and finally they’re getting around to release some.

First up is the song Betty Ford about ‘a man brought down by his addiction to heartbreak’. The video is out now – you can see/hear it below – and the single is officially released tomorrow.

They play some laid-back melancholy jive, nothing like the indie pop they were previously known for but full of quiet soul. If you want to check out the new sounds in person, get along to the Sunday Service, upstairs at the Prince Albert in Trafalgar Street on the 28th April. Entry’ll be £5 on the door, or £4 advance. Al Chamberlain is in support.

Becky Becky drop a new track

Becky Becky play for the Black Madonna

play for the Black Madonna

Becky Becky, Brighton’s premiere electro-pop band, have dropped a new track called ‘House of the Black Madonna’, a follow up to their excellent debut ‘The Harder Stuff’ and a precursor for their forthcoming, as yet untitled, first album due out later this year. The album was written in various places around Europe (Stockholm, Malmo, Berlin, Hamburg, Prague) and apparently recorded in a wooden chateau halfway up a mountain in the French alps.

You can hear the new track below.

Becky Becky have been quiet for a while due to a variety of reasons, Peter’s travelling, Gemma’s recent much-feted solo release as Woodpecker Wooliams and her work with Ghostpoet, and Tom’s departure from the band. But they’re back now and will be performing live along with Kellar and Cloud at a free-entry gig at the Green Door Store tonight, Saturday 20th April.

(Photograph by Jon Southcoasting)

Three new videos

I can barely keep up with the amount of new Brighton music at the moment. Here’s three videos that have come to our attention this week.

First up is the debut single from Rubylux. The World Goes Quiet is released on 12th May, but the video is doing the rounds already. The anthemic rock single is also the title track from their upcoming album

Speak Galactic‘s album Severed came out last September, but there wasn’t a video for Precautionary Measures which was the single at the time. Owen Thomas has now put together a video for the album’s opening track – Hyss. The track is five minutes of wonky analog prog electronica, and has a video which perfectly matches the song:

I’m going to be writing another blog post about The Levellers in the next day or two, but in the meantime, here’s the video for their new single The Recruiting Sargeant  which is out 5th May, with all profits going to the WarChild charity:

Crayola Lectern album launch

This week saw the release of The Fall and Rise of Crayola Lectern on Bleeding Hearts Recordings, and last night they held the launch party at The Brunswick.

Do You Feel What I Feel Deer?

Do You Feel What I Feel Deer?

Support came from Do You Feel What I Feel Deer, fresh from supporting British Sea Power on tour as part of Milk & Biscuits. When I’ve seen them in this incarnation live before, they’ve been accompanied by a small string section, but last night Eleanor and Rachel were playing as a duo. Stripped of their accompaniment the arrangements were a little more sparse, but no less haunting. Close harmonies and acoustic, twisted backing on guitar and autoharp were order of the day. They only played a short set, which included Silence which is being released as a single in July which the band recently filmed a video for, and ended with last year’s download Save Your Heart.

Crayola Lectern

Crayola Lectern

These days proper intervals in the main feature have all but disappeared, unless you’re at a theatre. Cinemas now project films digitally so there’s no need to swap reels halfway through, and music is for the most part digested in the form of a compact disc or a digital stream. The Fall and Rise of Crayola Lectern was conceived as a good old fashioned long player though, where getting up to turn the record over is as much a part of the experience as the music itself, so for his album launch Crayola Lectern split their set in two with each part being a run through of each half of the album, nearly. Last night’s version of the band was just Chris Anderson and Alistair Strachan (although tomorrow night’s London launch gets the full complement of album contributors) – Chris on upright piano and guitar on Trip in D and Fall and Rise, and Alistair on trumpet, keyboard, and all kinds of percussion. The piano playing was sublime, and and to describe Alistair’s contribution as trumpet playing doesn’t do justice to range of sounds that were made. The first half ended with non-album track and live favourite Barbara’s Persecution Complex – I understand that Crayola Lectern have another couple of album’s worth of material so hopefully this will get a full release at some point. The second half kicked off with Trip in D, the psychedelic high point of the album, which has in the past formed the entire basis of improvised gigs but tonight only lasted for a few minutes. Later, the album’s title track sounded more in tune with the more experimental tracks last night rather than the film soundtrack it could be on the record. After rounding off the second half of the record to a room full off applause, Chris and Alistair rejoined the stage for a triumphant rendition of Combobulatory Explorations (from the first half, but not played because of the inclusion of Barbara’s Persectution Complex). It’s one of the boldest and most intricate tracks and was a superb end to the night.

Crayola Lectern

Crayola Lectern

Amy Hill – Place of Mind album launch

Last Thursday Amy Hill invited us along to the launch of her debut album Place of Mind. On the door as we arrived everyone was given a copy of the album, and I was hoping this write up would be a review of both the album and the night. Unfortunately, every time I put the cd into my computer iTunes freezes up, which is why this blog post is both a little delayed, and a little incomplete in terms of what I was hoping it would include.

We arrived at The Brunswick a bit too late to see Jacko Hooper, but did catch most of Choice’s folky set, which involved a multi-instrumentalist using looping pedals alongside a live drummer. By this point, it was good to see that the venue was already full.

IMG_1814es

Amy Hill has been hosting the monthly Brighton Folk night for years. Every month she plays a song or two inbetween acts, solo and acoustic, but it’s a rare treat to see her playing a full set. On Thursday some songs were stripped back to just Amy and her guitar, but others were played with a full band who included Phil and Beth from The Galleons – regulars at Brighton Folk. This extra dimension shows an added depth that you wouldn’t see at one of her regular nights and is a welcome addition, elevating her sound above folky singer songwriter fare to something somewhere between Beth Orton and Sheryl Crow. Amy sung about life’s simple pleasures – friends, music, nature – and it’s safe to say that everyone in the room was sharing in that pleasure. At the end of the gig, after she had performed all of the tracks on the album, Amy was called back on stage an encore where she played a b-side from an earlier EP. Apparently it was her first ever encore, and it was obviously a very special moment – a fitting end to a great night.

Amy Hill

The next Brighton Folk takes place this Sunday night at the Brunswick and features Mike Newsham, Donna Fullman and Sam Green.