About a month ago, in one of our first posts we told you about the Maccabees heading off to tour in January, and I jokingly commented that there was no Brighton date. Well, of course they wouldn’t miss out their home town. More dates have been announced, and they’ll be playing the Dome on the 9th of March. Tickets go on sale this Friday, so make sure you’re queuing up outside Resident or Rounder when they open.
Although technically he’s Australian, I reserve the right to post about Nick Cave, since he’s one of Hove’s most notable residents these days. Anyway, news just out is that Nick Cave has laid his Grinderman project to rest, and that ‘s back working with his old band, The Bad Seeds (although the current band seeds line up is completely different to the original). More news at The Guardian here.
This was going to be a review of what was pretty much unanimously gig of the week in the local press – Meg Baird at The Basement last Tuesday. The focus wasn’t going to be Meg Baird – she’s an American folk singer – but the support, local singer songwriter Jane Bartholomew. I’d been given a heads up about the gig by Jon, who’s written a few posts for the blog, who told me it was going to be a good gig, but I hadn’t heard of Jane before the night.
And it was an amazing gig. I don’t really have the vocabulary to fully describe it – not being that into folk, I can’t make the meaningful comparisons with other artists and sub genres which would tell you that much about it, and my enthusiasm about the gig won’t make things much clearer either.
What I can tell you though is that the gig was exactly why I started the blog. I know quite a few local bands, but what I also know is that there’s some serious talent around town which deserves to be heard but so often goes unrecognised, which I want to find out about and shine a light on. For me, it’s all about the discovery of these artists, the pride that we live somewhere that generates such creativity, and the ongoing support.
So I guess I should write a bit about Jane Bartholomew, and the gig. Jane makes quirky, magical folk music, which was ideally suited to the small intimate environment of The Basement. Most of the time she played alone on the guitar or autoharp, but on some songs she was joined on accordion and violin, and on a couple of songs, the vibraphone. However, whatever the instrumentation, it’s Jane’s voice that really captivates. It’s almost childlike and brings something rather special to her songs. Musically, everything seems so accomplished and rich – far more than I would expect from a support band. It was all so good that at the end of the show, I bought the cd and it hasn’t left my stereo since. And I guess Meg Baird was pretty good too (she was fantastic), but she’s not from Brighton, and I know that there’s been plenty of other reviews written which will say how great the gig was and how ably she coped at the end of the gig when one of her strings broke.
You can buy Jane Bartholomew’s album on her website here.
Brighton band Seadog kicked off their first national tour on Saturday with a gig in a barber shop. The Gloucester Road Barber has Elliot Smith inspired decor and apparently once had a man living upstairs named Elliot Smith (not that one).
It was the perfect venue for Seadog to mark the start of their first tour of the U.K. as the band are much influenced by Elliot Smith, having hosted a tribute night in the same venue in 2010. The new line up includes accordion which gives them a Decemberists-esque edge to their established harmony-laden acoustic jaunty sound.
http://seadogmusic.bandcamp.com/album/transmitter-ep
Seadog will be supporting Kenneth Ishak on tour, a delightful surprise of pop sensibilities with indie undertones from Norway, described as “where Big Star and Real Estate collide.”
You can catch Seadog and Kenneth Ishak at:
Also supporting were Brighton band G-Minor, launching their first EP ‘Under No Illusion’. The band have come a long way in the last few months, combining melodic harmonies and engaging lyricism – definitely a band to watch.
Congratulations to Brighton’s Mary Hampton, whose album Folly was voted 7th best of the year in the Folk Roots end of year critics poll! A special mention too to The Oysterband – who aren’t normally associated with Brighton but whose drummer Dil Davies lives in Hanover – their album with June Tabor, Ragged Kingdom, was voted top. You can read the full results of their critic’s poll here. We’ll be casting our eyes over other year end polls looking for other Brighton acts who have done well this year. I wouldn’t be surprised to see the Metronomy album cropping up here or there.
In the meantime, back to Mary Hampton. Here’s a video of one of the tracks from Folly; this is Honey in the Rock:
It’s December now, so we can officially talk about Christmas. So to kick off, a couple of festive bits and pieces from The Beautiful Word. Firstly, they’re hosting a night tomorrow at The Blind Tiger Club. Their Winter Woodland Wonderland kicks off early at 6.30pm (well, it is a sunday night). As with some of their previous gigs, they’re encouraging fancy dress, and the theme is animals and trees. I asked them about this on Twitter (@BeautifulWord, if you’re interested), and they say that they need more trees. If you are thinking about fancy dress, and want to be judged for it (there’s prizes, you know!), then you’ll have to get there between 6.30 and 7. Set times are:
Zoe Konez 6.45pm
Common Tongues 7.30pm
The Beautiful Word 8.15pm
Nimmo and The Gauntletts 9.15pm
As if that wasn’t enough, they’ve also put out a Christmas single – Mirrorball. The video for it is here:
Finally, here’s a few links with more information about sunday night’s gig:
http://playgroupbrighton.org/events/2011/12/04/winter-woodland-wonderland-party/
Sorry – no pithy title for this blog post. I tried to try and eke some kind of pun out of the headliners Black Black Hills, but it just wasn’t happening.
The December Source new music night played host to Two Jackals, Abi Wade, For Marla and Black Black Hills. Trying to avoid the rain meant that I missed the first band, Two Jackals, and arrived to catch Abi Wade’s first set. Hopefully you’ll all be familiar with Abi after I posted about her new EP the other week. The Source and the Pavilion theatre have had a great idea to not only provide us lucky people with more music, but also to acknowledge that an acoustic act probably won’t work at the same time as a loud amplified act, so inbetween acts upstairs in the Theatre, acoustic acts perform down in the bar area. Seeing Abi Wade play live was great, because you get a much better impression of how she makes her music. It’s all down to her, not just with her cello, but with two bass drum pedals, one attached to a tambourine, and the other to a cajón. And as I mentioned in my EP review, she doesn’t just use her bow on her cello – she also used a variety of drum sticks, and most interestingly, a hair brush, to create additional percussive noises.
Next up were For Marla, who looked and sounded great – a bit like a rockier Smiths, or perhaps a tougher Frankie & the Heartstrings. While they’ve got the look and got the sound, unfortunately they were blighted with some technical issues which took up most of their set. Rather than work around them, they stopped while they resolved them, which meant that everything was a bit too disjointed. Hopefully next time I catch them, they’ll play a full set rather than just the fifteen minutes that they managed to play for today.
Headlining were Black Black Hills. It seems almost obligatory to mention that they used to be Pope Joan – everything else I’ve read about them seems to mention it – but I’m sure they’re trying to move on with their new name, and presumably new set of songs. While that may be the case, the years they’ve been playing together in their old guise have helped them become the band they are today – tight, with a fantastic sound, good songwriting skills, and great stage presence. If you missed them tonight (and quite frankly, their was a very poor turnout for such a great band, which I’m putting down to the weather) then they’ll be playing again at the start of next year as part of the Sea Monsters 2 event at the Prince Albert. Be there.
Tonight (probably last night by the time you read this) was the November Juice New Music night at the Green Door store, which was their last night there before they move to their new venue, The Haunt. Ice Black Birds were originally billed as the headliners, but as the gig approached, some “special guests” were added to the bill, and the gig transformed into a hometown gig for The Ordinary Boys, who have got back together to do a proper farewell tour.
I only caught the last few songs by first act Elle Kaye. Maybe I’d come in too late, or maybe my tastes lie elsewhere, but they didn’t really push my buttons. Next up were BirdEatsBaby, who you may have spotted gracing the front cover of Unsigned Magazine which is doing the rounds around town. They had a much stronger look and a much stronger sound (in my opinion), but tucking away the frontwoman at the side of the stage didn’t do them any favours. I reckon they need to sign up a keyboard player to bring the band to their full potential. Next up were Ice Black Birds, who had the Ordinary Boys not been around, would have made great headliners. They sounded great, they had the songs, and they looked as if they needed to be in a band playing their music. Definitely ones to watch. And then The Ordinary Boys, who made it all look so effortless. Preston is much smaller in real life, but on stage he had so much presence. They had the advantage of songs that were familiar to some of the audience (although somewhat surprisingly, the crowd wasn’t packed with Ordinary Boys fans), and rounded off their set with Boys Will Be Boys.
As I mentioned, this was the last Juice New Music Night at the Green Door Store, and next month’s night – their Christmas Party – will be at The Haunt, and will be headlined by Kidda who are signed to Skint Records.
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