SoundScreen – Hundredth Anniversary, Luo and Phoria at the Corn Exchange

About a year ago we saw Nordic Giants headline a night at the Pavilion Theatre which showcased both audio and visual sides of their performance. Sound Screen was an event put on as part of Brighton Digital Festival which paired up bands with visual artists, and last Thursday it returned as part of this year’s festival.

The first band on were The Hundredth Anniversary, who have recently taken more of a visual slant with their approach to their new single Last Drive. The Hundredth Anniversary have a lot more vision than a lot of lo fi bands around, and the cinematic view afforded by huge screen felt appropriate

For us, Luo were the real winners of the night in the space of only a few months they’ve grown from one guy making glitchy electronica on a laptop to a six piece band (which featured two members of Physics House Band) making ambitious, complex, jazz influenced beats. It sounded immense. We’ve been fans of Luo since we first heard them, and now it seems they’re fulfilling all of their potential.

Phoria are one of Brighton’s most ambitious bands, and took the opportunity of a headline slot at the Corn Exchange to not just include visuals in their set but also a string section. The band crammed a massive amount of emotion into their time on stage and the crowd – who seemed to be made up mainly from people visiting Brighton for the Digital Festival rather than the usual gig going crowd – responded accordingly. A great night all round.

Gallery (click to view images large):

Weekend Gig Picks

For this week’s gig picks, we’ve got tie-ins with two different festivals and some local media big hitters putting on gigs, as well as a few other odds and sods.


You may have heard that Brighton Digital Festival is on in town at the moment and as part of that Pop Up Brighton return with their Sound Screen event, bringing together local bands with international visual artists. On Thursday night at the Corn Exchange Phoria, Luo and The Hundredth Anniversary play to a backdrop of visual collaborations that the bands and video artists have been working together on for the last six weeks. Meanwhile Time for T headline at the Hope for Brightonsfinest, with Gypsy Switch, Paper Hawk and Prisoners Cinema also playing, and Monsters Build Mean Robots and Spacenoid are on the bill at Brighton Noise / Nice Weather For Airstrike’s Industroika gig at the Prince Albert.

sourceOn Friday Night Lloyd Williams and Ellie Ford launch their debut release at St Mary’s Church, Black Rooster Black Shag headline the Prince Albert, and Bad for Lazarus play Sticky Mike’s.

Saturday night is the third of The Haunt and Juice Brighton’s short run of weekly gigs. This week they have Them The Sky, Garden Heart, and Paper Hawk on the line up. It’s also the first of this month’s two Source New Music Nights (they’re hosting another on 20th as part of Brighton Digital Festival). This one is curated by Wildwood Promotions and is headlined by Alex White’s Interlocutor, with Red River Dialect, Octopuses and Herb Denton’s Last Dime playing too. Finally, it’s the Over The Moon Festival’s pre-party at the Blind Tiger, with a line up that includes Eagles for Hands, Mitch Wade Cole, Platypi, Eone and Murder He Wrote.

Catherine Ireton / Treasure Tracks #4

This Saturday saw Catherine Ireton’s fourth and final Treasure Tracks gig. Her previous mystery excursions have involved a little bit of a hunt, but this time around we really were sent on a wild goose chase, not only to get hold of tickets but also to get to the final location.

The first clue was a picture posted online of the red phone boxes on Trafalgar Street, with a number to dial. I went to the phone boxes – one was out of order, the other only accepted credit cards, neither smelled great. I stepped out into the fresh air to dial the number only to get a recorded message telling me to look up for the first clue. That sent me off to one of two record shops to hunt down a Prince album which contained the next clue. The onto Resident where the final clue could be exchanged for a ticket to the gig, which just told me to turn up to the George IV statue at 8.15 on Friday night…

Fast forward to a cold drizzly night, and a group of around twenty or thirty people congregate near the North End of Pavilion Gardens. The event was put on in conjunction with Source New Music, and Bex – who introduces their regular evenings (and does all the hard work pulling most of it together) – popped up to lead us to the location of the concert. Through the stage door round the back of the Dome, down some stairs and through some 17th century tunnels (which now lead off to dressing rooms). Then back up some stairs, past a rarely used museum entrance, and somehow into the bar at the Dome, where we stop off to buy a drink before being led through the Corn Exchange and into their foyer area where a stage had been set up and Catherine and her two accompanying musicians were waiting.

It was only a few weeks ago that we saw Catherine play a full gig at the Green Door Store. All of her treasure tracks gigs have felt a little bit more special than that, playing to friends rather than an audience, to people who are willing to make that little bit extra effort to find out about the gig, and consequently Catherine was a little more relaxed. The songs were the same, but they benefited from the intimacy. The set included all of the Treasure Tracks given away so far – Synapses, given away after the Booth Museum gig, Invisibility Disguise, from the Brighton Model Railway club gig, and Pieces of You from her webcast – as well as a selection other tracks, culminating in the last track that was sent through – This One’s Gonna Make Me Some Money – tying in nicely with the gig being held in the Corn Exchange.

Although this was the last Treasure Tracks gig, there are more plans for interesting gigs in intimate locations. Keep your eyes peeled for something in the Theatre Royal in the new year…