SoundScreen – Hundredth Anniversary, Luo and Phoria at the Corn Exchange

About a year ago we saw Nordic Giants headline a night at the Pavilion Theatre which showcased both audio and visual sides of their performance. Sound Screen was an event put on as part of Brighton Digital Festival which paired up bands with visual artists, and last Thursday it returned as part of this year’s festival.

The first band on were The Hundredth Anniversary, who have recently taken more of a visual slant with their approach to their new single Last Drive. The Hundredth Anniversary have a lot more vision than a lot of lo fi bands around, and the cinematic view afforded by huge screen felt appropriate

For us, Luo were the real winners of the night in the space of only a few months they’ve grown from one guy making glitchy electronica on a laptop to a six piece band (which featured two members of Physics House Band) making ambitious, complex, jazz influenced beats. It sounded immense. We’ve been fans of Luo since we first heard them, and now it seems they’re fulfilling all of their potential.

Phoria are one of Brighton’s most ambitious bands, and took the opportunity of a headline slot at the Corn Exchange to not just include visuals in their set but also a string section. The band crammed a massive amount of emotion into their time on stage and the crowd – who seemed to be made up mainly from people visiting Brighton for the Digital Festival rather than the usual gig going crowd – responded accordingly. A great night all round.

Gallery (click to view images large):

Weekend Gig Picks

For this week’s gig picks, we’ve got tie-ins with two different festivals and some local media big hitters putting on gigs, as well as a few other odds and sods.


You may have heard that Brighton Digital Festival is on in town at the moment and as part of that Pop Up Brighton return with their Sound Screen event, bringing together local bands with international visual artists. On Thursday night at the Corn Exchange Phoria, Luo and The Hundredth Anniversary play to a backdrop of visual collaborations that the bands and video artists have been working together on for the last six weeks. Meanwhile Time for T headline at the Hope for Brightonsfinest, with Gypsy Switch, Paper Hawk and Prisoners Cinema also playing, and Monsters Build Mean Robots and Spacenoid are on the bill at Brighton Noise / Nice Weather For Airstrike’s Industroika gig at the Prince Albert.

sourceOn Friday Night Lloyd Williams and Ellie Ford launch their debut release at St Mary’s Church, Black Rooster Black Shag headline the Prince Albert, and Bad for Lazarus play Sticky Mike’s.

Saturday night is the third of The Haunt and Juice Brighton’s short run of weekly gigs. This week they have Them The Sky, Garden Heart, and Paper Hawk on the line up. It’s also the first of this month’s two Source New Music Nights (they’re hosting another on 20th as part of Brighton Digital Festival). This one is curated by Wildwood Promotions and is headlined by Alex White’s Interlocutor, with Red River Dialect, Octopuses and Herb Denton’s Last Dime playing too. Finally, it’s the Over The Moon Festival’s pre-party at the Blind Tiger, with a line up that includes Eagles for Hands, Mitch Wade Cole, Platypi, Eone and Murder He Wrote.

Brighton Digital Festival : Sound Screen headlined by Nordic Giants

Last night we paid a visit to another Brighton Digital Festival event. We’ve got another two events in our diary in the next week too, so look out for reports on them.

Caveman Genius

Sound Screen was an audio visual event put on by Pop Up Brighton at the Pavilion Theatre, pairing up electronic acts with visual artists. Electronic acts make some of the most exciting music, and as even Deadmau5 pointed out this summer, quite often the live performance just involves them pressing play in Ableton. All of tonight’s performers do a lot more than just sit behind a laptop, but all were enhanced with the addition of visuals.


The event opened with Caveman Genius – a one man act who plays live drums alongside his lush downbeat electronica. I’m loathed to use such an outdated phrase as Trip Hop, but it’s probably the words that describe his music best, and it’s meant as a compliment. Next up was Pact, whose sound was far more suited to the dancefloor. Unfortunately, the Pavilion was in a seated configuration last night, so I don’t think he was truly appreciated. It would be good to see what he could do at 2am in a club rather than 9pm in a theatre. The last act before the interval were the slightly more laid back Adolescent, who played as a whole band setup. Alex Parish was the focus, who controlled the electronic side of things and occasionally took to the drums, while the rest of the band added shimmering guitar and bass


The headliners of the night were the fantastic Nordic Giants. If you haven’t heard them yet, you must. If you haven’t seen them live yet, you’ve missed out. Musically, they’re post-rock, as emotional as Sigur Ros, with the quietLOUDquiet of Mogwai and the politics of Godspeed you Black Emperor. Visually, the band make so much more of an effort than anyone else – body paint with nightmarish masks, strobe lighting, and award winning films from Shorts International, with the vocal for each track given a separate backlit section on stage. It all makes for arguably the best live performance in Brighton, and it was frustrating that they only got a half hour set, at only their second live performance in town this year.