Catherine Ireton / Treasure Tracks #4

This Saturday saw Catherine Ireton’s fourth and final Treasure Tracks gig. Her previous mystery excursions have involved a little bit of a hunt, but this time around we really were sent on a wild goose chase, not only to get hold of tickets but also to get to the final location.

The first clue was a picture posted online of the red phone boxes on Trafalgar Street, with a number to dial. I went to the phone boxes – one was out of order, the other only accepted credit cards, neither smelled great. I stepped out into the fresh air to dial the number only to get a recorded message telling me to look up for the first clue. That sent me off to one of two record shops to hunt down a Prince album which contained the next clue. The onto Resident where the final clue could be exchanged for a ticket to the gig, which just told me to turn up to the George IV statue at 8.15 on Friday night…

Fast forward to a cold drizzly night, and a group of around twenty or thirty people congregate near the North End of Pavilion Gardens. The event was put on in conjunction with Source New Music, and Bex – who introduces their regular evenings (and does all the hard work pulling most of it together) – popped up to lead us to the location of the concert. Through the stage door round the back of the Dome, down some stairs and through some 17th century tunnels (which now lead off to dressing rooms). Then back up some stairs, past a rarely used museum entrance, and somehow into the bar at the Dome, where we stop off to buy a drink before being led through the Corn Exchange and into their foyer area where a stage had been set up and Catherine and her two accompanying musicians were waiting.

It was only a few weeks ago that we saw Catherine play a full gig at the Green Door Store. All of her treasure tracks gigs have felt a little bit more special than that, playing to friends rather than an audience, to people who are willing to make that little bit extra effort to find out about the gig, and consequently Catherine was a little more relaxed. The songs were the same, but they benefited from the intimacy. The set included all of the Treasure Tracks given away so far – Synapses, given away after the Booth Museum gig, Invisibility Disguise, from the Brighton Model Railway club gig, and Pieces of You from her webcast – as well as a selection other tracks, culminating in the last track that was sent through – This One’s Gonna Make Me Some Money – tying in nicely with the gig being held in the Corn Exchange.

Although this was the last Treasure Tracks gig, there are more plans for interesting gigs in intimate locations. Keep your eyes peeled for something in the Theatre Royal in the new year…

Restlesslist / Source New Music / Brighton Dome Studio Theatre

This review of this months second Source New Music Night I’m afraid to say isn’t up my own personal standards. Normally I do my best to write about all of the bands on the bill (if they’re from Brighton), but I’m just going to focus on Restlesslist for this write up, so I apologise to Oliver Welby, Them The Sky and Phoria. I’ve been sick with a cold this week which, meant I was lethargic and slow, which led to me arriving late to the evening, which led to me missing a big chunk of the proceedings, and then when I did arrive I bumped into quite a few people I know, which was great but meant I wasn’t giving the attention I should have to the musicians that were onstage. And then at the end of the evening Restlesslist played their album Coral Island Girl in full, and it’s going to take something incredibly special from any band to stand up to comparison to that.

I’ve raved about Restlesslist before. The blew me away when I first saw them at Sea Monsters back in January, and then confirmed all of my expectations when I went to their album launch in September at the Haunt. There are so many individual elements to love and yet the sum is greater than the whole. One of the first things that strikes you is the music. It’s not just that they skip around genres, it’s that they don’t it clumsily, with the transitions being aided by Mark Campbell’s narration of the story. And what a story – I’ve listened to the cd over and over since I got hold of it, and it still makes me smile. Then there’s the light show provided by InnerStrings, a little bit trippy, a little bit retro and one more thing that make the band so compelling to watch.

The key thing for me though is that fact they’re all loving being stage so much : You can see that all of the band (I counted nine onstage on thursday) love all of the music that they’re playing. You can see the affection for the influences in all of the songs, and for their fellow bandmates. You can see that it matters to them to put together something that gives them the opportunity to share the things they love – so much music, as well as their friendship with each other – with the wider world, having a great time while doing it.

You can listen to Coral Island Girl in full on Soundcloud:

September Source New Music Night feat Bunty

This month is Brighton Digital Festival, and this month’s Source New Music was put on in collaboration with the Beatabet collective as one of the festival’s events.

We turned up a bit later than we’d hope to the night (distracted en route by Brighton’s newest pub), and arrived as P For Persia had just taken to the stage. P For Persia are a three piece who make indie rock fused with 8-bit keyboards. It was an energetic, intense performance, made all the more enjoyable by vocalist / guitarist Daniel McNally hamming up his role as the band’s focus.

P For Persia

The next act to perform stretched the limit of what you’d call a band. Goodbye Leopold are a vocal trio whose songs are more like chanting than the songs we’re used to at Source New Music nights, and they sported some rather interesting leotards and headwear. But they’re from London, so time to move on to the night’s headliner.

Bunty was taking the opportunity of using the Source New Music / Brighton Digital Festival gig as the launch and showcase of her new project Multimos, which is being released a few tracks at a time over the next year, with the first three available on bandcamp now:

Bunty was making pretty much all of the sound onstage herself, using a loopstation to record parts on the fly before moving onto a different instrument or vocal part. And not to be outdone by the other acts, as well as a live bassist and drummer (wearing hard harts, of course), and visuals from Metaluna, Bunty had dancers, and a man dressed as a bear.

Bunty

The next episode of Multimos is out in a few weeks time on 2nd October. In the meantime, you can read more about the project in Bunty’s interview with the Source.

Gigs on Thursday 21st June

Living in Brighton is fantastic, because there’s always something happening. Sometimes though, it can feel that there’s not enough hours in the day to do everything you want to, and thursday is one of those nights. There’s three gigs on, at the Pavillion Theatre, at the Green Door Store and at Coalition that I’d like to be at. The one I’ll be going to will be the one I bought a ticket to before finding out about the others!

First of the three is the Source New Music Night at Pavilion Theatre. Sparrow are headlining,  and they’re supported by Rain Eater, Arthur and the Irrational and Tyrannosaurus Dead. I normally do my best to get along to the Source Nights, because they’re great for new bands and an absolute bargain at only four pounds. Next month’s – headlined by Sweet Sweet Lies – is already in the calendar.

Then we’ve got The New Union at Green Door Store, who really impressed us supporting Clock Opera a few weeks ago. And that’s even more of a bargain, because it’s free! We’re big fans of the Peter Saville style posters – there are four different varieties each relating to a different band member.

The gig I’ll be at though, will be Best Coast and Fear of Men at Coalition. Here’s the video for their new single Green Sea. Expect a few words and maybe some pictures on the gig later this week.

Hopefully you’ll make it along to one of these, or one of the many other gigs going on all round town. You’re spoiled for choice!

 

Source New Music at Brighton Festival

Updated! Some of the line ups have changed, and some have been improved upon, so I thought I’d update this post and bump it up to the top again.

May is a busy month in every Brightonian’s calendar, with the Festival, the Fringe, and the Great Escape all happening on top of everything else that normally happens. Source New Music are embracing this wholeheartedly, and instead of putting on one gig this month, they’re putting on loads! Instead of their usual home of the Pavilion Theatre, they’re residing in the Dome bar for the next few weeks, with gigs at lunchtimes and in the evenings every weekend throughout May. Things kicked off today with Fragile Creatures. The age range was a bit lower than their usual gigs – they had an appreciative crowd of toddlers dancing throughout their set! The full list of acts playing is below:

Fragile Creatures playing in the Dome bar for Source New Music

Sat 5 May
12:30pm Fragile Creatures
22:00 – 00:00 Wyndham Earl

Sun 6 May
Live music from 12:30 onwards with…
Kate Rose
Early Ghost
21:30 – 00:00 – African Night Fever DJ’s

Thu 17 May
8.30pm – midnight
Beatabet Collective: Scalar Fields + Tim Didymus. DJ Jules Arthur

Fri 18 May
9.30pm – midnight
Beatabet Collective: AK/DK + Bunty. DJ Jo Brahmli.

Sat 19 May
2pm – 4.30pm:
A showcase of the best local young talent including music collective Shoreham Allstars + The Basis + The Sighted and the Captured.

9.30pm – midnight:
DJ Hot Tip Hi Fi

Sun 20 May
12.30pm – 4.30pm
Live music from The Woo!worths + Sweet Sweet Lies + Monsters Build Mean Robots + Jennifer Left.

Thu 24 May
9.30pm – midnight
Beatabet Collective: O82. + “iphone Orchestra”. DJ AK/DK

Fri 25 May
9.30pm – midnight
Beatabet Collective: Bunty + AK/DK. DJ: Man Ray Sky

Sat 26 May
12.30pm – 4.30pm
Blues with Dave Beckett

9.30pm – midnight
DJ Sam Abrahams

Sun 27 May
12.30pm – 4.30pm
Jacko Hooper + Caitlin Stubbs + Abi Wade + Forestears.