Birdengine, supporting Samantha Crain

Lawry Tilbury III aka Birdengine has a small red label that dangles from his guitar with the word ‘Happy’ inscribed on it. I now know that ‘Happy’ is the name of his guitar. Not that you can label his music, so maybe it’s doubly ironic.

Brighton-based Birdengine hasn’t been playing live much of late so it was a real treat to find him and Happy in the tiny Komedia Studio Bar, supporting the American touring songsmith Samantha Crain for a Melting Vinyl gig.

It’s hard to believe it’s been two and a half years since the The Crooked Mile was released, one of the best albums to emerge from the psych-folk scene. Not a happy record, it’s full-to-the-brim with melancholy imaginative gothic folk tunes, from which the sublime Ghost Club was a stand-out tonight. We were also treated to the stunning Heads off Dogs from his first album released on Drift records, and a number of new songs involving increasing use of a loop pedal which helps add a fuller sound to the trademark Birdengine pluck and strum. We were also treated to a charming jazz interlude thanks to the previous owner of one of the Birdengine guitar pedals, with Lawry’s usual hesitant interaction with the audience forming a kind of obscure sub-genre of rapping. Maybe.

It was good to see Lawry back in action, and a new album will hopefully start to emerge shortly.

Birdengine Birdengine BirdengineSamantha Crain is touring to promote her new album Kid Face, which is well worth exploring – one of three excellent female songwriter’s albums released over the last month and which I’ve been enjoying this week (see also New Yorker Nicole Atkins’ excellent Slow Phaser and Brightonian Sharon Lewis’ classy Roses at the Top, more of which some other time). The small studio bar made for a lovely intimate venue and hopefully Melting Vinyl will use it more.

Samantha Crain

Photos and words by Jon Southcoasting

Nordic Giants – Dismantle Suns

At the end of last month, the Nordic Giants played a gig at the Concorde to launch the second part of their Build Seas, Dismantle Suns EP.

Nordic Giants

The Nordic Giants have long been one of Brighton’s best live bands, with their gothic outfits, stunning visuals and huge huge songs. Since this was a bit more of a special occasion they were aided and abetted by The Shadow Enigma, a collection of musicians who added additional strings, brass and percussion to bolster the band’s already massive sound.IMG_1687es

The EP starts with long time live favourite Little Bird. The smooth start with gentle jazzy keyboards and female vocals turns out to be a smokescreen for the Nordic Giants brutality with huge clattering drums kicking in two thirds of the way through. The second track Mechanical Minds also features pianos and big drums, which die down every now and then to reveal old samples warning of a dangerous future. Strangest Tides is a calmer affair, with tender female Scandinavian vocals over something akin to Sigur Ros’ less guitarry work. EP Closer Dark Clouds Mean War is brooding and cinematic, with thick lush strings and simple piano line building up throughout the song, and it’s only in the last seventy seconds of the track that percussion kicks in, the Dark Clouds in the title bringing their promise of a storm.

IMG_1778eesBoth parts of the Build Seas, Dismantle Suns EP are available to buy through the Nordic Giants webshop.

Flash Bang Band album launch

Gallery

This gallery contains 3 photos.

Flash Bang Band launched their brilliant new album ‘Bite Your Tongue’ at a free gig at the Green Door Store last night. If you haven’t bought it yet, it comes very highly recommended. They were ably supported at the launch … Continue reading

Les Enfants Terribles at the Blind Tiger and The Space Agency at the Horse & Groom

We had big plans for Friday night – we were going to head down to the Blind Tiger for Les Enfants Terribles which I’d read was an early gig, then catch Yumi & The Weather headlining Juice FM’s night at the Haunt. But then it turned out that the Juice night was an early gig too which put pay to that plan. We also wanted to pop into Brighton Electric on the way home for their all night, but that didn’t seem like such a great idea with work in the morning.

So we only made one of the three gigs we wanted to, but it was a good one. My New Favourite Tribe have only just put out their first single, but judging by the rest of their set there are great things to come. I would probably have enjoyed Salt Ashes set more had it been a PA in Audio at 2 o clock in the morning, but what a voice! I’ve been wanting to see Bent Cousin since I first heard them earlier this year and they didn’t disappoint. They’ve got catchy songs which work even better live than the recordings, and on top of that they’ve got heaps more charisma that most local bands.

Saturday night was more of a success, mainly because we had much more achievable ambitions for the evening. We only wanted to see the one band – The Space Agency – who were launching their new single Bombay Potatoes at the Horse and Groom in Hanover. The Space Agency are another band who’ve been on my wish list of bands to see for a while, and they were fantastic. I don’t get to write about Surf Rock nearly enough on the blog, and the band – who also rotated instruments midway through the gig and played a set as their alter ego The Get Smashed – had talent and tunes in great abundance.

Here’s out pics from the gigs. Click through to view large:

Time for T EP Launch

Brighton is so alive with great music right now. Last night we went to Time for T’s EP launch in the unusual venue of their local church, St Luke’s near Seven Dials and all three acts could have been headliners.

Image

First up was a name we have not come across before, Ellie Ford (above). She plays beautiful songs on harp and guitar with an angelic voice and tone, reminiscent in style of Laura Marling and seemingly for this short set just as good. She noted at one point a lot of her songs seemed to involve God, perhaps fittingly for the setting, although it didn’t seem to show. One to watch – she is currently recording.

Image

The Common Tongues released their new EP Tether & Twine a couple of months ago at the Blind Tiger and Time for T offered support there, so this time around the Common Tongues returned the favour. They’re a popular band and rightly so, as they have a big powerful folk-rock sound, reminiscent of the Mumfords but (to my ears) better songs and tunes. Songs like ‘Something’s Got to Give’ and ‘Praying to God’ sound more powerful live than on the EP, and the latter song being particularly memorable.Image

However, tonuight was all about Time for T, half a dozen young guys from various parts of the Uk and the continent who all share a house just over the road from tonight’s venue and you get the impression it might be something like an episode from the Monkies. They’re a fun band but one with a lot of musical chops and serious intent. They should be out playing the festival circuit but as it was had the whole church dancing or tapping their feet. Sometimes pop with touches of reggae and funk subtly slipped in, sometimes coming across like a big multi-styled band like Santana, we’re big fans. The band’s charm is partly captured by Tiago announcing his mum had come over from Portugal for this gig and then launching straight into their song referencing Phone Sex (rather surprisingly, a great singalong number) from their first EP.

Image

All three songs from their new (second) EP ‘Mongrel’ have been on heavy rotation in our house, and they sounded strong played live tonight. Tornado with its chorus of “You’re like a Tornado, …when you go you take the House and the car away”, and the beautiful spiritual song “Great Grandma” is a particular favourite. The final song ‘Vegetables’ is a great way to end the night, and gets the whole joint jumping. An ode to sloth, it is anything but. Listen below.

Image

Photographs by Jon Southcoasting

Gallery : Noise Night #4 – Milk & Biscuits

Our friends over at Brighton Noise have been putting on nights at the Green Door Store for a few months now, but shame on us – this is the first one we’ve made it along to. The big draw for us was Milk and Biscuits whose new single Hairstyles comes out next month, and whose set was made up entirely from their upcoming album Spirit Nap.

Click on the images to view full size.

 

Boon Magazine Launch headlined by The New Union

Thursday night was the launch of a new magazine for Brighton, promising music, fashion, art and culture. They heard a rumour that we like Brighton and that we like music so they invited us along to the Green Door Store where they had a whole host of local talent playing for them.

The night kicked off early. When the gig was first announced Tiger Cub were second on the bill, but another commitment initially meant them pulling out, and then got rearranged for them to play a short set early on. I missed Tiger Cub though, cos I was having my dinner. I also missed Spit Shake Sisters, and most of Kill Moon, and when I arrived the room was already so rammed out I couldn’t get in and get a decent view.

Demob Happy

Demob Happy

Demob Happy were great though – melodic indie rock which sounded fantastic at the Green Door Store, but I bet would sound even better when you’re sitting in a field in the sun at a festival.

The New Union

The New Union

The New Union were the big draw of the evening, and one of the main reasons why the night was sold out. Every time I see them they seem to get better and better – Their sound is richer, the songs are stronger. They’ve got a few slow songs in their set now which I’m sure will be great when they’re recorded, but they were in danger of losing the crowd a bit when they played them. With their more upbeat indie numbers they had the audience in the palm of their hand and had the room jumping. They ended their set with last year’s single Without You, and what I guess is going to be their new single which is due in the next few weeks. We’ll hopefully be bringing you more details of that very soon.

The first edition of Boon Magazine is out on May Day.

Martin Rossiter Live album

Martin Rossiter

Last November, Martin Rossiter released his debut solo album, The Defenrestration of St Martin, and we loved it, calling it “a thing of magnificent beauty“. The album was a long a time in the making and Martin was out of the spotlight for nearly ten years. His first step back was a concert at the Unitarian Church in New Road last May, which was recorded and has been released today, on sale for a mere six pounds.

The live album is made up of old Gene favourites as well as tracks from The Defenstration of St Martin, all played in the same style as the album with just piano and voice.

Martin will be heading out on tour soon, and plays Brighton on 14th June at Brighton Dome.

Cate Ferris at the Blind Tiger

We’ve written about Cate Ferris loads of times, and we’ll continue to do so all the while that we go along and see her and be impressed as we were last night, when she played at the Blind Tiger in a double headliner gig with Londoner A Little Unsaid.

Cate Ferris

Cate Ferris

If I’ve understated the power of Cate’s voice in posts in the past, it was easily summed up by the reaction of one audience member, who audibly exclaimed “wow!”, when Cate hit her first big note. It’s not just about the power though – using looping pedals she’ll often harmonise with herself midsong and get the harmonies just right. As she noted herself, just a few years ago she was a technophobe and would seen onstage with nothing more than her guitar. These days she has an array of keyboards, pedals and percussion, none of which are overused, Over time these extra additions to her set have been used in more subtle ways, meaning that the song comes first rather than the gimmicks.

The performance left whole room in the palm of her hand, even those who had seen her before, so much so that there was a shout from the back of “Are you single?” (to which there was a very stern reply of “NO!” from Cate’s boyfriend who was also in the audience!).

The set was made up of mostly new songs, from her recent Get Set Ready Go EP, and some which are going to feature on an upcoming Live EP, and closed with jazzy trip hop future classic “Fly”, which I recommend you go and look up on youtube. It’s a fantastic tube and was a real high to end her set on. If you haven’t seen Cate live, don’t miss out next time!

Cate Ferris

Cate Ferris

Willkommen’s ECHO featuring Damo Suzuki

On Friday night, Brighton’s Willkommen collective hosted another of their mini-ECHO festivals with a headliner Damo Suzuki of CAN backed by some of Brighton’s finest young musicians.

The show featured an amazing supporting line up: Sons of Noel and Adrian, Soccer 96 and (from London) Eyes & No Eyes, all perfect headliners in their own right. The music was amazing, and there were also visuals supplied by the Innerstrings Psychedelic Lightshow. A definite candidate for one of the gigs of the year.

Jon Southcoasting was there to take some pictures.

Eyes and No Eyes

Eyes & No Eyes

Soccer 96

Soccer 96

Sons of Noel and Adrian

Sons of Noel and Adrian

Sons of Noel and Adrian

Sons of Noel and Adrian

Damo Suzuki

Damo playing with Alastair Strachan and Patrick Lawrence

Marcus Hamblett, Alastair Strachan and Patrick Lawrence

Marcus Hamblett and Alistair Strachan playing with Damo Suzuki

Damo Suzuki

Damo Suzuki