June Top Ten

Here’s our regular monthly post of what’s hot on the Brighton Music Blog stereo over the last month.

1) Electric Soft Parade – Summertime in My Heart

We’ve probably listened to more Electric Soft Parade this month than everything else put together, and our top ten probably should just be the tracklist of Idiots, but what fun would that be? Summertime edged out in front of the other tracks, mainly because it’s the current single.

2) Milk & Biscuits – Hairstyles

Hairstyles is the second single from Milk & Biscuits forthcoming album Spirit Nap, and it’s great. It’s a bit Belle & Sebastian, a bit retro pop, and has a video filmed all around Brighton:

3) Us Baby Bear Bones – Swamp

We’ve been waiting for “What Starts With a U Ends With An I” for ages, and it was well worth the wait. A few of the tracks had appeared on YouTube, but the EP was the first chance we’d had to listen to Swamp over and over:

4) The Beautiful Word – Particles

When we first posted up the video for Particles back in May we said that it could well be the best thing they’ve done. After repeated plays, we’re pretty much sure it is.

5) New Union – Staying Friends

Staying Friends is the lead track on the New Union’s eponymous EP which came out four weeks ago. All four tracks on the EP are great, and the artwork for the 12″ is just as classy as we’ve come to expect from the band.

6) IYES – Lighthouse (BBC Introducing Session)

For their recent BBC session IYES swapped the electronics for a cello and it sounded lush. Unfortunately it’s long disappeared from iPlayer, so here’s the original:

7) Gaps – Cascade

We posted up the video for Gaps lovely, hypnotic upcoming single Keep You a couple of weeks ago, but we ended up listening to it’s AA side Cascade even more. The Guardian agreed with us and made them yesterday’s New Band of the Day! The single will be released on 15th July on Sexbeat.

8) Curxes – Further Still (Avec Sans Remix)

We featured the original version of Further Still in our April Top Ten, but this month a remix surfaced which reversed the vocals, giving the tune a completely different melody:

9) Champione – Bear vs Bear

We only got the chance to give Champione’s tunes a listen last week, which means they haven’t had that many listens which is why Bear vs Bear is only at number nine. This, and the rest of the Home EP, are definitely going to get a lot more listens over the next few weeks:

10) Rivieras – Weekend

Rivieras got in touch on twitter and pointed us in the direction of their latest EP, a four tracker called Weekend. We liked what we heard, but we spotted that it had been up on Soundcloud for at least six months, so didn’t really sit alongside the new music that we write about most of the time. It’s definitely worth a listen though. Here’s the title track:

Interlocut​or at the Green Door Store 25/6/13

We got a sense of déjà vu last night. It felt like it had only been a week since we saw the White brothers onstage at the Green Door Store. Last night’s songs weren’t from Idiots though. In fact, it wasn’t even an Electric Soft Parade gig. Confused yet?

Last night Alex White’s new band Interlocutor played at the Green Door Store. You can count their gigs so far on one hand, which is why you might not be familiar with the name. Including Alex’s brother Thomas (on drums) there were a total of eleven people on stage, including a violinist, a three piece horn section, an additional percussionist, and at times three people playing guitar.

Interlocutor

If all of this sounds a little bit grander than the current Electric Soft Parade live setup, which has less than half the number of musicians, then that’s because it is. While both Idiots and the new Interlocutor material both hark back to the days of classic songwriting, Interlocutor’s influences are more rooted in AOR – The set included Steely Dan and Todd Rundgren covers, the arrangements were bigger and the sound a little more melancholy. Alex’s own songs, which he described at one point as “slowcore” sat well alongside the covers although the lyrical content about family and domesticity brought things a little closer to home.

Interlocutor may not have packed the pop punch of Electric Soft Parade, but what they did had grace, class and the same fantastic musicianship.

Interlocutor

Electric Soft Parade Album Launch

Last night The Electric Soft Parade headlined a rammed Green Door Store to launch their new album Idiots.

Crayola Lectern

Crayola Lectern

Support came from the leftfield Crayola Lectern, who we’ve written about numerous times. The stage was all set up for the headliners, which left Chris Anderson tucked at the back playing Electric Soft Parade’s keyboards and Alistair Strachan rather exposed at the front. They only played a short set, and did their usual trick of leaving those in the room who hadn’t seen them before confused and beguiled.

Thomas White

Thomas White

By the time The Electric Soft Parade were ready to start the room was as rammed as the stage. Now playing as a six piece, and with at least half the band swapping instruments over the course of night there it all got a bit crowded. The set was drawn from their whole career with around half the tunes taken from Idiots. It was their first live gig with the new material, not that you would have known it. The White brothers were on charming form, with plenty of banter including some self deprecating words on their review from NME (which referred to one track as ” as unlistenable as a million malfunctioning taps” – “How did they know that was what we were after?” quipped Alex!). The band finished up with an encore of album closer Never Again played just by Alex and Thomas and then Mr Mitchell with the whole band. Electric Soft Parade – it’s good to have you back.

Alex White

Alex White

The Electric Soft Parade are back onstage in Brighton again on 4th July, at an instore in Resident, and again on 19th July supporting The Levellers at The Dome.

Weekend Gig Picks

Here’s this weekend’s gig picks for you all. This week we’re extending things out to Monday, because there’s a gig that we can’t not mention.

PHBOn Friday night Martin Rossiter headlines the Source New Music Night at the Dome Studio Theatre. Support comes from The Beautiful Word and Jacko Hooper so this should be a bit special. Tickets are a bit pricier than a normal Source New Music though – so if you’d rather save your pennies then head down to Sticky Mike’s where the Physics House Band are hosting another Physics House Party. They’re playing a headline set with members of Flamingods, and there’s support from Luo, Caveman Genius, Demob Happy, and Shrine. Hush Hush Friday at the Blind Tiger caught our eye too – another free gig with FVNERALS topping the bill and Dog in the Snow supporting.

ImpellersSaturday Night’s pick is Clowns, who are playing at the Prince Albert. If you like your weekends a bit funkier then The Impellers are on the bill at Craig Charles Funk and Soul Club at the Concorde.

Brighton Folk comes back to the Brunswick on Sunday Night, with Amy Hill and The Galleons playing.

The reason we’ve extended things out to Monday for this weekend’s picks is to include the Electric Soft Parade‘s album launch at the Green Door Store. The album is definitely the highlight of 2013 for us so far and will be on sale at the gig. Support comes from Crayola Lectern. Also on Monday, for those who prefer their ‘problem folk’ to sunshine pop, ex Brighton resident The Great Park returns from Germany for a gig at the Prince Albert, ably supported by local singer-songwriter Tandy Hard. Frankly, as ever, we’re torn…

Electric Soft Parade – Idiots

ESP IDIOTS

The opening song from the new Electric Soft Parade album sneaks in the line “And now it’s back to work / as if I never left”, but while it’s been seven years since No Need To Be Downhearted came out the White brothers never quite got around to leaving. Since then there’s been three Brakes albums, three solo albums from Thomas, and guest spots from both brothers in numerous bands. There’s been plenty of live dates too, most notably supporting Noel Gallagher’s High Flying Birds on their world tour in 2011, and playing a gig at the Haunt last year for the 10th Anniversary of Holes in the Wall.

At the end of 2011 a French label put out Lily on 7″, which we described as “the kind of melodic guitar pop that most indie bands would sell their grandmother to be able to write”, and then the band spent all of 2012 assembling an album full of tracks of the same high standard. Earlier this year they released the country tinged Brother You Must Walk Your Path Alone, which has barely left our stereo.

Next Monday sees the release of Idiots, Electric Soft Parade’s fourth long player. The thing that strikes you on first listen is that any of the album’s ten tracks could be singles; not only is Idiots very much a pop album but there isn’t a duff track on it. It’s a classic guitar pop sound that’s been sorely missing from the charts of late, which have been cluttered up with the likes of Kasabian’s testosterone soaked riffs or Ed Sheeran’s overly sensitive acoustic drivel. Where are the tunes? Where are the choruses you can sing along to?

Well, here they are. Summertime In My Heart is the optimism of the season distilled into song form. The Corner of Highdown and Montefiore is a brooding, reflective ballad with lush strings that you lose yourself in before you realise it’s got a bit epic. Title track Idiots draws on the lush seventies pop of ELO or Wings, and the infectiously catchy Mr Mitchell could have been penned by Ray Davies. One of Those Days makes me swoon with it’s gorgeousness, shuffling rhythms and close harmonies, and Welcome To The Weirdness has the best guitar solo that Brian May never wrote. Never again calms things down to finish with, the sweetest song about hangovers that’s ever been written.

Idiots is a fantastic album. It’s rammed with brilliant, sunny guitar pop tunes, and is a great comeback for the White brothers. It’s out on Monday 17th on Helium Records, and the launch is being put on by Melting Vinyl at the Green Door Store that day.

April Top Ten

Here’s a new regular feature that I’ve decided to start on the blog. We write a lot of posts about a lot of bands, and quite often a blog post about something we absolutely love can easily drop out of view. On top of that, some things we write about are slow burners, and while we’ll write things up as soon as we hear about them, some tracks can creep into your consciousness weeks later. So here’s my top ten for April, based on my plays according to last.fm (although it seems to miss half my plays, so I reserve the right to use a bit of licence sometimes).

10. Interlocutor – Saturday (demo)

Alex White of Electric Soft Parade and Brakes has played a couple of gigs with his new solo project Interlocutor, despite the new ESP album due any minute now. He’s also quietly put up a couple of demos onto Bandcamp which we rather like.

9. Bat For Lashes – Laura (Vogue session)

A couple of months ago Natasha Khan did an exclusive session for Vogue.com. Two of the tracks from this session were released on 7″ for Record Store Day which was a nice reminder of what a brilliant track Laura is.

8. Pete Fij & Terry Bickers / I don’t give a shit about you

This track originally came out back in October last year so isn’t Pete and Terry’s new single. This track has crept into our top ten after being put up on Soundcloud as a free download.

7. Shrag / Sleeprunning

Officially the last track to be released by Shrag now that they’ve split. Sleeprunning is the b-side to On The Spines of Old Cathedrals, their final single to be taken from Canines.

6. Curxes / Further Still

Curxes put out their fantastic new release Further Still at the end of March as a free download, and then put up the video a few weeks later. We can’t wait to see them playing the Alternative Escape in a few weeks time (Thursday 16th May – Les Enfants Terrible stage / The Mesmerist at 18:55 or Southsea fest stage / The Black Dove at 20:50).

5. IYES / Lighthouse (Capsun remix)

We absolutely adore Lighthouse. It was one of those tracks that appeared from nowhere that was some brilliant and so unexpected. It’s spawned dozens of fawning blog posts saying how great it is but the problem was the only way to listen to it was on Soundcloud. Earlier this month though the track was remixed Capsun, which beefed up the beats and the bass and put up on Soundcloud which meant you could listen wherever you happened to be. IYES play the Alternative Escape on Saturday at the Mesmerist at 15:20

4. Black Black Hills / Red Cabin

Red Cabin, with it’s retro reverb drenched rock and roll and backwards video, was an immediate hit when we heard it a couple of weeks ago. Go download it now! Black Black Hills play Brighton Noise’s stage at the Alternative Escape on Saturday at 15:50.

3. Us Baby Bear Bones / You

You is another track which had been floating around for a while but got put up as a free download this month. You is going to be on UBBB’s debut EP due for release in July

 

2. Crayola Lectern / Slow Down

Slow Down is one of my favourite tracks from the new Crayola Lectern album The Fall and Rise of… The whole album is fantastic, but this is the track that we’ve played the most.

1. Electric Soft Parade / Brother You Must Walk Alone

From the moment we heard the new Electric Soft Parade single at the end of last month, it was inevitable that it was going to end up as this months most listened to track. Breezy guitar pop at it’s finest, that sounds even better now that the sun’s out.

 

Interlocutor

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So you’ve done the weekend now, except for that post-Saturday hangover-recovery dance, and you’re starting to wonder about your next big thing to do?

Well, you’re sorted. On Wednesday we have a gig by Alex White’s new band Interlocutor, Alex being the other brother out of the Electric Soft Parade and one of Brighton’s most prolific and talented musos. Interlocutor are an 11 piece alt-soul-rock band, and if Matthew E White or Lambchop’s your bag you will love this. Wednesday night they’re playing their new album right the way through. It will be great.

In support we have the amazing Crayola Lectern with his psychedelically-infused torch-rock, and the ramshackle indie-pop of Octopuses, comprising ex-members of the now legendary Foxes! And if that isn’t enough, these three bands will all be bathed in the warm glow of the Innerstrings Psychedelic Lightshow, a satisfying sight worth the meagre entrance fee on its own.

This one will sell out, so get your tickets pronto from the usual local stores or online at http://www.wegottickets.com/event/208205

Interlocutor

Brighton Music Blog Advent Calendar / Day 25 / Thomas White – Electric Soft Parade – Restlessli​st – British Sea Power – Milk & Biscuits – Foxes! – Do You Feel What I Feel Deer? – Fragile Creatures – Clowns

Merry Christmas! We’ve gone overboard today, hit the sherry too hard too soon, and crammed Nine bands into our final advent calendar post. The truth is, you can’t talk about one of of these bands without inevitably mentioning some of the others.

Let’s start with Thomas White, who released Yalla back in March. It was originally just a bunch of tunes he recorded for himself when he was bored and restless on holiday, which he was persuaded to release after he shared them with some of his friends, and is one of the finest collections of tunes that we’ve heard all year. Album closer The English Sargasso is a soporific masterpiece. We didn’t do an end of year list in 2011 because the blog had only been running a matter of weeks but to make make up for it we’ll make a mention of the Electric Soft Parade‘s “A Quick One” EP now. Lead track Lily is the kind of melodic guitar pop that most indie bands would sell their grandmother to be able to write. 2012 marked the tenth anniversary of Electric Soft Parade’s debut Holes in the Wall and the White brothers celebrated by playing the album start to finish at The Haunt, and returning to the studio to start work on their first album for five years.

Thomas White was also listed as a member of Restlesslist in the sleeve notes to their fantastic album Coral Island Girl, although he’s no longer part of their live setup. Before this year I’d heard the name but not the music so was quite looking forward to their performance at Sea Monsters. I wasn’t prepared to see so many people onstage. I wasn’t prepared for so many genres crammed into so many songs. I wasn’t expecting it to be narrated, or for that matter for the narrator to be wearing an eye patch. Most of all, I didn’t expect to enjoy it nearly as much as I did. Musically it was fantastic, but it wasn’t taking itself seriously at all. Where Thomas White earns his prime place in our Advent Calendar by doing things so much better and more effortlessly than anyone else, Restlesslist earn their place by being completely peerless.

While Thomas’ other band Brakes were taking a bit of an, erm, break in 2012, Eamon Hamilton made a return to his old band British Sea Power at one of their Krankenhaus concerts at The Haunt. Krankenhaus was more than just a concert though – The bands on the bill were more varied than you would expect, and played for longer. There were DJs inbetween the bands making for non stop entertainment. There was non-musical entertainment in the form of a ping pong table upstairs. At the one I attended, there was a stage invasion by a giant bear and a choc ice give-away! As well as their Krankenhaus gigs, British Sea Power also played at the Duke of York’s, providing a live soundtrack to a film made up of old archive footage called From The Sea To The Land Beyond.

Milk & Biscuits share a number of their members with Restlesslist, and have rightly had praised heaped upon them for their single White Noise, and their mini-LP Balcony times,  which came out at the end of 2011, is worth a listen. It features the vocal talents of Jennifer Left (who we wrote about back on 14th), and Kayla Bell of Foxes! who also released an eponymous album of top indie pop earlier this year. Eleanor Whittle and Rachel Dey – who provide vocals in Restlesslist and Milk & Biscuits and have sung backing vocals for Thomas White at some of his Yalla gigs – make up Do you Feel What I Feel Deer?, and have given us a taste of their wonky folk with their lush Save My Heart single. Adam Kidd has also sung backing vocals for Thomas White and his own band Fragile Creatures put out a grower of a track called Dear Michael. The tables were turned a week ago when Thomas White provided support at their Christmas gig at the Prince Albert. The final mention goes to Clowns, a band that Thomas White played bass with for a while before admitting that he was too busy. Every time we’ve seen them live this year (at a couple of Bleeding Hearts Clubs – did we mention that it was Bleeding Hearts who put Yalla out? – and more recently at December’s Source New Music night) they’ve got better and better.

I wouldn’t be surprised if there was dozen other related bands. Here’s to finding out all about them in 2013!

Album Review : Thomas White / Yalla!

It’s easy to get bored on holiday. You don’t have all your daily routine to keep you preoccupied. But when most of us get a bit bored when we’re away, we reach for a paperback, or head to the bar. Not Thomas White though. When he was bored on holiday in Egypt (before last year’s Arab Spring), he knocked up a whole new album, just using his guitar, his laptop and the the microphone of his pocket videocamera. He wasn’t even going to release it until he was persuaded by friends that he’d be a fool if he didn’t.

Thomas White - Yalla!

Yalla! is Thomas White’s third solo album, on top of those he’s made with Electric Soft Parade and Brakes (and numerous guest spots with others), and it quite possibly his most personal and accomplished work to date.

The album fades in quietly, opening with All The Fallen Leaves. Nearly a minute passes before the first chord is played. The lyrics tell of a aching for home – Brighton – despite the fact that “the sun beats down on desert ground”, and that home is “cold, wet and brown”. An acoustic guitar plucks away at simple chords, and a haunting close harmony joins in for some of the repeated lyrics which aren’t quite a chorus.

I’ll See Her Again and That Heavy Sunshine Sound are a bit more upbeat, but the undercurrent of yearning is still there – not for Brighton this time, but for a woman. The latter is definitely one of my highlights of the album, with the near perfect stanza “I am a boy / with a crush on a girl / who is out of my league / and is certainly out of this world”, which encapsulates exactly how I felt far too often in my early twenties.

The album continues in it’s psychedelic folk theme – Nick Drake with harmonies by the Beach Boys, with Norwegian Wood by the Beatles playing on the radio in the next room. For a more recent comparison, it occupies the same musical space as Balcony Times, the album put out at the end of last year by Milk & Biscuits (which incidentally, Thomas played on).

The best is saved until last. Album closer The English Sargasso lasts for nearly six and a half minutes, and by this point, Thomas is homesick for his friends and the pubs of Brighton – “We’ll hit the Dorset, and maybe The Hand, and down to Fitzherberts and the Globe after that”. While the last piece clocks in over five minutes, it doesn’t drag, but feels unhurried, moving along at a different, slower pace. The kind of pace that things move at when you’re on holiday with absolutely nothing to do – an incredibly clever trick to nail.

If this is what happens when Mr White goes on holiday, I can’t wait to hear the results of his next trip.

Thomas White playing with Brakes at the Green Door Store 23/1/11

Yalla! by Thomas White is released on Bleeding Heart Recordings on 19th March 2012. The first 50 copies – available through Resident Records in Brighton and Rough Trade in London – come with a bonus five track cd, and there will be a free instore gig at Resident at 6pm on 19th March, where the album will be available for £6.99.

Electric Soft Parade play Holes in the Wall

Brighton’s favourite indie band The Electric Soft Parade played The Haunt last night for the tenth anniversary of their classic Holes in the Wall album, released on Feb 4th 2002.

Support came from two local bands – Another Costume Party, who play good energetic indie rock; and Whiskey Whores, who are a bluegrass-country band, and a lovely one at that.

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The White brothers seemed to have mixed emotions about their tenth anniversary gig. Happy to celebrate ten years of their much-lauded first album that still sounds brilliant today, they also seemed keen to see the back of it and consign it to history.

The songs are still strong, and the band itself – Tom and Alex White augmented by Damo Waters on drums, Matthew Twaites on bass and Andrew Mitchell (of the Hazey Janes) on second guitar – sounded amazing. Tom and Alex swapped keys/guitar from song-to-song, and the ‘hit’ single Silent to the Dark, played out in its full length noise-filled long version which seemed to go on for a mesmerising 15 minutes was worth the entrance money alone. Tom even managed to get the audience to sing the opening lines, before the band launched into its sonic assault. Empty at the End, Somethng’s Got to Give, Biting the soles of my feet were also highlights.

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But things were obviously not quite right with the band, with Alex in particular having a fit and throwing his toys out of the pram. By the end of the gig he was bemoaning the fact that his keyboards had died, perhaps not helped by his trying to play it with his heels earlier in proceedings, and saying this would be the last time he ever played live. That would be a shame because on the evidence of tonight, it’s hard to see how these boys could eve play a bad gig.

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