Clowwns have just released their album The Artful Execution of Macho Bimbo on Bleeding Hearts Recordings, and are holding the launch party this Friday at Latest Music Bar (a fiver to get in, support from Prince Vaseline). We dropped Brighton’s premier post punk / new wave quartet a line to find out about everything that’s gone on to get the album out there, and the missing lost cover version which didn’t make the final cut.
Another week, another round of up new music for you all. First up is Laser Beam, the new single from Phantom Runners, which came from their sessions with Huey Morgan.
Last week Fear of Men posted up a video for their track America, from their album Loom, suitably filmed while they were on tour in America:
Lonely in Paradise is only the second track that I am L has put out there, but musically it sounds incredibly established, a bombastic ballad with Florence & The Machine style elements.
Seadog have a new EP out on Bleeding Hearts Recordings. Transmitter is the first track and also the name of the five track EP. The EP is out now as a download on bandcamp, with a 10″ coming in the spring.
We posted about the new The Go! Team track The Scene Between recently, but this week the video hit the internet. In Ian Parton’s own words “[I was] imagining things like aerial fly-bys, bad chromakey, Waco cable access, country versus the city, a choir in the wilderness. The key thing was I was definitely imagining looking down on landscapes, rivers and forests, but I could hear a slightly menacing, kind of pagan, thing going on too and a definite schizo thing between the verse and the chorus.”
Memory Loop have collaborated with Eva Bowan on a piece of electronica called 5115. Things start out quite ambient, but around the halfway mark the skittering beats kick in.
Around this time last year The Hundredth Anniversary did a session for indie website Daytrotter. You have to sign up to their website to listen to the sessions, but the band have put up Caroline from the session up as a free download on their soundcloud page:
ARC have just put out their debut EP Dopamine. Dopamine is track two EP, with track one being the jauntier 1664 Water, which we’re hoping is an ode to Kronenbourg.
Last but by no means least is some new music from Nightkites who put out a great EP last year called Drones. They’re back with another EP, this time called Drones 2, which is also a free download over on Soundcloud. Here’s track three – Dusk:
Seadog are the baby of Mark Benton, erstwhile guitarist with Man Ray Sky, Grand Palace and occasional others. Five years on from their first EP, a double set of beautiful soft pastoral songs which sounded like some lost singer-songwriter classic from the early 1970s, comes the new Transmitter EP, something a little tougher and wilder. The songs themselves have been part of the Seadog live set for several years but they’re now getting a well-deserved release on the excellent Bleeding Hearts recordings label.
Brighton music blog were there for the launch.
First up were Such Small Hands, centred around Melanie Howard’s beautiful vocals and dark break-up anti-love pop songs. Instead of a second guitar, Chris played a “keytar” which was a strapped-on extended keyboard. it’s a bit of a shame he spent most the gig bashing away at just a couple of keys because it looked like something that could be really interesting. Fortunately Melanie provided more than enough entertainment.
Next up were The Creaking Chair, including Seadog drummer Ryan Bollard, who played an enticing mix of Krautrock and early 70s English whimsy like Kevin Ayres, with some funky interjections too. It was a good mix that had the audience nodding in appreciation.
Finally, main band Seadog with a slightly augmented line-up, playing the new EP and other songs, sounding nervous and rough-edged at first, but then coming beautifully alive. The new songs have the lovely harmonies of the first EPs, with great songs like Haunted which have a classic twisted poppiness. Then Max plays the childlike xylophone introduction to ‘Transmitter’ and a lovely warm noise envelopes the room. The band have a fine sound, Mark Benton’s sweet vocals provide a strong lead and some well-crafted songs help ensure this is a band to watch. Here’s hoping they stop with EPs and collect together an album soon.
In the meantime, Transmitter is available in a variety of formats – CDs, downloads and soon-to-be-available vinyl. Catch Seadog at their next gig at the Northern Lights on 17th January. In the meantime, here’s a live version of Haunted
So you’ve done the weekend now, except for that post-Saturday hangover-recovery dance, and you’re starting to wonder about your next big thing to do?
Well, you’re sorted. On Wednesday we have a gig by Alex White’s new band Interlocutor, Alex being the other brother out of the Electric Soft Parade and one of Brighton’s most prolific and talented musos. Interlocutor are an 11 piece alt-soul-rock band, and if Matthew E White or Lambchop’s your bag you will love this. Wednesday night they’re playing their new album right the way through. It will be great.
In support we have the amazing Crayola Lectern with his psychedelically-infused torch-rock, and the ramshackle indie-pop of Octopuses, comprising ex-members of the now legendary Foxes! And if that isn’t enough, these three bands will all be bathed in the warm glow of the Innerstrings Psychedelic Lightshow, a satisfying sight worth the meagre entrance fee on its own.
This one will sell out, so get your tickets pronto from the usual local stores or online at http://www.wegottickets.com/event/208205
Legendary Brighton rock band Celebricide returned to the stage for a one-off gig, six years after they went into hibernation following the release of their debut album and effectively disappeared from the scene. A real shame, as on Thursday night’s showing they are still amazing and hopefully this won’t be the only time we see them.
Lead singer Tim Leopard started the evening in dark shades that made me think of Andrew Eldritch and Sisters of Mercy, but musically the band had a lighter touch and more variety. Dave Hughes on keyboards and Steve Barber on guitar were constantly inventive, the shadowy presence of Chris Anderson (now Crayola Lectern) on bass and the powerhouse of Emily Powell on drums never let up the rhythm.
Fly magazine called them “Elegant psychopaths… a lethal cocktail of Pulp, Roxy Music and The Fall. With literary lyrics about blackmail, contract killings and ruined lives…” Well, yes there’s an oddness and an aggression which is full on and confrontational but their new wave gothic rock belies a humour and self-depreciation which is also endearing.
Support came from Clowns. If you haven’t seen this Brighton band yet then you really ought to – they produce a really tight full-on garage-rock sound, and in Miles Heathfield (ex-Poppycocks) have a lead singer prone to prowl the stage and terrify audiences. Although tonight they omitted the Clown costumes that would occasionally appear at early gigs and even neglected to play their anthemic ‘She Says I’m A Clown’, they were really quite brilliant with an unrelenting driving snarling rhythm and beat from start to finish.
Their single is out on one of this blog’s favourite Brighton labels ‘Bleeding Hearts Recordings‘ and is well worth seeking out.
(All Photographs by Jon Southcoasting)
This month’s Bleeding Hearts Club fell on a bank holiday, which threw me a bit off kilter. Normally the timings work out quite nicely for me to come home from work of an evening, have a spot of dinner, and then head out to the Albert, but what with it feeling like a Sunday my timings were all out, and I missed out on all of this month’s first act Tandy Hard and most of Davo. Oops!
Thankfully the last two acts of the night were both amazing. Jane Bartholomew was positively magical – Beautiful yet fragile tunes backed with lush arrangements on accordion, violin, drums, guitar and autoharp, with a voice reminiscent of Joanna Newsom stripped of the cloying annoyingness.
Headliners Crayola Lectern are cut from a different cloth to most bands. Disregarding the normal constraints of verses, choruses, and for the most part vocals, Crayola Lectern are more a contemporary pianist act than a traditional band. Piano is augmented by trumpet, sometimes played normally, and other times used to create the effect of heavy breathing or snoring. Piles of percussion are spread across the stage and played seemingly at random, although I suspect that actually everything is perfectly choreographed. The rule book was left at the door. As wilfully independent as the setup of the band is, it’s not at the expense of accessibility – their songs are warm and engaging and intelligent and funny. By the end of the evening the whole room was smiling – entertained and inspired by a band who are prepared to be a bit different.