Track by Track walk though with Amongst The Pigeons of their new album “Get Amongst it”

Amongst The Pigeons have just released their new album Get Amongst It. I caught up with them in their pigeon shed / recording studio to do a track by track walkthrough of the album:

FutureDeadRockStars

With this track, the first 20 seconds was the fadeout sound on the first album. I really like the idea of taking that same sound to open up this album. All the titles came about from things other people have said, seeing things that people were saying on twitter or facebook or just conversations that friends were having. This track came about from my friend Si – we were having a conversation on twitter, and he was saying one of the things that all musicians should aspire to be is a future dead rock star, I think we were talking about the whole age 27 thing, and Kurt Cobain, and everything. This track only works as an opener, because it’s quite a slow song, it builds up, and it’s a bit ploddy for the first couple of minutes but it was one of those songs where I just kept coming back to it again and again, and I couldn’t not have it on the album. It’s a real headphone album – there are little bits that are coming in one ear, and looping over. I get really into just fiddling around with sounds for hours and hours and getting lost in the little bits of what I do. Continue reading

Brighton act at Number Two in the official singles chart

OK, so musically Conor Maynard doesn’t really fit with the other stuff that we right about here at Brighton Music Blog but the path of music snobbery is one filled with pitfalls. So instead we’ll raise a toast to Conor Maynard, who’s gone straight to number two with his debut single, Can’t Say No. Good work!

 

Abi Wade & Heliopause supporting Sea of Bees at The Haunt

It’s always pleasing when a visiting band gets a local acts to support them, and it’s doubly good when two Brighton acts get added to the bill. Wednesday night, Sea of Bees played at the Haunt, and as well as Stealing Sheep who have supported them on their whole tour, they were also supported by Abi Wade and Heliopause.

Abi Wade continues to astound every time I see her. Conventional wisdom says that if you’re going to have drums, strings and vocals you’d probably have a whole band. Conventional wisdom also says that you play a cello by pulling a bow across the strings, not using the bow, a variety of drum sticks and even a hairbrush not just on the strings but over the whole instrument. At times last night Abi recalled the dexterity of The Durutti Column’s Vini Reilly who coaxes out rhythm, melody and backing out of just the one instrument, but Abi also has the advantage of a fantastic voice. If there was Brighton act that I’d say people ought to see right now, it would be Abi Wade.

Second act on last night were Heliopause, who were the first band I saw at Sea Monsters earlier this year. Their roots are in folk, but their sound is so much more than that – There’s electronica involved, but it’s not folktronica like Four Tet used to make before he went jazz. There’s elements of post rock in there too, and sometimes the guitars shimmer and send shivers down your spine. What’s important is that it all works so well together, and these elements aren’t clumsily thrown in, which gives the band their own sound the separates them from the crowd. Their next album is released on 5th May, and from what I’ve heard so far, is a real treat for the ears.

Abi Wade is next playing on 10th May at 7.30pm at the Unitarian Church as part of the Great Escape Festival and again on 11th May at 3pm at Latest Music Bar as part of the Alternative Escape. Heliopause launch their album with a gig on 5th May at Brighton Electric Studios.

The Moulettes ‘Sing Unto Me’ single launch at The Marlborough 11/4/12

Going to a Moulettes gig is always a bit more special than going to a gig put on by most bands. Seeing a band live ought to be a bit more of a performance – if a band just stand there and run through their record, you might as well save your money and listen to the cd from the comfort of your sofa. The fact that this gig is at a theatre is a good start and walking into the venue, with the stage imaginatively decorated with an oversized tree with buttons for leaves and a mechanical cloud hanging, sets the scene for an interesting night.

Support came from the incredibly talented flautist Laura J Martin. She’s not from Brighton, so I going to move on quickly, but before I do I’ll say that if you get the opportunity to see her play live, then take it up because you’ll regret it if you don’t.

Hannah Miller of The Moulettes

Being a theatre, the stage curtains closed between acts. No one wants to see roadies moving kit around and gaffer taping leads down. It’s best to keep the mystique, especially if you’re a magical band like the Moulettes. Before long the curtains opened to reveal the group, who seem to be growing in numbers every time I see them play. In addition to existing members, they’ve also recruited Jim Mortimore (who also plays bass with sometime Moulettes collaborators The Muel), and Faye Houston (who you may have seen singing with numerous other Brighton bands). The set was comprised mostly of tracks from the bands forthcoming album The Bear’s Revenge, with only a handful of tracks from their debut. The new songs sit perfectly well alongside the old, but are more developed and less contrived – the band members swap instruments (which now include timpani!) and vocal duties are shared. Musically, the sound is richer and less contrived, and Georgina Leach’s fiddle playing now matches Hannah Miller’s cello to extraordinary effect. As if that wasn’t enough, halfway through the set they were joined on vocals by Arthur Brown, of Crazy World of… fame, who didn’t hold back although sadly wasn’t sporting his famous flaming helmet.

Arthur Brown singing with The Moulettes

Set closer was the new single Sing Unto Me. Did I mention that they have a new single? And that the gigs (they played on Thursday too) were the Single Launch? It’ll be out May 28th, with the album following a few weeks later (although you could have picked them up at the gig). The band return for a reluctant encore before the bidding us farewell, the curtains literally closing on a top night’s entertainment.

The Moulettes at The Marlborough

More new releases

It seems like only a week ago I was posting a bunch of new singles from Brighton bands. Maybe that’s because it was only a week ago, but it must be the season for new releases, because here’s a bunch more:

First up is High Rankin, with his new track Fuck You Virtual DJ. It’s very immature, it’s got some filthy bass, a cartoon video, and childish swearing. What more could you want? A free download, you say? Well, as it happens…

Haunted Gold by Curxes is released today on iTunes. If you’re not such a fan of digital downloads, apparently some vinyl is coming soon!. The video is the result of weeks of painstaking scanner and glitter work. Take a look here:

Next we have Wild Cat Strike, with their debut EP Shout at Satan, which was recorded just up the road a Yellowfish Studio near Lewes. Not quite as dark or metallic as the name might suggest, the EP is three tracks of good old fashioned guitar indie. The band also make their debut performance at the Prince Albert on Saturday 28th April

Sticking with debuts, Soft Arrows release their debut single Spirit Animal Bones today. The two piece played a great minimal shoe gaze set a few months ago at Sea Monsters at the Prince Albert and have released their single as a free download in advance of their forthcoming album All Through The Sinew.

Heliopause (who also played at Sea Monsters) are putting out their next release on limited cassette. Don’t worry though – there’ll be a digital download included. They’re playing a launch gig at Brighton Electric Studios on 5th May, and have put a couple of tracks up on Bandcamp as a taster:

Finally, here’s Kellar’s new EP Smokescreen. Kellar make what they call Improvisional Texture Rock. It’s big slabs of extreme psychadelic noise, devoid of such mainstream constraints like tunes or time signatures. Heavy stuff indeed.

Love Thy Neighbour to release Us Baby Bear Bones EP

Following on from releasing Abi Wade’s debut EP at the end of last year, Love Thy Neighbour have announced that they will be putting out an EP by Us Baby Bear Bones. What Starts With a U Ends With an I comes out in July – A bit of a wait, but if the video they’ve put out already for it is anything to go by, it’ll be worth it:

Us Baby Bear Bones are supporting AU at Sticky Mikes on 26th April, and are playing numerous times over the Great Escape Festival weekend.

Juice and Source New Music Nights at The Haunt and the Pavilion Theatre

I’ve done my best to attend the Juice and Source new music nights religiously since I started the blog, so when this month came around and they both ended up on the same night, I was in a bit of a quandary. There was only one thing for it – attend both nights. The Juice night started a little bit earlier and finished a bit later, so my plan was to get to the Haunt for the opening act, then head over to the Pavilion Theatre, then back to the Source for their headliner. Continue reading

New Levellers Single – Truth is

I was wondering when I’d get to write about The Levellers. As out of fashion as they might be, they were probably the first band I acknowledged as being from Brighton, back in my student days when I’d jump up and down at The Event, drunk on watered down Snakebite, to the sounds of One Way.

The new Levellers single, called Truth Is, comes out Saturday 21st April. Most singles normally get released on mondays, but this is coming out on the saturday to coincide with Record Store Day, where their contribution to the many limited items available will be the single released on 7″ red vinyl.

You probably don’t need telling what the Levellers single sounds like – just close your eyes and picture the words “folk rock”.

Abi Wade live at the Old Market

Abi Wade at The Old Market

Last time I saw Abi Wade, back in December of last year, she was playing the acoustic spot at the Source New Music night at the Pavilion Theatre. Her ‘Of Blood and Air’ EP had just been released, but she was playing to a largely unappreciative audience. In the past three months a lot has changed, because last Thursday night she played to a packed out hall at the Old Market, where the crowd were hanging on every note. Support came from Dan Edwards & Max Crawford, and Luke Sital-Singh. Rumours of me having missed the support because I was distracted in The Conqueror around the corner are unfortunately true. We arrived just as Abi’s set started, and my companions marvelled at both the simplicity and the complexity of her setup. With just one person on stage, it is quite incredible that the sound of a whole band is produced. Somehow, with the aid of a tambourine and a stomp box on drum pedals, cello strings being bowed, and plucked, and the cello body being tapped with the bow, and drumsticks and even a hairbrush, and warm rich sound was created which, had you not been watching, that thought that it was only being created by one person wouldn’t have even crossed your mind. For three quarters of an hour, we were treated to a selection of tracks from the debut EP, and a whole host of other material, including an interesting cover of One Hand Holding by The Maccabees. We were left wanting more, which is the way thing should be – thankfully, Abi’s got a lot more gigs coming up soon: On 18th April at The Haunt (supporting Sea of Bees, with fellow Brightonions Heliopause also on the bill), 27th April at The Hope (supporting Dan Mangan) and 13th June at the Prince Albert (supporting mancubbabywoman)

Thomas White Interview

This week sees the release of Thomas White’s new album Yalla, and I thought I’d find out a bit more about from him via the pubs he lists in the lyrics of the closing track English Sargasso: The Dorset, the Hand in Hand, Fitzherbert’s and The Globe.

Thomas White - Yalla!

We start things off at The Dorset, or to give it it’s full title, The Dorset Street Bar. There are records of The Dorset being a pub going back to 1845, so it’s been a firm fixture in Brighton for quite some time. Continue reading