Moulettes and Arthur Brown at Komedia

There’s not enough hours in the day. If there were, we’d be getting around to a lot more gigs. As it is, we’ve already missed the Slytones, and Moulettes have already kicked off by the time we arrive. Since we last saw them back in April, the band are leaner, but stronger. Slimmed down to a mere five members – those who’ve followed them over the years will know that’s quite a low number – the band still manage to sound bigger than ever. The band are more professional too – gone are the minutes lost to fits of giggles inbetween songs. Their set is mainly drawn from this year’s Bears Revenge album, losing some songs which have been staples for a long time, but instead showcasing the talents of the whole band as their newer songs do. One of the great joys of going to see Moulettes play live is the musicianship, which you can only truly appreciate by seeing the band in the flesh. My high point is Assault – a musical battle between violin and cello which is quite frankly breathtaking.


Most of the crowd are here for Arthur Brown though. Arthur’s a Lewesian these days, and that would be just about enough to slip into our remit if we were being generous, but there’s more reasons than that to write about him as well as Moulettes. I should imagine that most write ups of the gig will probably focus on the guitar and keyboard players, their sex (female), and their attire (hot pants and leather trousers respectively). Hearing them play, you would know that they were actually chosen for their command of their instruments. Instead, I’m going to focus on the bassist and the drummer. Drums and backing vocals are covered by Sam Walker, better known as front man of The Muel, who we haven’t written about nearly enough this year. Bassist (and musical director for the current live show) is Brightonian Jim Mortimore, who’s also in Moulettes, and in The Muel with Sam. What makes Jim’s role in the band especially interesting is that his dad Malcolm has also featured in Arthur Brown’s band over the years. It’s the youth and vitality of the backing band which elevate the show above so many bands on the heritage circuit – there’s no decades-old politics or history between the members, so they can just get on with playing fantastic music, covering some of the songs that Arthur’s famous for, including Death Grips, which he tells the audience has been attributed the credit of the birth of heavy metal despite the original recording didn’t feature any guitars, as well as a full hour of psychedelic garage rock. Arthur Brown is still pretty youthful too, for a seventy year old. He’s still got an amazing voice, and he’s still dancing around the stage, flanked by his band and by flamenco dancers which add to the visual element of the show. There’s no flaming helmet tonight, but that’s probably due to the low ceilings in the Komedia. We don’t want to see Dukes at Komedia burning down before it’s even opened do we?

Arthur Brown

Moulettes / Uca’s Dance

The Moulettes have a new single out soon! In a few weeks time, Uca’s Dance comes out, and it’s classic Moulettes – fiddles, close harmonies, and stomping rhythms. It also features the talents of one Ted Dwane

The band are having a launch for the single up in London on 24th November at The Tabernacle up in London. Book your tickets from Communion, and you could be in with a chance of winning the EP. Book 6 or more tickets, and you could be in with a chance of Moulettes playing a gig at your house. How amazing would that be?

If going all the way to London seems a bit of a trek, The Moulettes are playing at the Komedia on 21st November, supporting Arthur Brown.

There’s a whole load more information over on the Moulettes website.

The Moulettes ‘Sing Unto Me’ single launch at The Marlborough 11/4/12

Going to a Moulettes gig is always a bit more special than going to a gig put on by most bands. Seeing a band live ought to be a bit more of a performance – if a band just stand there and run through their record, you might as well save your money and listen to the cd from the comfort of your sofa. The fact that this gig is at a theatre is a good start and walking into the venue, with the stage imaginatively decorated with an oversized tree with buttons for leaves and a mechanical cloud hanging, sets the scene for an interesting night.

Support came from the incredibly talented flautist Laura J Martin. She’s not from Brighton, so I going to move on quickly, but before I do I’ll say that if you get the opportunity to see her play live, then take it up because you’ll regret it if you don’t.

Hannah Miller of The Moulettes

Being a theatre, the stage curtains closed between acts. No one wants to see roadies moving kit around and gaffer taping leads down. It’s best to keep the mystique, especially if you’re a magical band like the Moulettes. Before long the curtains opened to reveal the group, who seem to be growing in numbers every time I see them play. In addition to existing members, they’ve also recruited Jim Mortimore (who also plays bass with sometime Moulettes collaborators The Muel), and Faye Houston (who you may have seen singing with numerous other Brighton bands). The set was comprised mostly of tracks from the bands forthcoming album The Bear’s Revenge, with only a handful of tracks from their debut. The new songs sit perfectly well alongside the old, but are more developed and less contrived – the band members swap instruments (which now include timpani!) and vocal duties are shared. Musically, the sound is richer and less contrived, and Georgina Leach’s fiddle playing now matches Hannah Miller’s cello to extraordinary effect. As if that wasn’t enough, halfway through the set they were joined on vocals by Arthur Brown, of Crazy World of… fame, who didn’t hold back although sadly wasn’t sporting his famous flaming helmet.

Arthur Brown singing with The Moulettes

Set closer was the new single Sing Unto Me. Did I mention that they have a new single? And that the gigs (they played on Thursday too) were the Single Launch? It’ll be out May 28th, with the album following a few weeks later (although you could have picked them up at the gig). The band return for a reluctant encore before the bidding us farewell, the curtains literally closing on a top night’s entertainment.

The Moulettes at The Marlborough