Scribe Tribe – Nasty Boy video

I could so easily fall into the trap of being quite blinkered with this blog, of just writing about folk and indie bands, since they’re in such abundance in Brighton. But I’m going to do my best not to – there’s plenty more going on, and I will get around to writing about different things, like Roots Garden and the dub stuff that they do, and I read that local metalcore band the Architects are headlining at the Concorde in April.

In the meantime though, here’s a bit of hip hop from Scribe Tribe, who’ve alerted me to their new video.

If you like what you hear, their album’s only £2.99 on Bandcamp at the moment. Bargain.

Album review – Foxes! by Foxes!

Foxes!

Indie’s history is littered with bands whose members have stronger relationships than just being in the same group – Thurston Moore and Kim Gordon, Stephen Morris and Gillian Gilbert, Tim Gane and Laetitia Sadier… The latest band to join the queue in this auspicious list is Foxes!, headed up by Kayla and Adam Bell, whose eponymous debut album is out on Brighton based label Big Salad Records next Monday (16th January). The album has been a long time coming – the sleeve notes say it was recorded in 2008 / 2009. Before they found a home with Big Salad, they put out the ace Panda Bear Song last year on legendary indie label Elefant Records.

Foxes! rattle through the dozen tracks on their album in barely more than half an hour – about the right about of time to not overstay it’s welcome and to leave you wanting more. After a short intro track, the album kicks off properly with the Panda Bear Song, which hopefully you’ve already clicked through to, a song about wildlife conservation. The stompers keep on coming, taking in such subjects as spending too long in cafés, days when you feel like you can’t do anything right and girl crushes. Even the possibilities of what happens after death get a look in. But despite the tone of some of the lyrics, it’s not a dark album at all; Foxes! is full to the brim of chirpy indie-pop songs. Oh Rosie tackles the tricky subject of advising the elderly to try internet shopping – not bad in three and a half minutes:

If you’re a fan of choppy guitars, lo fi keyboards and catchy lyrics, then this will be right up your street.

If you like what you hear, but you missed their show at the Green Door Store just before Christmas, you can go and see them in London on Tuesday at The Buffalo bar in Highbury. If not, I’m sure they’ll be playing back in Brighton again soon. In the meantime, you can follow them on Facebook here.

A Fantastic Friday of gigs

It’s the first weekend of the new year, and if this weekend is anything to go by, it’s going to be an amazing year for live music in Brighton. Firstly, British Sea Power have returned to Brighton after a year of touring and have the first of their monthly nights at the Haunt, which they’re referring to as “Krankenhaus”. British Sea Power are playing two live sets, supported by Welsh surf guitarists Y Niwl, who supported Gruff Rhys on his last tour. And then at the Blind Tiger Club (do we still have to say “formerly Hectors House” or is it long enough yet?), there’s an MTV Brand New buzz party. Local Hip Hop artist Elijah MC is on MTVs shortlist of acts that reckon be ones to watch this year, and he’ll be supported by Astro Physics, Experimental, Unity Hi fi and Kitten & the Hip. And if that wasn’t enough, it’s also the Green Door Store’s first Birthday Party, with Curxes, The Sticks and some Secret Special guests headlining, as well as a host of DJs who’ve contributed to so many special nights over the past twelve months. You lucky people are spoiled for choice!

Fujiya & Miyagi cover New Order for Mojo Magazine

This is something I was given a heads up for as a New Order fan rather than someone who writes Brighton Music Blog, but it’s worth a mention anyway. On the front cover of Mojo Magazine this month, a whole bunch of artists cover all of the tracks from New Order’s Power, Corruption & Lies, and Fujiya & Miyagi are covering Your Silent Face. There’s a 30 second clip on soundcloud here:

Happy New Year

Happy New Year from Brighton Music Blog! It’s that time of year when pretty much the whole media is looking back at the past year and forward at the year ahead. We only started the blog back in October, so let’s just look ahead. Already it’s looking like a good year for Brighton Music – The Maccabees new album Given To The Wild is out next Monday, with Foxes! eponymous debut album out the following week, and Brakes have posted on Facebook to say that they’ll have an album out later this year too (although they have since tweeted to tell us not to get our hopes up!).

Maccabees - Given To The Wild

There’s also a lot of great Brighton-based gigs around town over the next few months. Here’s a few that caught my eye:

6th January : British Sea Power at The Haunt
23rd – 28th January : Sea Monsters 2 gigs at Prince Albert
31st January : Juice New Music Night (Bobby McGees headlining) at The Haunt
4th February : Electric Soft Parade (10th anniversary of Holes in the Wall) at The Haunt
16th February : Source New Music Night (headliners tbc) at Pavilion Theatre
23rd February : Shrag at Sticky Mike’s Frog Bar
9th March : Maccabees at Dome
13th / 14th March : Rizzle Kicks at Concorde 2

I’m sure that’s just the tip of the iceberg. We’ll have reviews and photos from some of those gigs in the coming weeks.

And as if that’s not enough, Brighton Music Blog contributor Jon Southcoasting is DJing his All Time Top 100 at the Coopers Cask this saturday. Jon knows a thing or two about music, so it’s bound to be a good night.

Tim Hardin Memorial Folk Fest

Tim Hardin memorial night in Brighton

Tomorrow (Thursday) in that pleasantly quiet gap between Xmas excess and New Year exuberance there will be a little local celebration of the brilliant singer-songwriter Tim Hardin.

Tim Hardin was born 70 years ago on 23 December, and died on this day (29th Dec) at the age of 39, having written such classics as If I were a Carpenter, Reason to Believe, Black Sheep Boy etc. Local acts Hiawatha Telephone Company, Antony Hodgson and Simon Drinkwater plus friends will be playing their own songs, select covers and an assortment of Tim Hardin tunes at the small but perfectly formed Horse and Groom Pub in Islingword Road. Should make for a very pleasant evening, and if you haven’t heard any Hardin songs before then you’ll be in for a treat.

It all starts around 8:30pm and entry is free.

Facebook event is here

New videos from Cate Ferris

Cate Ferris has posted up some new videos onto her youtube channel today. They’re both tracks that she’s been playing live this year, so if you’ve caught her playing around town, you’ll know just how good they are. If not, enjoy these for the first time.

Trapeze:

Leave a Light On

Cate’s Youtube Channel and her Facebook page

 

Big Salad Christmas Party with Foxes! and Milk & Biscuits

So when I joked last week about the Juice Christmas Party being one last gig before Christmas, I honestly thought that would be my last gig before Christmas. But I ended up going to another. Friday Night was the Big Salad Christmas Party, headlined by Foxes!, who you’ll probably hear a lot more of next year – their debut album is out on the 16th January.

First up were a band whose name I didn’t catch, but whose tunes sounded like nobody had told them Britpop finished over ten years ago, and who spent more time tuning up between songs than they spent playing songs. Nice Christmas outfits though.

Milk & Biscuits were up next. They’re a bit of a Brighton supergroup – the core of the band is Matthew Davies and Max Earle of Restlesslist, but their mini-LP also features Tom White (Brakes, Electric Soft Parade, and dozens of other Brighton Bands), Jennifer Left, and Kayla Bell from Foxes! (at this stage I should note that I wasn’t making a point of exclamation about the members of Milk & Biscuits, but that Foxes! have an exclamation mark at the end of their name). Mlik & Biscuits started off with a two minute wall of white noise which then broke down to some lovely lilting kraut-pop, built around Matthew and Max’s keyboards and vocals, but augmented with backing vocals, guitars, bass and occasionally flute. Some songs tended more towards Velvet Underground, some were more Stereolab-esque. It was all rather good – good enough for me to buy the mini LP at the end of the gig. Balcony Times was a limited release which came out last October on Big Salad Records and includes a lot of what they played. Resident still have some in stock and it comes recommended.

After just enough time to get to the bar and back, Foxes! took to the stage. Foxes! and Milk & Biscuits are about as different as two indie bands could be – while Milk & Biscuits are all about layers and textures and soporific atmospherics, Foxes! are all about the three minute indie pop song, the lyrics and vitality. At the centre of the band is Kayla Bell, who takes care of vocal and drumming duty. If I had one complaint about the gig, it would be that the drums were placed where a normal band would place their drums – where the drummer is also the lead vocalist, that isn’t so appropriate. But you can’t really complain when the songs are so catchy and so well performed. They rattled through their repertoire with barely a breath inbetween each track. In Foxes! world, short is sweet. Their lyrics are a break from the norm too – I’m sure I won’t hear any other lyrics any time soon about peoples dogs getting anal cancer. Towards the end of the set, they played their track Christmas Songs – it’s quite a measure of Foxes vim that where most band’s Christmas songs are their at the upbeat end of their catalogue, Foxes Christmas track was one of the  least upbeat. When they left the stage, they didn’t come back for an encore – In true lo-fi indie style they were off to man the merchandise stall.

Foxes! debut album is should be out in a few weeks time, so we’ll be reviewing that closer to the date. In the meantime, here’s  Big Salad Records website and here are Foxes! on Facebook.

Juice New Music Christmas party with 900 Spaces, Jennifer Left, Kidda and Midfield General

One last gig before Christmas? Why not! Last night was the Juice New Music Night’s Christmas Party, their first event in their new home at The Haunt. I missed openers 900 Spaces because the annual Burning The Clocks procession was running a bit late, and arrived just a few minutes before Jennifer Left took to the stage. Jennifer has been working incredibly hard the past few months, playing a lot of gigs and spreading the word all around town, but the attention she’s been receiving isn’t just the result of a lot of hard work – there are some great songs behind everything she’s doing. Jennifer was very much in the festive spirit performing her set in a red Santa dress, although she didn’t perform any Christmas songs. A lot of reviews of Jennifer describe her sound as folky, but I’m guessing that they’re probably reviews of her solo performances rather than with the full band that she had last night, where she was accompanied by guitars, drums, double bass and a multi-instrumentalist who played everything from flugelhorn to xylophone. Things got a bit jazzier later on, with a bossa nova cover of New Order’s Temptation. Jennifer Left is definitely an act to look out for next year.

Once upon a time, Kidda was just Ste McGregor, his records, his sampler, and some passing musicians. These days he’s joined by guitarist and co-writer Lee Baker, and a couple of female vocalists, including Jennifer Left. Kidda’s music was a ray of sunshine on a grey drizzly December day like yesterday, and I know that there’s going to come a day in spring when the sun’s out, the skies are blue and the world is just coming back to life when one of their tunes comes on the radio and it’ll be just perfect. Their sound is gospel sampling summery hip hop played by a live band which is relentlessly positive. Even the songs about being sad sound happy! This was their first ever live band gig in their hometown, and if there were any nerves, they didn’t show. The got the whole of The Haunt on their feet – a cautious gap between the stage and the audience got transformed into a breakdance area, and by the end of the set everyone was dancing.

But that wasn’t the end of the night. Things were rounded off with a DJ set by Skint boss Damian Harris aka Midfield General. Once upon a time his sets would have been full of big beat classics, but keeping with the tone of Kidda’s tunes, things started off with some Snoop Dogg and carried on with more of a hip hop vibe. I’d have loved to have stayed longer, because he was playing some great tunes, but sadly the pressures of the day job meant I had to call it a night.

Chris T-T sings A.A. Milne

If you haven’t already heard about Brighton-based singer songwriter Chris T-T there are two things you should do; firstly – slap yourself, secondly – check out his website christt.com. Chris T-T has been bringing us songs usually described as “crossing barriers between punk, psych-pop and English folk” since 1999.

This time Chris T-T brought us a show with a difference, playing tracks from his recently digitally released album ‘Disobedience’, a collection of songs he has written that have been taken from the 1920s childrens’ poems written by A. A. Milne (Winnie the Pooh). The gig took place at the Friends Meeting House in Brighton with families and children present. He played all songs on guitar and a baby grand piano completely unamplified giving the evening a friendly, intimate and unpretentious atmosphere which was easy to enjoy and fitted well with Chris T-T’s folk aesthetics.

 

The songs were moving in their understated perceptiveness, in particular ‘Halfway Down’ and ‘Binker”, a song about an imaginary friend. There was some outstandingly unselfconscious audience participation for “The Four Friends’ and amusing as well as informative anecdotes throughout.

Having seen Chris T-T play before, wedged in amongst political comedians and comedy acts singing about science, it was interesting to see him in this whimsically innocent setting of his own creation. I’ve wondered before why so few singer songwriters broach the topics that he seems drawn to, and this show made it clear: you’ve got to have a lot of heart to sing about the world in the way that Chris T-T does.

You can download the album here.

Artwork from ‘Disobedience’ by Chris T-T

Words & photo by Ingrid Plum