Source New Music – Clowns, Evil Son and Wildcat Strike

Thursday night was the last Source New Music of the year, and the last for a few months until they return in February 2013 – like Source Magazine, the night is taking a well earned break in January.

Wildcat Strike

Wildcat Strike

I arrived midway through Wildcat Strike’s set, which I was quite enjoying – really rather good post / math rock, nice and tight – and then the vocals came in. I say vocals, it was just shouting. Not exclamations of anger or any other emotion, just shouting. It’s a shame because aside from the vocals, Wildcat strike were really tight and made a fantastic sound.

The Evil Son

The Evil Son

Next up were Evil Son, who we saw a few weeks ago at their EP launch at the Albert. We got a similar show: tight, spiky alternative guitar pop – let’s use the word grunge, because they do – but louder, and with better lights. There’s nothing to fault musically with Evil Son – the songs are well written and it’s obvious that each member of the band oozes talent – bassist Pepe Le Moko also plays bass for David Gedge’s Wedding Present. They’re the kind of band who you could enjoy even if grunge wasn’t your thing because what they do they do so well.

Clowns

Clowns

As much as I enjoyed The Evil Son (and the bits of Wildcat Strike when they weren’t shouting), the floor was wiped clean with the night’s headliners Clowns, who provided a masterclass on showmanship. A sharply dressed Miles Heathfield spent the set prowling the stage and the front few rows of the audience, with a taut muscular musical backing from the three other clowns. If you wanted an example of what to look for in a great frontman, Miles was it. No standing still trying to hide behind the microphone stand. No danger of being distracted by anything other than what was going on on stage. The start of the band’s set was deceptively quiet, with things soon turning around to show their true colours – loud, alternative rock. After a full set of their own material they return for an encore of a cover of Ghost Town by The Specials. The level of engagement from Clowns, their intensity, their energy, the volume all contributed to them being worthy headliners. Next year, Clowns will be releasing their album Macho Bimbo on Bleeding Hearts Recordings, and we can’t wait.

Brighton Music Blog Advent Calendar / Day 22 / Nordic Giants – Cate Ferris – Dizraeli & The Small Gods

Today you might be thinking “How come there’s only a few days left but even more acts who’ve had great write ups on the blog?” or maybe you’re thinking “what’s going on with more than one act being in the description? Surely that’s cheating!”. Both are very good points. We’ll put our hands up and admit that when we were putting together our end of year list there were more than 25 bands we absolutely had to write about, and so for the last few days we’ve combined a few of our favourite acts in order to squeeze a few more people in. It’s also got around our dilemma of what to do about bands who’ve collaborated.

Nordic Giants first put Shine – sung by Cate Ferris – on their A Tree As Old As Me EP back in 2010. It’s such a great track that they re-recorded it this year and put it out as a standalone single. It’s got a fantastic b-side too – the Martin Luther King sampling Together. In theory, their live shows shouldn’t really work – bombastic post rock played just by two people, without the aid of any of their vocalists (they’ve worked with a different singer for each of their tracks). In practise, Nordic Giants are one of the best live bands in Brighton. but they don’t hide behind laptops, instead playing guitar / drums and piano / trumpet, stripped to the waist wearing masks and body paint, illuminated only by strobes during the louder parts of the songs. They play to a backdrop dark short films, and project video of the vocalists for each track into a separate box. If you haven’t seen them live yet, then do whatever you can get to get a ticket for the next time they play. They recorded their album earlier this month in Wales, and we can’t wait until that surfaces at some point next year.

Cate Ferris is someone else you really must see live. There are plenty of people who sing, play guitar and use loop pedals, but no one else who does it all so well and makes it all look so effortless as Cate, nor is there anyone else who’s so down to earth and warm in her performances. Seeing Cate play live is a complete joy, in her songs, her musicianship, and in the wonder she generates in the room. Her “Deep breath ready get set GO!” Ep was great too, proving that her live performance can translate into recorded material.

Cate also lends her vocal talents to folk / hip hop supergroup Dizraeli & The Small Gods, and Dizraeli’s wordplay definitely warrants a mention. The band had a single out in the latter part of the year – Never Mind – and around the time of it’s release we tried to catch up with Dizraeli to talk to him about it, but our diaries never managed to match up. It could end up as Brighton Music Blog’s great missed interview. Or maybe we’ll just have to make sure we catch up next time they’ve got something for us to write about instead.

 

Brighton Music Blog Advent Calendar / Day 21 / Shrag

Today’s post was meant to be a celebration but I fear it’s going to be a bit of an obituary. I wrote a lot of the Advent Calendar blog posts before November was even up but held off writing about Shrag because I had a ticket for the Riots Not Diets Christmas Party at the West Hill Centre that they were headlining on the 8th of December. I heard a rumour before hand which was confirmed by the band at the gig – it was probably their last time they would play Brighton.

What a bombshell – I had no idea it was coming. This year’s album Canines had been lauded across the music press as their finest yet, and gave us three fine singles – Tendons in the Night (which was a split single with touring partners Tunabunny), album lead track Show Us Your Canines in the Night and and the glam stomper Devastating Bones. While the singles were Shrag’s most muscular yet the rest of the album showed a band who’d finally found a maturity in their sound. The New Order-esque breakdown in the middle of On The Spires of Old Cathedrals gave us the shivers every time we heard it and album closer Jane With Dumbbells was majestic.

Things felt a bit different at the last gig. Helen finally looked a bit older and less like a child, and there was something a bit less indie about Steph. Maybe I was just projecting, knowing that in a few weeks time (there’s one last gig in their Diary, at Fortuna Pop’s Winter Sprinter in London) they won’t be part of Shrag any more. Maybe the band know that they haven’t got anything to prove any more. Maybe they were just drunk. Who knows.

What I do know is that in these quarters Shrag will be sadly missed. They’ve put out some fantastic records over the past few years and played some great gigs. They leave us with one final single put out as part of the Where Its At Is Where You Are singles club. Unseasonal Thoughts melds spiky guitars with 80s synths, and might just be the best thing they’ve ever done. At least they’re going out on a high.

Brighton Music Blog Advent Calendar / Day 20 / Martin Rossiter

We first started pulling together our end of year list back in October. By that point in the year, you’ve got a pretty idea about who you feel deserves an extra mention. Our first draft didn’t mention Martin Rossiter though – We’d spotted him playing bass innocuously in Call Me Jolene, and heard some positive second hand reports about his performance at The Wedding Present’s At The Edge Of The Sea all dayer back in August, but we didn’t think that was quite enough for him to make our list. But then a couple of weeks ago, we got hold of his first album in over a decade, and we knew that our list needed changing straight away. The Defenestration of St Martin is tender, emotional and personal. It’s cruel yet majestic, cold yet beautiful.

Brighton Music Blog Advent Calendar / Day 19 / Fear of Men

There’s something about Fear of Men that makes them feel like stars-in-waiting. There’s their releases, all great songs, which they’ve made sure have all been issued on 7″ or cassette so that they’re all physical artefacts, but given online exclusive streaming on Pitchfork before anyone else. There’s the decision not to play too often in Brighton so that when they do it feels more special. Then there’s the support slot with Best Coast, giving them an audience not just across the UK, but Europe too. Watch this space, because next year we predict big things for Fear of Men.

Fear of Men

Thomas White supporting Fragile Creatures at the Prince Albert

Back in May, Thomas White played a low key set for the Great Escape Festival at a venue called Shipwrights Yard, a hidden courtyard off Middle Street overlooked by Lout and Republic of Music’s offices. One of his backing vocalists for this gig was a certain Mr Adam Kidd, who had recently formed a band which had still yet to have recorded any music, or settled on a final line up. Fast forward seven months, and the tables have been turned, with Thomas White giving Adam’s band Fragile Creatures a leg up by playing a support slot.

Thomas White

Thomas White

Thomas White has spent his last gig of the year playing a fresh set of songs. He’s spent much of the past twelve months playing shows drawn from this year’s album Yalla, but now he’s looking forward. Armed with nothing but his guitar and his voice, White played a short set of covers, taking in a rare Beach Boys track and a stripped down version of Wonderful World, and rounded things off with the Twelve Days of Christmas and Rudolph The Red Nosed Reindeer.

Fragile Creatures

Fragile Creatures

Fragile Creatures didn’t play any Christmas Songs, but they did alter the titles of their tracks to give them a festive edge. Over the course of 2012 Adam Kidd has been honing his accomplished guitar pop, and last night showed a fine performance of some very polished songs. It was Adam’s backing vocals with Thomas White that first caught our attention and it was the harmonies that really shone last night and made their songs – none too shabby in the first place – really stand out. I look forward to hearing more of what Fragile Creatures have got to offer in 2013.

 

Brighton Music Blog Advent Calendar / Day 18 / Us Baby Bear Bones

We’re huge fans of Us Baby Bear Bones here at Brighton Music Blog because they’re everything we think a band ought to be. In short, they’re the antithesis of four young men in check shirts and skinny jeans playing guitars. It’s like nobody told UBBB that most bands have a different member taking on drums, vocals, guitars and so on – musical duties are passed around the band without care for convention. But if it sounds like Us Baby Bear Bones are difficult or inaccessible, think again because all of these ingredients come together to make lush, bold pop tunes. If only they’d get around to releasing their debut single, originally promised for July last year! My sources tell me that it may be arriving in February, so watch this space.

Us Baby Bear Bones at Green Door Store2

Brighton Music Blog Advent Calendar / Day 17 / Speak Galactic

The first time we saw Owen Thomas, at the Green Door Store supporting Laetitia Sadier, it was so loud we couldn’t stay in the room. Thankfully we persevered (and bought some ear plugs), because Speak Galactic are one of the most exciting bands in Brighton. Watching them live, ideas come faster than the audience can process them – there’s a guitar there, but it’s not making guitar noises because it’s wired through a box of home made electronics which makes the most amazing sounds. There’s frenetic vocals and drums too making for an incredibly visceral performance. Cupboard Music put out the album Severed – slightly slower paced than the live performances with woozy unsettling electronica and big crunching beats building their widescreen vision. The record finished off with the spectacular Solar Sail – a glorious seventeen minute long post-ambient epic. Amazing.

Speak Galactic

Speak Galactic

 

Mr B The Gentleman Rhymer / Oh, Santa

Christmas is almost upon us. You might have picked up the fact by the fact that we’re midway through our Advent Calendar. Or maybe it’s the relentless commercial onslaught in the shops and the ad breaks that may have alerted you to it.

Anyway, Mr B has noticed too, and has prepared a song for our listening pleasure. Oh, Santa is guaranteed to raise a smile and has been released just in time to coincide with the festive season:

Brighton Music Blog Advent Calendar / Day 16 / Woodpecker Wooliams

Woodpecker Wooliams has played a great second half in the game of her year.

Back in May we saw her play a beautiful short set in the tiny Fishbowl Pub to an audience of about a dozen blokes who probably hadn’t heard of her. However, her album ‘The Bird School of Being Human‘ was released in September and since then she has garnered an array of great reviews, including a great band-of-the-day piece in The Guardian, and much airplay for the album and its lead single ‘Sparrow’. It really is one of the most original and enchanting albums of the year.

The video for the single, by Gemma’s sister, involved puppets and a lovely cranky sound helped on by producer Marcus Hamblett of The Sons of Noel and Adrian. Watch it below. New single Gull is out now and another slam-dunk classic.

Woodpecker Wooliams - Photo by Jon Southcoasting

Words and Picture by Jon Southcoasting