Innerstrings Light Show curate Source New Music with Physics House Band

Last night’s Source New Music revisited the notion of the night having a curator, rather than being put together as a collaboration between the Source and Brighton Dome. A few months ago Beatabet collective picked the bands that played, last night Innerstrings Light Show did the choosing.

The first band they picked were Reds, an experimental psychedelic collective. Reds gigs are all improvised on the night – everything you hear is for the first time. Their sound is ambitious, droning and dark; a good introduction to the night ahead.

Reds

After Reds, Baal Fire played downstairs in the bar area. Baal Fire is one man with his guitar, but to listen to his music you’d think that there was a whole band – the guitar was played with a violin bow then sampled an looped, building up layers of sound. Ball Fire’s tone was glacial – big slow motion, musical landscape to lose yourself in.

Baal Fire

Baron were up next upstairs on the main stage. They weren’t quite as psychedelic as either of the previous two acts, but they were a lot more accessible. Their sound had a lot more krautrock influences, song based structures and vocals, but were still quite out there. I was torn though – I didn’t know if I wanted Baron to get some catchy choruses, or properly wig out at the end of their set.

Baron

It was all change again at the end of their set, with Pete Fij & Terry Bickers picking up the baton downstairs. Pete and Terry were the highlight of the evening – sure, Physics House Band were the headliners, but I’d seen them a few weeks ago at Sea Monsters. I’d never seen Pete Fij & Terry Bickers live before, so it was a real treat. Their real skill was making it look so effortless. It might have looked like two guys on guitars, but the playing was immaculate, Pete had a fantastic voice, and their songs were great. On top of all that, they were the only band of the evening to make any kind of engagement with the crowd.

Pete Fij & Terry Bickers

The night belonged to Physics House Band though. Fresh from announcing their debut release (see our blog post from last week), the band’s support has never been bigger, and onstage at the Dome Studio Theatre, they’ve never sounded bigger. I’m always transfixed when I see them – not just by the talent and musicianship of any one player, but they way that they all play so tightly together. A mean feat if they were playing music in standard time signatures, let along when they’re playing their take on prog jazz. And it was loud – my god, it was loud – but that just added to the intensity of it all. The combination of the visuals, the music and the volume was truly awesome. Good work Physics House Band, Innerstrings Light Show, Brighton Source and the team at the Dome.

Physics House Band

New Emiliana Torrini single

Brighton’s favourite Icelander Emiliana Torrini, has a new single out. Her first album since 2008’s Me and Armini is finished and is due out later this year, but before then a new track recorded with Steve Mason and Toy has surfaced.

Emiliana Torrini at Loop Festival, Brighton July 2009

Emiliana Torrini at Loop Festival, Brighton July 2009

I Go Out will be the debut 7″ released on a new label called Speedy Wunderground set up by Emiliana’s musical partner and co-writer Dan Carey. The label plans to record make recordings in a day, and get them released as soon as possible. Check out their ten point plan on the “About Us” page of the website

The track is nearly seven minutes of space age krautrock, which will be split over both sides of the single, and is out on 25th February. If you can’t wait that long, you can listen here:

Weekend Gig Picks

Here’s our pick of the local bands playing in Brighton this weekend. As always, you’re spoiled for choice – there’s some fantastic bands playing, and we’re a bit torn ourselves.

Tonight we were planning to go and see Bent Cousin at Sticky Mike’s, but sadly that’s been cancelled. Instead, we’d recommend heading down to the Green Door Store for an event called Hooray For Love! Well, it is Valentines day. Transformer headline, supported by Bob Wants His Head Back, Fire Eyes and Duke of Burgundy. Doors are 5pm, music starts at 7.30pm, so it will have already kicked off by the time I post this.

Friday night Run Young Lovers headline the Haunt, supported by Tiny Dragons and Daniel & The Scandals. Meanwhile, Simonne & The Dark Stars headline the Seven Stars, and Carnival Collective take over the Blind Tiger.

SOURCE_FebSaturday Night our friends over at Brighton Noise are putting on their third regular gig. Noise Night three has a fantastic line up – AKDK, P for Persia and Black Black Hills. Over at the Dome Studio Theatre, Source New Music have invited Innerstrings Light Show to work with them on the line up for their monthly gig. The brilliant Physics House Band headline, supported by Baron, Reds, Pete Fij & Terry Bickers and Baal Fire.

Then on Sunday is the gig that we’re most looking forward to – Dome Studio Theatre host the Nordic Giants for the launch of their new single Speed The Crows Nest, and they promise a set of new songs and new films. Support comes from Brighton Music Blog favourite Abi Wade and Saturday Sun.

Nick Cave Live in LA / your house

Did you miss out on Nick Cave’s secret gig in Hove last weekend? Me too! Would you like to see Nick Cave even closer to home instead? Well then we’ve got some good news. Nick Cave announced that the LA date of his tour, on 21st February, will be streamed live online at the rather snappy URL youtube.com/nickcavelive

Watch the trailer / click on the links for more info.

Three Videos

I’ve got a busy week ahead, without too much time for blogging, so here’s three videos and bits of news which probably deserve to have blog posts of their own. If only there were more hours in the day.

The Beautiful Word have posted a new video for May Not Be Love, and in doing so have snuck in a mention that they’ve got an album on the way. Their new long player Particles should be with us later this year.

The Galleons put up the video for Islands of Japan this weekend. They’re also planning a new album, but are looking to raise funds via Pledge Music to help it along it’s way. If you liked the first one, if you want to support local music, head on over and see if any of their offers (from just buying the album all the way up to the band performing a private gig for you) take your fancy.

Moya‘s new single A Little More Love is out on 25th March. Her last single spent four weeks on the Radio 2 playlist, so fingers crossed this does as well. Moya’s off on tour soon supporting Razorlight’s Andy Burrows, and is kicking things off in her hometown – they play at The Komedia on 18th February.

 

The Physics House Band – Horizons / Rapture

Physics House Band

Physics House Band have announced their debut release. Despite the impression you might get from it’s name, Horizons / Rapture isn’t a double a side, but a twenty-six minute long six track “psychedelic excursion” (their description), none of whose titles are either Horizons or Rapture. It’s coming out on 15th April on Blood and Biscuits records, who put out Tall Ships’ album last year.

It’s available to pre-order now over on the Blood and Biscuits website on cd or 180mg vinyl in a variety of packages ranging from just the album up to a deluxe package where you get the LP, the CD, a T-Shirt, a poster and a set of Liner Notes.

To whet our appetite, the band have put out a video for Abraxical Solapse, which features on the album, and also appeared on the recent Sea Monsters 3 compilation:

Full track list is:

Side A
1. ObeliskMonolith
2. Abraxical Solapse
3. Hollow Mountain

Side B
4. Teratology
5. The Spectral Beyond
6. Titan

Van Coeur

Tonight was a charity gig in the tiny but packed Komedia Studio Bar.

Animal Magic Tricks aka Fran Donnelly is responsible for the best cover on that album of covers by Willkommen and associates, commperre Birdengine’s Heads off Dogs. She was ably abetted tonight by Jason Williams and kicked off the evening with some far out experimental sounds with a mix of strange electronic oscillations, keyboards, bleating saxophone and her lovely vocals, ending with a version of Love Hurts sounding like it had been sucked out of a David Lynch movie soundtrack. It was all kind of entrancing.

Animal Magic Tricks 20130209 Komedia Studio Bar 01

Headliners Van Coeur are a band built out of members of a number of really excellent local acts (Good Morning Captain, -A +M, 21 Crows) and play mood-enhancing drone-laden doom-folk-rock. When it was quiet it was loud, when it was soft it felt hard. The songs sounded strong with good lyrics, and musically this was a really impressive set – although I felt they could have done with co-opting Fran from Animal Magic Tricks to sing and let the guys concentrate on their twin-guitar attack.

Van Coeur (below) can be found on bandcamp http://vancoeur.bandcamp.com Van Coeur

 

 

 

The New Union at the Green Door Store

Yesterday The New Union supported The 1975 at the Green Door Store. It’s the first time we’ve caught them in a few months and in that time they’ve been working hard on new tracks up in studios in London. You can hear the effect of working with a producer – Richard Jackson now uses two mics to bring more depth to the vocals, there’s more reverb all round making their sound even bigger, and where last year a New Union gig would be half an hour of urgent adrenalin filled songs there’s now some slower numbers too. The New Union are growing up and sounding bigger and better than ever.

click on the pics below to view larger:

The Self Help Group: the new Fleetwood Mac?

The Self Help Group launched their album ‘Not Waving, But Drowning’ at the Prince Albert pub last night, ably supported by Fiona Sally Miller.

Fiona Sally Miller 20130207 Prince Albert 02

Fiona Sally Miller hasn’t been seen out and about much over the last year which is a shame as she’s one of the most engaging singer-songwriters around town. Simple little riffs set the scene for her personal songs sung in a warm voice that engrosses you like a hug. If you see her on a support bill, make sure you get there early. At this gig she was accompanied on some songs by a cellist, and gave an outing to her old goldie ‘I’m Going to miss you smiling at me like that’.

Mark Bruce

Mark Bruce

The Self Help Group album launch was a bit of a party for family and friends friends, starting off with them getting the whole audience to turn around to watch their video Needles played on the back wall. The launch got even more shambolic, with the band talking as much between themselves as to the audience, losing the banjo on one song and limiting their nervous wit to a strange bit of banter about their song about Birds. Not women, the ones with wings. Odd thing to say to any audience, let alone a Brighton one.Self Help Group 20130207 Prince Albert 03 Mark Bruce, Ian Bliszczak and Sarah Wood

But we needn’t have worried. The thing about Self Help Group is the music, beautifully played, and Mark Bruce’s excellent songs, and the gorgeous twin vocals of sisters Sarah and Clara Wood. The thing is, this is just a truly great band and once they get going you forget about the fluff and hesitation and just get swallowed up by this wave of really wonderful fol rock Americana.

The album is very good indeed. Reviews refer to that Laurel Canyon soft-rock early-70s sensibility but if there’s one band they remind me most of it’s possibly Fleetwood Mac, with the charming female vocals, some sweet guitar and meaty rhythm section but mainly that wonderful mix of west coast Americana with English self-aware folk-blues.

Mark Bruce joked about the lack of happy songs last night – the album is full of songs about death and murder and stories of grim times – but the thing is they don’t sound depressing these songs, they are heart-warming and rich stories that bear repeating. And they have a song about murmuration. What’s not to love?

The final song Sand was a perfect ending, with its closing refrain of

  “You must take the steps towards what you want and make things better

sending us home with a lovely inner-glow.

Clara Wood-Keeley

Clara Wood-Keeley

You  can order the album via the Union Music Store here or any good record shop (it’s one of Resident’s picks of the week this week).

Oh, and our interview with lead Groupie Mark Bruce is here https://brightonmusicblog.co.uk/2013/01/28/interview-with-the-self-help-group

 

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Review and Photographs by Jon Southcoasting

Spirit of Gravity / Sarah Angliss / Green Door Store 7/2/13

Spirit of Gravity have been putting on experimental electronica nights in Brighton for over ten years, but this is the first that we’d made it along to. The headliner caught our eye – Sarah Angliss, who is a third of Spacedog, playing a solo set

Bela Emerson and Carolina Diaz

Bela Emerson and Carolina Diaz

We missed opener Embla Quickbeam, and arrived just as Bela Emerson was starting her set. While the musical performance was solo cello, Bela was joined onstage by Carolina Diaz, who provided interpretive dance sporting a blazer worn back to front and long hair tied at the front rather than the back, designed to unsettle. Bela Emerson’s music was quite the opposite. What was initially experimental washes of sound, using loops and effect pedals to build up harmonics morphed over the course of the set into a more ambient mode. Harmonics became more sparse and a little discordant, more effect pedals were used to make the sound less like a cello, and the instrument was played in a non-standard manner to bring out new timbres. To create such a soundscape using just one instrument was truly a fantastic achievement.

Sarah Angliss

Sarah Angliss

Headliner Sarah Angliss was using the gig as an opportunity to showcase new material, and to rework some older songs. Some electronica acts play their sets hiding behind a laptop, but Sarah had a stage full of additional equipment. Most visually notable were her robots, made with 1930s puppets. To the left of the stage was a life sized disembodied puppet head called Hugo, which looked around during the set, and whose mouth opened and closed during spoken samples, and just in front of her keyboard was a smaller puppet called Wolfgang who was about 12″ high and drummed along with the beats. Aurally, the most impressive piece of kit was the huge theremin, set up so instead of varying the pitch and volume of a standard tone, it controlled samples instead. There was also a bell organ, played by via the laptop rather than traditional methods, obviously. The result was a much more interesting and engaging take on electronica, with additional elements brought in which enhance rather than distract from the performance.

IMG_8530es

Sarah’s next performance in Brighton will be an event called Horlicks and Armageddon, held in an old Cell under the town hall as part of the Fringe in May. There will also be a 7″ released on Ghost Box records, and there’s an album in the offing too.