May Top Ten

May always passes too fast for us in Brighton — too many things to do and not enough time to do them all. We did get enough time to get our ears around plenty of local new music though, and here’s our pick of the bunch.

1. Fujiya & Miyagi – Caucasian Sweat

Our most listened to track this month was Caucasian Sweat, taken from the bonus disc of their new album Artificial Sweeteners. That’s nowhere to be found online – it’s from the bonus disc, part of the incentive for you to put your hand in your pocket and spend some of your hard earned money on the cd – so here’s album opener Flaws instead:

2. Eagles for Hands – Glitterall

Last month Handprints topped our chart. The new Eagles for Hands double A side is still on heavy rotation at Brighton Music Blog towers and this month we’re featuring the chilled house b-side Glitterall:

3. Tigercub – Blue Blood

Number three in our chart is the new 7″ from Tigercub which comes on rather cool blue vinyl:

4. Adolescent – Golden Halls part II

Golden Halls is the new EP from Adolescent. Part One is a short piano piece with additional ambient textures, part two which we’re featuring is this fantastic effervescent electronica:

5. Us Baby Bear Bones – Old

This month Us Baby Bear Bones split up and left us with a final EP – Ursari – to remember them by. Our favourite track was the wonky r’n’b of Old:

6. IYES – Toys

In retrospect, it shouldn’t have been any great surprise that IYES latest demo was so good, after all Lighthouse (now sadly taken down from their soundcloud page) was just a demo. Anyone wondering if they can maintain their high standard should take a listen to Toys:

7. Gazelle Twin – Antibody

I don’t think I’ve been disturbed my a music video quite as much since Aphex Twin’s promo for Come To Daddy. Not for the faint hearted, but brilliant nonetheless:

8. Alice Amelia – 11:11

Alice Amelia’s 11:11 is the kind of music that you’ll want to be hearing once the sun finally comes out properly – soulful r’n’b for summer days:

9. Sam Organ – It’s cool if you don’t want to say anything, I’ll just say nothing too

Sam Organ’s latest offering is the second track in this month’s ten from KLSDCP records. They also put out the Adolescent EP, and the downtempo beats of “It’s cool if you don’t want to say anything, I’ll just say nothing too” sit perfectly alongside it:

10. Winston & Goldstein – Non omnis moriar

Finally we have Non Omnis Moriar. We joked when we wrote about this at the very end of April that we don’t often post up Latin on the blog, but we’ve also gone and featured Us Baby Bear Bones Ursari in this month’s top ten (Ursari being Bear in Latin). You can catch Winston & Goldstein live for free at the Green Door Store on 9th June, on the bill with Brighton Music Blog favourites Dog in the Snow.

Alex Banks – Illuminate

alex banks illuminate

Tomorrow sees the release of Alex Banks‘ debut album on Modeselektor’s Monkeytown label. Illuminate‘s main vocal contributor is Elisabeth Bernholz (aka Gazelle Twin, who is co-credited on All You Can Do, Silent Embrace and A Matter of Time), but the record also features Cate Ferris as well. The album launch party is is a late gig on the 21st June at The Loft, with Ital Tek in support. The record is out on cd or double vinyl and is already available to listen to on Spotify.

Gazelle Twin – Antibody / Live at the Green Door Store supported by Eva Bowan

Gazelle Twin releases her new Antibody EP digitally on Anti-Ghost Moon Ray today, followed a physical release on limited blue 12″ on 16th June. Antibody comes backed with remixes from Wrangler and I Speak Machine as well as new b-side Phobia, and can be pre-ordered from iTunes here.. Antibody will appear on Gazelle Twin’s upcoming album Unflesh, due later this year.

To celebrate the launch Gazelle Twin played a gig at the Green Door Store last thursday, supported by Eva Bowan, and we were there to capture it:

(click on images to view large)

Fiona Sally Miller – 3 EPs

Listen/download:

Wow, out of the blue not just one but three free-to-download EPs from the excellent Fiona Sally Miller sounding awesome, still in the lo-fi alt-folk mode and not a single sign of the long-promised techno album (well, perhaps I should have sat still is just a little bit techno…)

FSM slips her music out quietly without the slightest attention, but it is very much worthy of your ears. This may well be a clearing of the decks but we hope it is perhaps a sign that more is on the way and we might see her out and about performing again soon. Fiona Sally Miller

 

The Wytches album and single news

Wytches

The Wytches have announced details of their debut album Annabel Dream Reader. The record is coming out on August 25th on Heavenly Records and features previous singles Gravedweller and Robe for Juda and upcoming single Wire Frame Mattress, whose new video has been directed by legendary photographer Steve Gullick:

RIP Us Baby Bear Bones

It’s been a bit quiet from us for a little while, for which we apologise profusely. It’s all the Great Escape’s fault. As fun as it is, it does leave us with no spare time for three days, then knackered for a few days after that.

We’re back now though and unfortunately it’s with some sad news. Last week we got a press release saying that one of Brighton’s finest bands – Us Baby Bear Bones – were splitting up. They’re releasing a second and final EP, Ursari, which has been produced by Blood Red Shoes’ Simon Ansell which is coming out tomorrow on Love They Neighbour, limited to only a hundred copies, and also playing one final gig at the Green Door Store, with support from Hypnotized and Speak Galactic. Here’s the video for Only One from the EP:

Don’t be sad for too long though. Two of the band’s members are continuing as Psalm Springs, and their first track Get Out (Leave) is already out there, tucked away on Cupboard Music’s sampler cd that they gave away to those who made the early start on Record Store Day, which isn’t too difficult to find a stream of with a little bit of hunting. If Psalm Springs are even half the band that Us Baby Bear Bones were they’ll still outshine most of what Brighton has to offer so we look forward to hearing more from them.

Black Rooster Black Shag – As Far As My Lead Will Take Me

Last week, Black Rooster Black Shag released their debut album As Far As My Lead Will Take Me. We were out of town for their launch gig at the Bees Mouth on thursday, but we caught up with Mirika, JJ and Dan last Sunday afternoon when they played a another gig at the Ranelagh.

BRBS s

Brighton Music Blog: So the album’s called…

JJ: As Far as My Lead Will Take Me

BMB: And where did the title come from?

JJ: Between us we came up with the title. I think it really reflected the journey of the record. We met in the Southern Hemisphere, moved to the UK and eventually settled in Brighton and I think it was that sort of journey that by the time we got to Brighton that really made up the record. That whole trajectory that we took and it kind of sums up the spirit of the record in terms of going a great distance and getting to a particular point and the fact that you can still go a little bit further.

BMB: So are some of the songs quite old and have taken this journey or are they all quite new?

JJ: Some of the songs I suppose were composed a while ago but we’ve got Dan into the band and come together as a three piece and the sound has changed, and every time we play we play it slightly differently, we never try and play the song the same way the same time twice. So in that way the songs always evolve and are always fresh and there’s always something different every time we play. The skeletons of the songs were written quite a while ago but every time we play them they’re a little bit different.

Mirika: The band club we sort of had to hold back to really be able to play in this band. J and I were touring other projects when we met so we wrote all these songs cross continentally for a little while we were touring the other projects then once we finished those records we could make this band happen. So we really willed it to happen, although we’ve only been playing shows now for nine months.

BMB: So you launched the album at the Bees Mouth last thursday. How did that go?

M: Oh man, so much fun.

BMB: Did you play in that little sweaty room downstairs?

Dan: I think we made it worse. It probably still stinks of us now.

JJ: Our audience have got a very good aroma! It was just a great night There was a lot of people that came down, a lot of friends. We had a really good time and everyone walked away having celebrated the fact that the album’s finally out really, because a lot of them were friends who played on the record and we did have a lot of people around us that helped so it was just really really nice to have everybody in the same room and celebrating not just the end of one journey but the start of another one.

M: We’ve already been demoing new stuff, so it was quite exciting.

BMB: You first visit to Brighton was to visit the Great Escape?

M: We just came to visit, we weren’t playing. SO many great venues and people were really friendly which was really nice.

BMB: Are you around for the Great Escape this year?

JJ: We’re actually playing the Alternative Escape at Marwoods Cafe, on the saturday afternoon about half past five so we’ll definitely be around.

R: Any tips of bands to go and see at the Great Escape?

JJ: I would just tip to go and check out the Brighton bands. I think there’s such a vibrant scene going on with bands here. Compared to what you see on the surface from other cities it’s unique. There’s a lot of exciting guitar bands happening. For me it’s more about seeing my friends and seeing those bands play in front of a bigger audience of people that wouldn’t normally come and see them play. Anything from Brighton go and check it out.

BMB: Where’s next for the album? You’ve played launches in Brighton, London and Barnsley.

JJ: We’re playing Eastbourne, then Nottingham, then London again, and then Manchester, Doncaster as well. We’d like to play a few smaller towns and some of the bigger cities as well. Our idea is not to have one huge tour, but to keep going out and visiting places. It’s a slower run with an independent band, you can’t throw all your eggs into one basket, you’ve got to work it a bit longer. So we just want to go out and see as much of the country as possible.

BMB: Are you doing any festivals this summer?

JJ: We’re playing Coalfields, up in Barnsley again, but that’s about it really. We’re a relatively new band, so we haven’t really hit the festivals hard at this point. We’re more into playing smaller venues for now, getting the intimate atmosphere going really. That’s where people are responding best to the music so we’re happy cultivating that at the moment.

M: It’s nice when you go to a town and you see people who saw you at your last show. That’s the best. I don’t need to play anywhere extravagant, I just want a good vibe, and to be able to relax a bit and have a bit of fun.

Black Rooster Black Shag’s album is out now, available from EOI productions. You can catch the band on Saturday at Marwoods Cafe around 5.30 as part of the Alternative Great Escape (so you won’t need a wristband).

April Top Ten

April was another great month for Brighton music with some fantastic albums being released as well as some lovely one offs for Record Store Day. May’s already shaping up nicely too but until then, here are our favourite tracks from last month:

1. Eagles for Hands – Handprints

Handprints is the sound of the party starting – lots of cowbell, housey piano and uplifting vocals. Eagles for hands are top of our list of bands to catch at the Great Escape next week – they’re at Coalition on Saturday night at 2.30am, and also at KLDSCP’s party alongside Caveman Genius and Foreign Skin and a whole host of other acts.

2. Fujiya & Miyagi – Flaws

Fujiya & Miyagi’s new album Artificial Sweeteners is out on Monday, although if you get down to Resident today they’re already selling signed copies. Flaws is the first single and is a great indicator of what to expect from the rest of the record – classic Fujiya & Miyagi with more electronics thrown into the mix. There’s still a few tickets left for their gig at the Haunt on 6th June but it will sell out, so I’d get a ticket sooner rather than later.

3. Fear of Men – Luna

LunaLuna is the first single from Fear of Men’s brilliant new album Loom. If we didn’t love the track (which we do), it might have warranted a place in our top ten just on the basis of the utterly beautiful packaging – a fanzine written by the band and a clear flexidisc (along with download codes).

.

4. AK/DK – Maxwell’s Waves

AK/DK’s new album Synth + Drums + Noise + Space was one of our highlights this month. The lead track is the bleepy Maxwell’s Waves, and electronic krautrock rush. AK/DK are the support at Fujiya & Miyagi’s gig at The Haunt that we mentioned earlier.

5. Curxes – Jaws

In April, Curxes put out Precurxor – a roundup of of old tracks and demos to keep our interest while they get on with the business of recording their proper debut album. It’s definitely working for us. Our highlight is Jaws, which captures the urgency and power of their live shows.

6. Winston & Goldstein – Ode to a Massive Obsession

When we heard that Jacqueline from Kins had a new project, we didn’t envisage Winston & Goldstein, whose main influence seems to be mid-nineties alternative dance music from what we’ve heard so far. There’s a heavy hint of Leftfield in Ode to a Massive Obsession, which can only be a good thing in our book. Oh, and the video is all kinds of brilliant too.

7. Blood Red Shoes – Speech Coma

Speech Coma is the new Blood Red Shoes single. The the chorus goes “I can’t get the words out / I can’t get the words out / It’s like someone cut out my tongue”. And so does the video. Quite literally. Not for the faint hearted.

8. Cate Ferris – Gotta Do Better

We haven’t got a media link for Gotta Do Better, the latest offering from Cate Ferris. The only way to hear it is to sign up to her page on PledgeMusic, where she’s currently raising money for her new EP.

9. Cleff – Restart

Restart is on Cleff’s new Listen In EP, a lovely blend of electronic and classical music. We posted open the EP’s opening track Big Ideas earlier this month, but it was Restart which got under our skin.

10. Fickle Friends – Play

Fickle Friends have got a real knack for a catchy pop song. We loved Swim earlier this year, and they’ve done it again with Play. Fickle Friends are another band who are on our list for the Great Escape, playing at the Green Door Store on Saturday night, and at the Mesmerist on Saturday afternoon.

new music – Tigercub, Samuel Organ, Winston & Goldstein, Alice Amelia, Adolescent, The Modes, Summa

Here’s this week’s dose of new music. A real mixed bag, as usual. First up is the video for the new Tigercub single Blue Blood. We’ve mentioned this before, but the video has only just appeared online:

Next up is The Physics House Band’s Samuel Organ with his latest upload to soundcloud, whose title is a real mouthful – It’s cool if you don’t want to say anything, I’ll just say nothing too. The track is easier on the ears than it is on the tongue – lush chilled electronica.

We don’t often post Latin up on the blog but we’ve got reason to with the new track from Winston & Goldstein – Non Omnis Moriar (The Dead Can). It’s been more years than I care to remember since I studied any Latin, so I’ve deferred to Google translate, which tells me that Non Omnis Moriar means I Will Not Die, and the phrase gets chanted over electronic beats which build up over the course of the track. This is the second tgrack we’ve heard from Winston & Goldstein’s upcoming album In The Eyes of Others, and on the basis of these, we’re very keen to hear some more.

Alice Amelia has grown massively since we first saw her and with her debut single, it feels like she’s properly arrived – Sassy r’n’b vocals and big production, 11:11 is really rather good.

K-TV, which got a premier on XLR8R last week, is the second track that we’ve heard from Adolescent‘s upcoming Golden Halls EP. All effervescent electronica and phased synths, this is pushing all out buttons.

Time to wake up a bit now, with the new single from The Modes. The band say they’re influenced by Royal Blood and the Black Keys, and you can hear these influences comin through on Not This Time:

Finally we’re finishing up with an EP from Summa, who has an EP out called Roads – The beautiful, ambient Diapason is the lead track:

 

 

Becky Becky video interview

In the way of the blogs, we sent Brighton’s electro-pop superstars Becky Becky some questions, thinking to celebrate the release of their new album ‘Good Morning, Midnight‘ they might supply a few hesitant stuttering finger-typed words, about why House of the Black Madonna is the future of rock ‘n’ roll and how Jean Rhys could have rocked the middle-European disco had she been of a certain age.

Instead, they sent us this.

The album’s out May 1st and is available from their website at www.beckybecky.com

 

Who are… ?

Becky Becky is two people: Gemma L Williams and Peter J D Mason. Bandmates, friends, lovers, enemies. We´ve existed together in almost every possible permutation. We´ve loved each other, hated each other, walked together, walked out on each other. There is no pit of despair we haven´t pushed each other to, we struggle together… but we always remain together.

Where were Becky Becky… ?

…formed in Brighton, England, a long time ago. There have been casualties. We started making music by following a very loose manifesto. One rule that will always remain is: no “real” instruments. No drums, guitars… only electronic music.

By limiting your options, you free yourself.

Where does… ?

What´s in a name? It´s our name. A fifty-fifty partnership, making one complete whole: Becky Becky.

Why “Good Morning, Midnight”?

…from Jean Rhys´ 1939 novel, which took its name from an Emily Dickenson poem. We recommend both these texts.

And what does she mean to you?

Jean Rhys was an author often depicting mistreated, rootless women. To this day, her words are still relevant and easily identifiable. She is an inspiration and a favourite author of ours – a fact which helped bring us together.

Are you a European band now? 

We formed in Brighton and currently reside here, but we are not involved with the Brighton music scene or anything like that. We feel like outsiders here.  If ‘Good Morning, Midnight’ feels like a European record, then that makes sense. It was written in Prague and recorded up a mountain in a wooden chalet in Seythenex, a tiny French Alpine village.

Who are your musical influences?

Hot Chip and ´80s synth-pop. From Europe, the Knife and Legowelt. Eurotrash and Eurobeats too, if you put aside your pretensions. That kind of music is full of joy and is genuinely great.

Is this music to dance to… ?

When we created Becky Becky, we wanted to make danceable music with lyrics tackling serious themes. We hope you can sit and listen to it, to the stories. But we also want you to just switch off and dance. If you come to see us play live, you should definitely be dancing.

Do you have live… ?

We are not really a gigging band. We do not just play. We try and make every show unique. This requires a lot more effort these days as our ideas become increasingly more elaborate. So we do not play very often. We do not just turn up and plug in and play. We make shows.

Do you… ?

For the autumn, we are lining up some shows in Europe and we have one in New York City on the 26th September in the Pyramid Club. Our next show is our album launch in Brighton on Friday 23rd May. It will be an audio-visual show and probably the most elaborate we´ve ever attempted.

What comes next ?

Becky Becky is in a constant fragile state. Gemma is recovering from the unexpected death of her Woodpecker alter ego; and Peter is working on other projects.

Becky Becky tumblr_inline_mnmen1Xg2w1r1ougb

 

Who knows what comes next ?

The album ‘Good Morning, Midnight‘ is out on May 1st 2014 and available from the Becky Becky website at www.beckybecky.com