Album Review : Thomas White / Yalla!

It’s easy to get bored on holiday. You don’t have all your daily routine to keep you preoccupied. But when most of us get a bit bored when we’re away, we reach for a paperback, or head to the bar. Not Thomas White though. When he was bored on holiday in Egypt (before last year’s Arab Spring), he knocked up a whole new album, just using his guitar, his laptop and the the microphone of his pocket videocamera. He wasn’t even going to release it until he was persuaded by friends that he’d be a fool if he didn’t.

Thomas White - Yalla!

Yalla! is Thomas White’s third solo album, on top of those he’s made with Electric Soft Parade and Brakes (and numerous guest spots with others), and it quite possibly his most personal and accomplished work to date.

The album fades in quietly, opening with All The Fallen Leaves. Nearly a minute passes before the first chord is played. The lyrics tell of a aching for home – Brighton – despite the fact that “the sun beats down on desert ground”, and that home is “cold, wet and brown”. An acoustic guitar plucks away at simple chords, and a haunting close harmony joins in for some of the repeated lyrics which aren’t quite a chorus.

I’ll See Her Again and That Heavy Sunshine Sound are a bit more upbeat, but the undercurrent of yearning is still there – not for Brighton this time, but for a woman. The latter is definitely one of my highlights of the album, with the near perfect stanza “I am a boy / with a crush on a girl / who is out of my league / and is certainly out of this world”, which encapsulates exactly how I felt far too often in my early twenties.

The album continues in it’s psychedelic folk theme – Nick Drake with harmonies by the Beach Boys, with Norwegian Wood by the Beatles playing on the radio in the next room. For a more recent comparison, it occupies the same musical space as Balcony Times, the album put out at the end of last year by Milk & Biscuits (which incidentally, Thomas played on).

The best is saved until last. Album closer The English Sargasso lasts for nearly six and a half minutes, and by this point, Thomas is homesick for his friends and the pubs of Brighton – “We’ll hit the Dorset, and maybe The Hand, and down to Fitzherberts and the Globe after that”. While the last piece clocks in over five minutes, it doesn’t drag, but feels unhurried, moving along at a different, slower pace. The kind of pace that things move at when you’re on holiday with absolutely nothing to do – an incredibly clever trick to nail.

If this is what happens when Mr White goes on holiday, I can’t wait to hear the results of his next trip.

Thomas White playing with Brakes at the Green Door Store 23/1/11

Yalla! by Thomas White is released on Bleeding Heart Recordings on 19th March 2012. The first 50 copies – available through Resident Records in Brighton and Rough Trade in London – come with a bonus five track cd, and there will be a free instore gig at Resident at 6pm on 19th March, where the album will be available for £6.99.

Electric Soft Parade play Holes in the Wall

Brighton’s favourite indie band The Electric Soft Parade played The Haunt last night for the tenth anniversary of their classic Holes in the Wall album, released on Feb 4th 2002.

Support came from two local bands – Another Costume Party, who play good energetic indie rock; and Whiskey Whores, who are a bluegrass-country band, and a lovely one at that.

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The White brothers seemed to have mixed emotions about their tenth anniversary gig. Happy to celebrate ten years of their much-lauded first album that still sounds brilliant today, they also seemed keen to see the back of it and consign it to history.

The songs are still strong, and the band itself – Tom and Alex White augmented by Damo Waters on drums, Matthew Twaites on bass and Andrew Mitchell (of the Hazey Janes) on second guitar – sounded amazing. Tom and Alex swapped keys/guitar from song-to-song, and the ‘hit’ single Silent to the Dark, played out in its full length noise-filled long version which seemed to go on for a mesmerising 15 minutes was worth the entrance money alone. Tom even managed to get the audience to sing the opening lines, before the band launched into its sonic assault. Empty at the End, Somethng’s Got to Give, Biting the soles of my feet were also highlights.

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But things were obviously not quite right with the band, with Alex in particular having a fit and throwing his toys out of the pram. By the end of the gig he was bemoaning the fact that his keyboards had died, perhaps not helped by his trying to play it with his heels earlier in proceedings, and saying this would be the last time he ever played live. That would be a shame because on the evidence of tonight, it’s hard to see how these boys could eve play a bad gig.

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The Hazey Janes at the Green Door Store

The scottish power-pop band The Hazey Janes came back to Brighton last night for a gig at the Green Door Store.

Support came from the Pure Conjecture, a Brighton supergroup of sorts featuring members of Electric Soft Parade, Brakes, British Sea Power, Tenderfoot and Restlesslist.However this was no rambling indie rock in the usual style of those bands.

When lead man Matt Eaton nervously started what was only the band’s second gig you could be forgiven for thinking that he was a terrible singer fronting a makeshift soul band. By the third song the audience was convinced that not only were this group a completely brilliant funk machine in the style of the Dap Kings but that Matt Eaton was one of the finest soul singers on the planet. As he grew in confidence the sound just got bigger and punchier. This was foot-tapping stuff of the top order.

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Matt covered Barry White with some verve, and then broke down the show-stopping I love My Car with a long joke about black boxes and working in tele-sales told over a rumbling beat and which made him completely own the stage, working a treat. 

 

Pure Conjecture have an album in the can, apparently recorded in four days featuring a full line-up of 14 people including a horn section. On the basis of this gig it should be brilliant. 

 

Headliners The Hazey Janes had a lot to live up to, following their support.

A big beaty four-piece playing power pop in the style of early 90s American bands such as Velvet Crush, they started in Scotland more than a decade ago but still carry a lot of youthful energy and passion in their music. When they let rip, as they did every other song, the waves of energy were felt around the room. This was garage rock of the highest order. They have a new CD to sell, but if you get the chance to see them live don’t miss it.

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Happy New Year

Happy New Year from Brighton Music Blog! It’s that time of year when pretty much the whole media is looking back at the past year and forward at the year ahead. We only started the blog back in October, so let’s just look ahead. Already it’s looking like a good year for Brighton Music – The Maccabees new album Given To The Wild is out next Monday, with Foxes! eponymous debut album out the following week, and Brakes have posted on Facebook to say that they’ll have an album out later this year too (although they have since tweeted to tell us not to get our hopes up!).

Maccabees - Given To The Wild

There’s also a lot of great Brighton-based gigs around town over the next few months. Here’s a few that caught my eye:

6th January : British Sea Power at The Haunt
23rd – 28th January : Sea Monsters 2 gigs at Prince Albert
31st January : Juice New Music Night (Bobby McGees headlining) at The Haunt
4th February : Electric Soft Parade (10th anniversary of Holes in the Wall) at The Haunt
16th February : Source New Music Night (headliners tbc) at Pavilion Theatre
23rd February : Shrag at Sticky Mike’s Frog Bar
9th March : Maccabees at Dome
13th / 14th March : Rizzle Kicks at Concorde 2

I’m sure that’s just the tip of the iceberg. We’ll have reviews and photos from some of those gigs in the coming weeks.

And as if that’s not enough, Brighton Music Blog contributor Jon Southcoasting is DJing his All Time Top 100 at the Coopers Cask this saturday. Jon knows a thing or two about music, so it’s bound to be a good night.