Last Friday Glasshouse Red Spider Mite played their first headline show, promoting their debut single Erstwhile, which came out on 20th March (which you’d have spotted if Instagram showed you our story on release day). Support came Van Zon, who we can’t get enough of these days, and out of towners Plainmoor. If you missed the gig and want to hear more from the band, you can catch them (and Van Zon) at Homegrown festival on Saturday 13th April
Hot on the heels of the release of their top twenty debut album One More Thing, Lime Garden closed their UK tour on Friday night with a sold out gig at Chalk. Support came from Ladylike (who are locals so also feature in the gallery below) and Ugly.
There was a shoutout to Chloe’s mum up in the balcony when they played Mother, quips about seeing the four coolest women on International Women’s Day, one of the friendliest mosh pits I’ve seen in a while, and, by all accounts, massive queues at the Green Door Store after they announced that’s where the afterparty would be.
This week Brighton Music Blog favourites Projector hit the road to promote their new album Now When We Talk it’s Violence. There’s a whole bunch of other tour dates (go check their website), but obviously the only one that really matters is their hometown gig, which took place at Green Door Store last night. It was everything you’d hope for and more – the album played through larger and louder than you’d have heard it at home, a mosh pit, band members removing layers of clothing, a Pixies cover, and fantastic support sets from Ideal living and Vincent Vocoder Voice. Go stream the album (or better still, buy it) today
Yesterday Lime Garden released their debut album One More Time. After a strong run of singles, of which only those released in the last twelve months feature on the record, and years of playing live honing their skills, they’ve come up with an accomplished collection of songs dealing with hope, humdrum and matters of the heart. Broadening their palette beyond guitar pop Floor and Pop Star casually toss in a bit of autotune, and Fears almost ditches guitars altogether save for a few riffs towards the end. The closing pair of tracks, It and Looking, strip things right back and remind us that it’s not parties every night. And then clocking in barely over half an hour it’s done, leaving us thirsting for more.
Promotion for the album kicked off last night with an in store at Resident (and an anecdote about how at a previous instore Chloe had asked Marika Hackman to sign a sanitary pad), followed by a launch party around the corner. A whole bunch of live dates are coming up including their biggest ever headline gig at Chalk on Friday 8th March, and no doubt a summer full of festivals
Last Friday Plantoid released their debut album Terrapath on Bella Union records, which follows the singles Dog’s Life, Pressure and Modulator:
It’s influences are rooted in 1970s prog rock – album opener Is That You? clocks in at over six minutes and jumps time signatures – but there’s a lot more to the record than that. Stick with it, and by the time you reach the lilting highlight Wander/Wonder you’re transported to South America as a whole load of Latin influences slip seamlessly in. Elsewhere the album rocks hard, on GY Drift, and wraps you in gossamer, on album closer Softly Speaking.
The album was launched with a out-store gig at Alphabet, playing through each track in order from start to finish, joined onstage by album producer Nathan Ridley enthusiastically playing the bongos. Click through the pics to view large:
Terrapath is out now in all good record shops and streaming sites, or from the band’s bandcamp page:
Today Hutch release their new single Ice on the Lake, taken from their forthcoming Smile & Wave EP, so we caught up with them at the Lord Nelson (just opposite The Radiator Centre) up to talk about the EP, the upcoming tour, and the buzz around Brighton bands at the moment.
Track One : The Bow
The bow was the first single from the EP, and came out last September. “It’s a song we had before we ever started gigging – there’s an early version of it up on Bandcamp – but we revisited it a couple of years later. We love long jams but we wanted to write some snappier songs. We started opening sets with it when we started doing tight 30 minute sets and playing gigs outside of Brighton – it’s got a lot of energy and in a room with people hanging out and chatting it’s a tune that can turn heads”
Track Two : Ice on the Lake
Was it a deliberate ploy to put Ice on the lake when it’s so cold out? “We’re so glad it worked out that way! The day that The Bow came out there was a Rainbow over Brighton that day, and you can’t write that kind of thing. So with this weather it’s perfect timing. Maybe when Marmalade Air gets released there’s going to be marmalade everywhere! We were actually supposed to release it last year but then we had some setbacks finishing the EP, and we wanted to release it in the wintertime.” It’s a track that has a few tempos – faster, then slower then faster again – “We had songs like Radiator Centre which also do a similar trick – this was a way of writing a long song that was a short song. I think it came off quite well”
Track Three : Marmalade Air “This came together in a rehearsal session at Under The Bridge, and it was just an idea when we went in, and by the end of the rehearsal we came away with something we were pretty proud of. We played around a lot with recording it faster then slowing it down, so it feels like you’re stuck in a jar of marmalade.” Track four : See It All “This was originally written by Eva (Lunny – who’s now just a studio member of the band) so at the moment we won’t be able to play it live. We’re going to try and find a way to do it but we really wanted to put this one on the EP for her. Eva’s like our Spirit Guide. She came up with that song, and it seemed quite fitting at the end of the EP. It’s quite an emotional one.” The EP was produced by Bobby Smiles, who’s an artist in his own right as well as a producer. “He’s amazing to work with – Some of us played in Tin Man so we worked with him on those recordings, and Charlie and Owen also play in Soft Top, and they worked with him too. He was on Our Family Dog a few years ago as well. He’s got around, but he’s also one of the nicest guys. He’s recording a lot of Brighton bands at the moment.” It feels like there’s a really strong Brighton Scene at the moment – you’ve mentioned bands you and Bobby Smiles are linked with, Flip Top Head are touring with Ideal Living, you go and see one band and the first three or four rows are full of members of other bands. It feels like the Brighton scene is the strongest it’s been in a long time. How does it feel from your perspective? “For us it feels like we’re just hanging out with mates. We’re really lucky, we started gigging just after lockdown and were ready to go once everything opened up again. We played gigs every three days for the first four months, but we weren’t the only ones – everyone had that energy and hunger to get out and about. You meet people and everyone becomes friends and then you’re all just doing it together. If they’re not playing in the bands, they’re working at the venues, at the bar or booking the shows. Also you play with loads of bands and everyone inspires each other, and that’s a beautiful thing. You go and see a band like Ideal living at Green Door before Christmas, and seeing those guys, you’re like Wow, there’s something really amazing going on. The competition is FIERCE! – We’ve been lucky enough to go and play elsewhere and meet a bunch of other bands that are local to those areas and there’s such great vibes, but then you come back to Brighton and there’s things like Mumfest and 234 – the standard of bands in Brighton is so high. We’ve got to try and be the best we can be. And everyone’s doing their own thing, it’s not like everyone’s overlapping, they’re supporting each other, it’s just wonderful. There’s always new bands cropping up as well. Van Zon are the new ones to watch. And Moon Idle (who supported Van Zon on the night we met up). We played at Mutations, and they played just before us. They’re a really cool band. One of those ones where you see a band and you say to yourself give this band a bit of time and they could be huge.”
The week after the EP comes out Hutch are heading out on tour. “We’re all just buzzed to get back out on the road. It’s the BEST thing. It’s so much fun. This is the longest tour we’ve done, with the most dates, and all headline shows. In September we went on tour with Gitkin and we went to Europe, we were playing every night – when we looked we thought we would be exhausted, but then the excitement after the first night, you get there and you have that post show buzz, Man, that’s so much fun. And you look at the tour dates and see that you’ve got that same feeling for another couple of weeks. And a headline tour will be even more exciting. And tours bring us closer together too – Although we spend pretty much all our time together anyway!”
And you’ve got Lewes Psych Fest at the end of January before the tour. “I’m so looking forward to it – it’s one of those line ups that you look at every year and want to check out all the bands because you know they’re going to be cool. Initially when we started playing we thought it would be so great if we could do that at some point”. You’ve worked with Chris Innerstrings (who organises LPF with Melting Vinyl) before – didn’t he do lights for you at 234 festival in 2022? “Yeah, He’s a lovely guy – he’s also doing lights at our show at the Green Door Store date on the tour. That’s the date that we’re most excited about – We’re heading out and slowly working our way back to Brighton. I think the Brighton one will be one to remember.”
Ice on the Lake is out today, the Smile & Wave EP is out 23rd of February, and the band head out on tour on 29th February, playing Brighton on 15th March
Last night ARXX played the closing date of their tour to promote new album Ride or Die with a hometown gig at Patterns, supported by Currls. We got there early and bagged a prime spot to take photos from:
Where to start writing about the new Electric Soft Parade album – how about last week, when I was at the Rosehill for Melting Vinyl’s unofficial Great Escape Fire Records showcase gig, with a friend who’s also friends with the White brothers? We were just catching up when Thomas bounds over, all smiles and warmth. He says hi to both of us, and before we know it, he’s off catching up with someone else he knows through being based in the local music scene for over twenty years. After he moved on, my mate relays that Alex has told him that there’s loads of unreleased Electric Soft Parade material, but that there were no plans to release it. It seems a week is a long time not just in politics, but in the world of Electric Soft Parade, because today, out of nowhere, Avenue Dot has just been released. Looking at the credits, on paper this album looks likes Alex’s baby, having written and played most of it, but the magic of ESP comes when they come together – Alex’s songwriting combined the deft touch of Tom’s drums and synths layered over the top and subtle sprinkles of stardust in the production. As you’d expect from an ESP album in this day and age, it doesn’t rest on it’s laurels – it opens (and closes) with jazz saxophones, The Hundred Years War is unashamed country and Momentary Bliss is dreamy psych. It’s good to have the brothers back.
The Great Escape is next week! Indisputably THE best week for music in Brighton, and one where hopefully some local bands can get a bit more exposure too. As well as the main festival, there’s also the Alt Escape, and I’ve tried to pick out all the Brighton bands on both those line ups in this post. There’s also loads of unofficial gigs happening, and I’ll be making a separate post about those, which will be a bit of a moving target right up until the gigs themselves happen.
Anyway, without further ado, here’s the Brighton based acts I’ve spotted over at the Great Escape site:
A couple of weeks ago, Dark Horses released their third album While You Were Sleeping. We fired over a couple of quick questions to ask about the record and the launch gig taking place later this month
While We Were Sleeping album cover. Photo by Ali Tollervey
Your last album Hail Lucid State came out back in 2014, and while there’s been a few live performances and tracks released, it’s taken until now to get the album together. Has it been a long hard slog over all that time, or did you go away then regroup more recently?
Not a long hard slog as such but it’s been a real test of patience. It’s taken time to #1 find the right label home for the release #2 wait patiently for post pandemic backlog of vinyl production to run down and #3 all be in the same country together safely!
There was a bit of activity around 2017/2018 – the single XIII (which opens the album), and the track Yes Yes Yes (the second track on the record) which was released by Love Thy Neighbour to accompany their Triptych gigs. Was the plan at the time that these would form the start of the album, or were these one offs that it was just the right time to release into the world?
They were already part of the album, we were planning to release that in Summer 2020 but for obvious reasons that was not to be. As mentioned there was the added challenge of being in different countries and not being able to travel. The title now seems even more apt! But we well and truly awake now.
You’re playing at the Hope & Ruin on 15th April, and it’s billed not just as a gig, but a Live AV show in collaboration with visual artist James GM. Can you give us an idea of what he’s going to be doing?
James GM is a fantastic AV artist who is passionate about minimalist contemporary art, especially within the world of digital. From minimalist painters like Cy Twombly to modern animators such as Kevin McGloughlin and David Hughes, abstract visual art forms fascinate him.
He is using his programming background to create reactive visual pieces to compliment the music. As always visuals are a crucial collaborative part of how we like to work and of corse the advances in technology make for a great space for extermination and creativity. As the images will be reacting live to our performance we won’t know how things will look until we play! The fun is in the discovery!
While You were Sleeping has been released on a US label – will you be heading to the states to play some shows out there? Are there plans for more UK shows following the album launch?
We would love to make it across the pond one of these days but for now we will focus on closer shores. We are excited to be invited to join the fantastic Ravonettes at O2 Islington Academy on the 10th of May followed but a whirlwind appearance at The Great Escape Festival on the 11th May at The Fiddlers Elbow, with other exiting announcements to come, watch this space 🙂 http://www.darkhorsesmusic.com
We have more artistic collaborations in the pipe line, continuing to play with machine learning, film, dance and performance.