Kovak and Heliopause at NXNE

Congratulation to Kovak and Heliopause, who are representing Brighton at this year’s NXNE festival in Toronto. This might not sound like a big deal, but there are only ten bands from the UK out of the 780 who are playing (and here’s something for the people from The Great Escape to think about – about half the bands playing are from Toronto)

Heliopause are performing here:

14th June – 10pm Czehoski

15th June – 4:15pm Six2Seven

15th June – 10pm Cameron House

Kovak are performing here:

15th June – 10:00pm El Mocambo

16th June – 7:00pm The Mod Club

Hope it all goes fantastically!

Heliopause / The Lumo Tapes

Once upon a time there was a three piece band from Belfast who made rather nice dreamy folk music. Then main protagonist Richard Davis relocated to Brighton, and found that being in a band where your bandmates are on a completely different landmass was a bit tricky. For a while, Richard tried his own thing, putting together layers of sound on his laptop, calling his new project Lumo. He played a few gigs which were mostly improvised, and got approached by Brighton label Precious Metal, who have started putting out releases on cassette.

When Richard agreed his original thought was two put out two longer tracks of about ten minutes each, with one on each side, but things grew and grew. Guitarist Niall Harden had also moved to Brighton, and they couldn’t turn their back on Chris McCorry who was still back in Belfast. The release would be as a new, bolder, more ambitious Heliopause, and instead of two tracks, a whole album’s worth of material was recorded.

The result is the Lumo Tape. It’s recognisable as the old Heliopause, but the songs are bigger, richer and more atmospheric. Guitars are run through numerous pedals making them distorted and fuzzy. Electronica generated on the laptop twinkles and burbles in the background. Layers of reverb are added to the songs making the whole sound much warmer – like Sigur Ros with intelligible lyrics remixed by Kieran Hebden.

The album was launched at an intimate gig at Brighton Electric Studios on Saturday 5th May. Support came from local electronica act Krill, and Before Machines, a post-indie band who are old friends of Heliopause’s from Belfast.

Only fifty cassettes have been produced, which went on general release at the gig. Soon they’ll be taking some to Canada – the band are performing at this year’s NXNE festival in Toronto in June.

http://preciousmetal.bandcamp.com/

music

Abi Wade & Heliopause supporting Sea of Bees at The Haunt

It’s always pleasing when a visiting band gets a local acts to support them, and it’s doubly good when two Brighton acts get added to the bill. Wednesday night, Sea of Bees played at the Haunt, and as well as Stealing Sheep who have supported them on their whole tour, they were also supported by Abi Wade and Heliopause.

Abi Wade continues to astound every time I see her. Conventional wisdom says that if you’re going to have drums, strings and vocals you’d probably have a whole band. Conventional wisdom also says that you play a cello by pulling a bow across the strings, not using the bow, a variety of drum sticks and even a hairbrush not just on the strings but over the whole instrument. At times last night Abi recalled the dexterity of The Durutti Column’s Vini Reilly who coaxes out rhythm, melody and backing out of just the one instrument, but Abi also has the advantage of a fantastic voice. If there was Brighton act that I’d say people ought to see right now, it would be Abi Wade.

Second act on last night were Heliopause, who were the first band I saw at Sea Monsters earlier this year. Their roots are in folk, but their sound is so much more than that – There’s electronica involved, but it’s not folktronica like Four Tet used to make before he went jazz. There’s elements of post rock in there too, and sometimes the guitars shimmer and send shivers down your spine. What’s important is that it all works so well together, and these elements aren’t clumsily thrown in, which gives the band their own sound the separates them from the crowd. Their next album is released on 5th May, and from what I’ve heard so far, is a real treat for the ears.

Abi Wade is next playing on 10th May at 7.30pm at the Unitarian Church as part of the Great Escape Festival and again on 11th May at 3pm at Latest Music Bar as part of the Alternative Escape. Heliopause launch their album with a gig on 5th May at Brighton Electric Studios.

More new releases

It seems like only a week ago I was posting a bunch of new singles from Brighton bands. Maybe that’s because it was only a week ago, but it must be the season for new releases, because here’s a bunch more:

First up is High Rankin, with his new track Fuck You Virtual DJ. It’s very immature, it’s got some filthy bass, a cartoon video, and childish swearing. What more could you want? A free download, you say? Well, as it happens…

Haunted Gold by Curxes is released today on iTunes. If you’re not such a fan of digital downloads, apparently some vinyl is coming soon!. The video is the result of weeks of painstaking scanner and glitter work. Take a look here:

Next we have Wild Cat Strike, with their debut EP Shout at Satan, which was recorded just up the road a Yellowfish Studio near Lewes. Not quite as dark or metallic as the name might suggest, the EP is three tracks of good old fashioned guitar indie. The band also make their debut performance at the Prince Albert on Saturday 28th April

Sticking with debuts, Soft Arrows release their debut single Spirit Animal Bones today. The two piece played a great minimal shoe gaze set a few months ago at Sea Monsters at the Prince Albert and have released their single as a free download in advance of their forthcoming album All Through The Sinew.

Heliopause (who also played at Sea Monsters) are putting out their next release on limited cassette. Don’t worry though – there’ll be a digital download included. They’re playing a launch gig at Brighton Electric Studios on 5th May, and have put a couple of tracks up on Bandcamp as a taster:

Finally, here’s Kellar’s new EP Smokescreen. Kellar make what they call Improvisional Texture Rock. It’s big slabs of extreme psychadelic noise, devoid of such mainstream constraints like tunes or time signatures. Heavy stuff indeed.

Rob’s Sea Monsters diary, Part 2 24th January 2011

OK then, a very quick round up of the first night of the Sea Monsters 2 festival (is it a festival or a series of gigs?) at the Prince Albert.

First up, Heliopause, who I was mightily impressed by. Two guys on stage making dreamy music which was somewhere between folk and post rock. A very big sound from a very small band. They were giving away their cd from a couple of years ago, which I’m very much looking forward to listening to. I’d say out of tonight’s three bands, they’re the one I’m most likely to go and listen to again.

Heliopause

Next up was Robert Stillman. Before tonight, I’d scanned over the program and seen the words composer, multi-instrumentalist, and folk, so I wasn’t expecting half an hour of avant garde contemporary music. Maybe I should have also read the words “sonic arts” and “American pre-jazz”. It was incredible though, and fascinating to watch so close up. Robert Stillman is an amazing pianist. Congratulations to One Inch Badge for having the balls to put something like this in the middle of their gig, and congratulations to the audience for being so broad minded as to lap it up.

Robert Stillman

Headlining were The Sons of Noel & Adrian, who squeezed eight people onstage. Apparently the full band has twelve members – thankfully they didn’t try and get them all onto the stage. They describe themselves as folk noir, which translated into folk with lots of added instrumentation (three guitarists, clarinet, oboe, trumpet, two drummers). They were the only act of the night to play songs in the more traditional sense of having verses and structure, but it was only as a measure against the other acts of the night that they seemed more traditional.

The Sons of Noel & Adrian

Sea Monsters 2 preview

So, I had this grand plan to do a write up about what I was looking forward to at Sea Monsters 2 in the week leading up to the gigs. But then I went to a gig last Sunday night, which I wrote up on Monday night. And then I went to a gig on Tuesday (which wasn’t one for the blog). And then Wednesday I went and interviewed the Repeat Prescriptions. Last night I thought it was about time I spent some quality time with my girlfriend, so now here we are on Friday, with the gigs starting on Monday with nothing written.

Thankfully, One Inch Badge, who are putting on the gigs, have done pretty much what I intended to do, and have written up some highlights of some of the twenty three (!!!) bands playing next week.

Personally, I’m looking forward to Us Bear Baby Bones, who I saw supporting Laetitia Sadier last week at the Green Door Store, Black Black Hills, who headlined the Source New Music night a few months ago at the Pavilion Theatre, and Restlesslist, who I haven’t caught live yet but are playing tonight at the Green Door Store.

I don’t quite know how I’m going to have time to fit in time for an update on every gig next week, but keep an eye on the blog, and maybe I’ll find the time to get a little something up.

Here’s a link to the Sea Monsters section of the One Inch Badge website, and here are the links to the band previews they’ve posted so far:

Sons of Noel & Adrian
Fear of Men
I’m Being Good
Munich
Restlesslist
Tall Ships
Robert Stillman
Cinemascopes
Negative Pegasus
Black Black Hills
Us Bear Baby Bones
Heliopause

Monday 23rd January 2012
Sons of Noel & Adrian
Robert Stillman
Heliopause

Tuesday 24th January 2012
Fear of Men
Cinemascopes
Soft Arrows
Tyrannosaurus Dead

Wednesday 25th January 2012
I’m Being Good
Negative Pegasus
Plague Sermon
Sea Bastard

Thursday 26th January 2012
Restlesslist
Nullifier
Speak Galactic
DA-10

Friday 27th January 2012
Munich
Black Black Hills
Jumping Ships
Twin Brother

Saturday 28th January 2012
Tall Ships
Us Baby Bear Bones
Squadron Leaders
Physics House Band