Goodbye / Meat single launch at Bella Union Shop

Goodbye‘s debut single feels like it’s been a long time coming – At their first gigs back in Summer 2024 they already felt like a band who had been around for a while. They had songs, they had stage presence, they had a fully formed sound that takes some bands years to establish. I guess what they didn’t have at that point was a reputation, so they’ve been working hard since then and the time is finally right for them to share their first release. Meat has been a staple of their live sets for as long as I remember and appeared on the live cassette that came out back in March as a way of getting some music out into the world before a proper release. The band’s PR calls it dreampop, but there’s definite 80s / 90s indie sound to their guitars (I’m sure I heard someone that they’re named after a song by The Sundays but I can’t find anything online to support that, so don’t quote me on that).

In lead vocalist Megan Wheeler’s own words: “‘Meat’” sort of touches on the idea that some men see women as lustful objects rather than human beings, ogling them as meat. Sometimes you catch a stranger’s eye and they look right through you, as though they are stripping you of everything you are, your personality, skills, talent reduced to just meat. In my experience the majority of women I know have felt this in some form so I kept the lyrics deliberately vague and open to interpretation.”

Last night the band played a launch at the new Bella Union Shop, supported by Atticomatic. The room was packed so I’m glad I got down early for a good view to have the night captured for posterity.

 

Meat by Goodbye is out now

 

George Bloomfield / Now & Then album launch

On Tuesday night, George Bloomfield launched his new album Now & Then at Alphabet with a full eight piece band, supported by Soft Top (who also had a cast of thousands on stage). George and his band played the album roughly in order, with a few non-album tracks tucked in the middle. In lieu of an encore the closed with Space Between which came out a couple of years ago.

We were down the front with our camera to catch the action (click through to view large):

 

Tinderbox Presents…

If you’re anything like me, you probably aren’t really aware of Tinderbox. Maybe if you were paying attention you might have seen a poster for this week’s Human Interest gig at the Hope & Ruin and thought they were promoters. Actually, Tinderbox is a non profit artist development and music production house, based in Sussex and funded by the Arts Council. In their own words the “exist to make sure cool, diverse music keeps getting made by cool, diverse working artists, who increasingly can’t afford to get into the studio”. The team behind Tinderbox are made up of Lucy Sheehan from Projector, producer / engineer Ben Hampson, who’s been involved an impressive list of bands from Brighton and beyond, and Suzi Ireland, a music industry professional with decades of experience across management, promotion and journalism.

They’re putting on the gig on Wednesday to support some bands they’ve worked with over the last year – Human Interest, That Band Called Susan and Brighton’s Atticomatic. Keep your eyes peeled for future Tinderbox gigs which they’re hopefully putting on a couple of times a year, and if you’re a musician looking to advance your career, maybe look them up and get in touch with them

The New Eves – The New Eve is Rising

When I first saw The New Eves back in 2023, I knew instantly that they were something special. The first sign was the hushed reading of their manifesto, read out by Nina Winder-Lind to a rapt audience (which has been recorded for the album as opener The New Eve). There was the fact that they played rock’n’roll but rejected the traditional guitar bass and drums format. And it was because as well as playing rock and roll they switched effortlessly to earthy, visceral folk music. There was also the way they mixed up the instruments they played throughout the set – Nina Winder-Lind on both cello and guitar, Ella Oona Russell on drums and flute, Kate Mager on bass and the biggest harmonica you’ve ever seen, and Violet Farrer on guitar, violin and interpretive dance. All the old rules were out of the window. Their name and their lyrics are steeped in literature and poetry, but rather than being a haughty intellectual pursuit the band translates this into something very accessible.

And tomorrow their album, The New Eve is Rising is released. Featuring all Highway Man, Cow Song and Astrolabe, which have all been singles, as well as the aforementioned The New Eve, and a handful of other tracks, the New Eves are not just rising is not just rising, but have very much arrived.

The New Eves are playing a host of instores over the next few weeks, including Resident on 8th August, and are hitting the road in September for a bigger tour in September, stopping off at Concorde 2 on 9th October. The New Eve is Rising is released on Transgressive Records on 1st August

Folklore Vol. 2

On Friday the 25th, Folklore release their second showcase EP, Folklore Vol. 2, so I caught up with Folklore head honcho Jacko Hooper to get the low down on the acts and the accompanying launch gig. Volume one was a 7″ record, but for this release (and probably future releases in the series) they’ve switched to the 10″ format. Initially driven by the length of the songs, which wouldn’t have sounded as good with the physical constraints of a 7″, there’s something alluring about the slightly larger format. Jacko talked me through each of the bands on the EP:

Nierra Creek / Burn out the Fire
We did the 7″ for those guys last year, and we’re working with them again. I’m just a huge fan and with the artists that I was getting together for this it’s a more left field leaning than a folk record. Nierra Creek were a really cool one to get on this because they worked so well with the other artists on the record
Quaking Aspens / Flume
Quaking Aspens have recently do a UK / European tour with Nierra Creek and ai really wanted them involved for this one. Those guys worked together quite a lot so it was an obvious combo to get them. 
Adam Spry / Tangled
Adam Spry is a US based artist who originally got in touch with me over Covid when there was obviously no shows happening. And at the time Folklore’s main presence was a radio show, because there wasn’t much else we could be doing during COVID. And he just submitted one of his songs for the radio show, a track called Bonanza, and it was so good. And we kept in touch and then he came and did our monthly showcase last year. And it was so, so good, his first show in Brighton. I want to have hopefully at least one artist that’s international for the volumes , to tap into a different audience and also to bring some of those artists to eyes and ears in Brighton.
Mezanmi / This Time Yesterday
Mezanmi is from Newcastle, based in London. He’s an incredible singer-songwriter, sort of electronic sort of based I would say, very cinematic, ethereal. His album was one of my favourite albums of last year without doubt, and he did the album launch show here. He just married up so well with Nierra Creek and Quaking Aspens, and that song is absolutely stunning. So it’s a really nice way to see out the record, really cinematic.

The launch gig takes place next Friday (25th) as a fully standing show unlike some of their seated showcases. All the acts, bar Adam Spry are playing (because he’s in the States) and there’s rumours of some special stuff on the night with collaborations.

It’s worth noting at this stage that a fair amount of time has passed between volume one – which appeared in 2018 – and volume two. “Yeah, volume one was a while ago! But it’s gonna be a bit more regular from now on. The plan was always to do them slightly more regularly than that anyway but with Covid and then opening the venue it just fell down the list in terms of having the time and resources to do that. Basically trying to keep a venue alive is like a very much full-time job but now we’re in the rhythm of things and volume three is already done. I’m trying to stay like a record ahead of myself. We keep moving forward with the 10 inch releases and we’re looking at one or two a year”
The permanence of a physical record absolutely is a very positive thing – it’s one thing for a band to play a gig but at the end of the night it’s over whereas record is going to be around for a long time. “Yeah, that’s huge. This is Quaking Aspen’s first vinyl release. It’s a big deal for them. And they were saying that they’re so happy that they’re going to end up with something they can hold, physically hold, and not just digitally release and be out in the ether.” I don’t want suggest that making music is in any means easy, but the barriers to entry have come down so much. “Absolutely – Getting the physical element is a whole other beast. And I’m just a big vinyl nerd so I love living it.”

Folklore Vol. 2 is out on 25th July and can be pre-ordered from the Folklore website

Van Zon / Glasshouse Red Spider Mite EP Launch double headliner at Alphabet

Around a month ago, Van Zon released their debut EP “All Things, All One Aglow“, and a couple of weeks later, Glasshouse Red Spider Mite released their EP “What Do You Mean The Monster?… Hahaha“, and last night the bands played a double headline launch gig at Alphabet, supported by London band Catbandcat. We went along with our camera to capture things for posterity:

(click through to view large)

 

Maximilian / Long Time Gone single launch at Green Door Store

Earlier this week, Maximilian released his new single Long Time Gone on Crafting Room Records, and we were invited down to his launch gig at the Green Door Store. Accompanied by a full band (although one not quite as expansive as at the launch of his album Surrender last year) they dropped the new single towards the end of the set, starting off acoustic and building up textures from different members of the band as the song goes on. Having not played at last weekend’s Great Escape Festival or any of the associated unofficial gigs (as far as we could tell, at least), It was good to see him back on stage again.

Support at the gig came from Cordelia Gartside and Big Hands And All Gristly.

 

 

 

Penelope Trappes at Alphabet

On Thursday, Penelope Trappes played a hometown gig at Alphabet, concluding the tour of her latest release A Requiem. The album is a powerful work, perfectly encapsulating the grief that overshadows it’s ten tracks. For the live performance Penelope was joined Klara Schumann on cello and Kat Pihl on keyboards to recreate the imposing visceral sound of the recordings, and Alphabet was probably the best venue in town to do justice to this. There was a strong visual dimension too, with lighting designed by Agnes Haus (which at some points was nothing more than just a handheld industrial lamp) and headwear inspired by the organic form of branches of a tree. The arpeggiated synth lines of one of the albums more electronic moments, Red Dove, provides some light towards the end of the performance, and the night closes serenely with Thou Art Mortal, the last track on the album, with waves of sound washing over us to send us on our way.

Support on the evening came from Zac Clowes and Jonah Wardle, who played and continuous thirty minute cinematic ambient set

A Requiem by Penelope Trappes is out now on One Little Indie:

 

Brighton Rocks #44 : Jamie Broughton / Big Long Sun

Last Week Big Long Sun released their new EP I Can Hardly See A Thing, relatively hot on the heels of last year’s Big Long Sun : Speaking album. More lo-fi in nature and bringing in an even wider array of influences than before it feel’s like the sky’s the limit for Jamie Broughton and his band. With Preston Park in full bloom, we skipped taking photos down at the beach (has anyone other than me and the people in the photos noticed that the rest of the Brighton Rocks series photos are at the beach?) and took advantage of nature’s spring display to catch up and get the low down on Brighton.

Best thing about Brighton?
Brighton feels as though it’s in its own vacuum. This is what I love about it. A space in which to consider and bide time, disconnected from London and all its overwhelming aspects. I like that there is an air of acceptance and individuality. The music scene is one symptom of this phenomenon. But there are many others. I just wish we had an actual good venue open after midnight and not just the abysmal ‘dead wax’.

Favourite local bands?
I like Nina Winderland and her band a lot, and I love Woody Green, especially when he plays with a band behind him. Both of those artists are great songwriters and (more importantly) really inspired poets.
Check out their poems.
Both are making books I believe.
I’m not crazy on all the bands, I think my taste would be more at home in a slightly more diverse musical landscape but…
Billy marsh, what a front man…
Great artists are also at work in this city –
Bill Redshaw, Darling vinciguerra, Hugo Winderlind.
Also as a final note, we got no jazz in Brighton really, but hill collective are dope – check out their stuff.

Best venue?
Alphabet. A lot of the other ones I have become tired of.

Best rehearsal space / studio?
I like rehearsing in basements and bedrooms and other amateur locations. The time pressure and protocol of rehearsal spaces is not conducive to creativity.

Best club?
Hahahahahah. none that I’ve found or feel compelled to inhabit. Another greatly lacking aspect of Brighton actually.

Best record shop?
I like across the tracks, but I don’t have spare cash anymore…

Best places to eat?
Abyssinia – amazing Ethiopian place.

Best pub?
I don’t really like pubs. I prefer houses and parks and the beach and the forest.
If I went for a drink with someone I think I’d go to alphabet. Love that place.

Favourite Brighton celebrity?
Willow Bumble. What a legend.

Last time you had any Brighton Rock?
2018 – what a disaster teeth and pain and confusion that was

I Can Hardly See A Thing by Big Long Sun is out now

 

 

Helen Ganya / Share Your Care interview

Last month Helen Ganya released her second album Share Your Care, and since we’ve been covering Helen’s various projects for over ten years it was only right that we caught up to have a chat about it, and about other things she’s been up to since we last spoke.

The origin of the album came around four years ago, when Helen’s Thai grandmother – the last of her grandparents – passed away. “It made me quite emotional – Not just sad, but also really wanting to remember everything about my time as a child and spending my summers in Thailand. So it was a really nice way to like go back into childhood memories and think about those times and the sounds. And that’s kind of where I started thinking about actually incorporating Thai instruments”. Helen has never hidden her heritage – even during her days as Dog in the Snow it was always noted that her background was half Thai and half Scottish – but musically, for the most part, her Thai side hadn’t come to the fore. “this is part of my background but I thought it might be a bit fraudulent or might not be seen as authentic. But the Thai traditional sounds on Share Your Care are the sounds of some of my childhood”.

photo by Sonia Abbas

There have been a couple of songs that have been translated into Thai – a reworked version of the title track from her last album Polish the Machine appeared on 2023’s Repolish The Machine EP, and in 2020 she released ทอง, a Thai version of Gold from Vanishing Lands. “These were more of an afterthought, where the Thai words were translated to a song that was already written, as opposed to working from the ground up as I have done on Share Your Care. There’s one song on the new album that’s written in Thai, as well as having Thai instrumentation, and that was really nice to think in that way”

There isn’t a Thai musical community in Brighton, so Helen reached out to contacts she’d made through ESEA  Music – the East Southeast Asian Music Collective – a group that formed in 2020 following anti-Asian backlash from Covid. Through them she was introduced to Artit Phonron at a Thai temple in Wimbledon, who took Helen’s parts written in midi and played them on ranat ek (a sort of Thai xylophone), saw duang (a bowed two string traditional instrument) and khim (a dulcimer). “He was amazing, not only was it him just learning by ear and just playing it, but also dealing with the tuning issues as well – because Thai scales are different from western musical scales – which was quite a challenge.” Anglo-Thai artist John ‘Rittpo’ Moore also contributes flutes and saxophones to the record.

photo by Sonia Abbas

The only other voice on the album is British Nigerian. Helen explained how that come about: “The last song, Myna, is about a Myna bird. My grandad used to keep a Myna bird, which is kind of like a south east Asian starling, but it’s known for mimicry, so it  can parrot a lot of human voices. And after my grandad died, the myna which he had kept in a cage started sounding like him. It was quite moving but also really strange so I wrote that song thinking of having a second voice that would kind of be my grandad but almost like a third grandad rather than the real grandad. I was trying to think of a voice that I sort of someone I knew that was low and reminded me of my grandad –  even though I think Tony’s probably younger than me!”

The album was produced with Rob Flynn who Helen has a long working relationship with. “It was quite funny when we first met, he was always asking whether I would consider making music utlising Thai instruments. And I shut it down all the time and was like, no, I don’t want to do that. I just want to do make contemporary Western music. So when I came to him with this idea, I felt like he was just ready for it.”

Drums on the album were played by Hilang Child, who’s worked with Helen since playing together in Simon Raymonde’s collective Lost Horizons in 2017. As well as playing drums on the record and live, Hilang Child is also one of the supports at next week’s gig, along with Alex Painter.

As well as connecting with other Thai musicians over lockdown, Mixed Tapes, her show on Slack City Radio, was born. “Slack City got in touch with me and asked if I would be up for doing a radio show? I thought, oh that could be fun, and like many people in the creative industry during lockdown, it wasn’t like I had a lot on.” The show is a platform celebrating artists and people in the music industry of mixed heritage, featuring interviews and music, but without preaching to it’s audience or being negative, which over time has grown to the extent that for the last two years the search for for artists who fit the brief has become easier as people have got in touch directly with her. Mixed Tapes goes out roughly once a month on Slack City – check their schedules for the next episode.

 

 

Share Your Care is out now on Bella Union. Helen Ganya plays at Alphabet on Wednesday 12th March